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The Lawrence Gallery. Ninth Exhibition. A catalogue of one hundred original drawings by Raffaelle, collected by Sir Thomas Lawrence, late president of the Royal Academy, exh. cat. (London: The Lawrence Gallery, 1836), p. 21, no. 56.
The Lawrence Gallery. Ninth Exhibition. A catalogue of one hundred original drawings by Raffaelle, collected by Sir Thomas Lawrence, late president of the Royal Academy, exh. cat. (London: The Lawrence Gallery, 1836)
Citation (Bibliographic Reference) Sequence
Vries, Jeronimo de. Catalogue des tableaux anciens et modernes, de diverses écoles, dessins et statues, formant la galerie de feu Sa Majesté Guillaume II, etc. (Amsterdam: W. Willems, libr., 1850), p. 146, lot 55.
Vries, Jeronimo de. Catalogue des tableaux anciens et modernes, de diverses écoles, dessins et statues, formant la galerie de feu Sa Majesté Guillaume II, etc. (Amsterdam : W. Willems, libr., 1850)
Passavant, Johann David. Raphael d'Urbin et son pere Giovanni Santi. 2 vols. (Paris: Jules Renouard, 1860). Edition francaise, refaite, corr. et considerablement augm. par l'auteur sur la traduction de M. J. Lunteschutz, rev. et annotee par M. P. Lacroix, vol. 2, p. 536, r).
Passavant, Johann David. Raphael d'Urbin et son pere Giovanni Santi. 2 vols. (Paris: Jules Renouard, 1860). Edition francaise, refaite, corr. et considerablement augm. par l'auteur sur la traduction de M. J. Lunteschutz, rev. et annotee par M. P. Lacroix
Ruland, Charles, ed. The works of Raphael Santi da Urbino:as represented in the Raphael coll. in the Royal Library at Windsor Castle, formed by H.R.H. The Prince Consort,1853-1861 and completed by Her Majesty Queen Victoria (Weimar:Court Print. Off,1876), p. 49, no. VIII,5.
Ruland, Charles (ed). The works of Raphael Santi da Urbino:as represented in the Raphael coll. in the Royal Library at Windsor Castle, formed by H.R.H. The Prince Consort,1853-1861 and completed by Her Majesty Queen Victoria (Weimar:Court Print. Off,1876)
Fischel, Oskar. Raphaels Zeichnungen Versuch einer Kritik der Bisher veroffentlichen Blatter (Strassburg: Trubner, 1898), p. 146, no. 362.
Fischel, Oskar. Raphaels Zeichnungen Versuch einer Kritik der Bisher veroffentlichen Blatter (Strassburg: Trubner, 1898)
Oberhuber, Konrad. Raphaels "Transfiguration" : Stil und Bedeutung (Stuttgart: Urachhaus, 1982), pp. 43, 77, n. 17.
Oberhuber, Konrad. Raphaels "Transfiguration" : Stil und Bedeutung (Stuttgart: Urachhaus, 1982)
Christie, Manson; Woods, London. Important old master drawings. December 14, 1982, lot 17.
Christie, Manson & Woods, London. Important old master drawings. December 14, 1982
Joannides, Paul. The Drawings of Raphael: with a complete catalogue (Oxford: Phaidon, 1983), p. 247, no. 456, ill.
Joannides, Paul. The Drawings of Raphael: with a complete catalogue (Oxford: Phaidon, 1983)
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raffaello: i disegni (Florence: Nardini, 1983), pp. 138, 642, no. 618, ill.
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raffaello: i disegni (Florence: Nardini, 1983)
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raphael: Die Zeichnungen (Stuttgart: Urachhaus, 1983), pp. 142, 619, no. 618, ill.
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raphael: Die Zeichnungen (Stuttgart: Urachhaus, 1983)
Chastel. Andre et. al., Raphael dans les collections francaises, exh. cat. (Paris: Ministere de la culture, Editions de la Reunion des Musees Nationaux, 1983), p. 240, no. 68; p. 307, no. 117, ill.
Chastel, Andre et. al., Raphael dans les collections francaises, exh. cat. (Paris: Ministere de la culture, Editions de la Reunion des Musees Nationaux, 1983)
Bernini Pezzini, Grazia, and Stefania Massari and Simonetta Prosperi Valenti Rodinò, eds. Raphael invenit: stampe da Raffaello nelle collezioni dell'Istituto Nazionale per la Grafica, exh. cat. (Rome: Ed. Quasar, 1985), p. 221, no. IX, entry by Stefania Massari.
Bernini Pezzini, Grazia, and Stefania Massari and Simonetta Prosperi Valenti di Rodinò, eds. Raphael invenit: stampe da Raffaello nelle collezioni dell'Istituto Nazionale per la Grafic, exh. cat. (Rome: Ed. Quasar, 1985)
Gere, John A. Drawings by Raphael and his Circle from British and North American Collections, exh. cat. (New York: The Pierpont Morgan Library, 1987), p. 148, no. 39.
Gere, John A., ed. Drawings by Raphael and his Circle from British and North American Collections, exh. cat. (New York: The Pierpont Morgan Library, 1987)
Goldner, George R., et al. European Drawings: Catalogue of the Collections. 4 vols. (Malibu: J. Paul Getty Museum, 1988-2001), vol. 1 (1988), pp. 102-3, no. 40, ill.
Goldner, George R., et al. European Drawings: Catalogue of the Collections. 4 vols. (Malibu: J. Paul Getty Museum, 1988-2001), vol. 1 (1988)
Rosand, David. "Raphael drawings revisited." Master Drawings 26, no. 4 (Winter 1988), pp. 258-363, pp. 360, 363, n. 14.
Rosand, David. "Raphael drawings revisited." Master Drawings 26, no. 4 (Winter 1988), pp. 258-363
Gombrich, Ernst, et al., Giulio Romano, exh. cat. (Milan: Electa, 1989), p. 272-73, ill.
Gombrich, Ernst, et al., Giulio Romano, exh. cat. (Milan: Electa, 1989)
Ferino Pagden, Sylvia. "Giulio Romano und das künstlerische Vermächtnis Raffaels." In Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition, exh. cat. Sylvia Ferino Pagden and Konrad Oberhuber, eds. (Vienna: Kunsthistorisches Museum, 1989), pp. 82, 84, no. II/50, ill.
Ferino Pagden, Sylvia. "Giulio Romano und das künstlerische Vermächtnis Raffaels." In Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition, exh. cat. (Vienna: Kunsthistorisches Museum, 1989)
Massari, Stefania, ed. Giulio Romano pinxit et delineavit : opere grafiche autografe di collaborazione e bottega, exh. cat. (Rome: Palombi, 1993), p. 6, no. 3.
Massari, Stefania, ed. Giulio Romano pinxit et delineavit : opere grafiche autografe di collaborazione e bottega, exh. cat. (Rome: Palombi, 1993)
Henry, Tom and Paul Joannides, eds. Late Raphael (London: Thames & Hudson, 2012), pp. 148-153, no. 23, ill.
Henry, Tom and Paul Joannides, eds. Late Raphael (London: Thames & Hudson, 2012)
Vasari, Giorgio. The Life of Raphael (London: Pallas Athene, 2004; repr., Los Angeles: J. Paul Getty Museum, 2018), pp. 116-117, ill.
Vasari, Giorgio. The Life of Raphael (London: Pallas Athene, 2004; repr., Los Angeles: J. Paul Getty Museum, 2018)
Pagliano, Éric. “Drapé dans sa nudité”: Les forms et les usage du nu dans la mise en place du drape.” In Drapé: Degas, Christo, Michel-Ange, Rodin, Man Ray, Dürer…, exh. cat. Pagliano, Éric and Sylvie Ramond, eds. (Lyon: musée des Beaux-Arts, 2019) , p. 50, fig. 36.
Pagliano, Éric. “Drapé dans sa nudité”: Les forms et les usage du nu dans la mise en place du drape.” In Drapé: Degas, Christo, Michel-Ange, Rodin, Man Ray, Dürer… , exh. cat. Pagliano, Éric and Sylvie Ramond, eds. (Lyon: musée des Beaux-Arts, 2019)
Working from a live model, Raphael Sanzio used a range of techniques to draw this figure. Below the billowing drapery, he quickly sketched Christ's legs, but he subtly modeled the torso above in a fluid, painterly fashion, achieving this effect with a brush and wash. He drew the legs in first, and the lines of the figure remain visible underneath Christ's drapery. He defined the figure's monumental, round forms with economy, using black chalk to emphasize contours as well as to create rich chiaroscuro effects.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
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Black chalk, brush with gray wash, heightened with white chalk, on pale gray prepared paper
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Objects Exhibited in Raphael and His Circle at Pierpont Morgan Library, New York
Raphael and His Circle at Pierpont Morgan Library, New York
Objects Exhibited in Giulio Romano at Museo Civico di Palazzo Te, Mantua
Giulio Romano at Museo Civico di Palazzo Te, Mantua
Objects Exhibited in Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition at Kunsthistorisches Museum, Vienna
Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition at Kunsthistorisches Museum, Vienna
Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition
Objects Exhibited in 16-17th Century European Drawings at The J. Paul Getty Museum, Malibu
16-17th Century European Drawings at The J. Paul Getty Museum, Malibu
Objects Exhibited in The Body Beautiful: Artists Draw the Nude (1440-1880) at J. Paul Getty Museum at the Getty Center, Los Angeles
The Body Beautiful: Artists Draw the Nude (1440-1880) at J. Paul Getty Museum at the Getty Center, Los Angeles
The Body Beautiful: Artists Draw the Nude (1440-1880)
Objects Exhibited in Raphael and his Influence Across the Centuries at J. Paul Getty Museum at the Getty Center, Los Angeles
Raphael and his Influence Across the Centuries at J. Paul Getty Museum at the Getty Center, Los Angeles
Raphael and his Influence Across the Centuries
Objects Exhibited in From Line to Light: Renaissance Drawing in Florence and Venice at J. Paul Getty Museum at the Getty Center, Los Angeles
From Line to Light: Renaissance Drawing in Florence and Venice at J. Paul Getty Museum at the Getty Center, Los Angeles
From Line to Light: Renaissance Drawing in Florence and Venice
Objects Exhibited in Late Raphael at Musée du Louvre, Paris
Objects Exhibited in Artists as Collectors at J. Paul Getty Museum at the Getty Center, Los Angeles
Artists as Collectors at J. Paul Getty Museum at the Getty Center, Los Angeles
Objects Exhibited in Raphael at The Metropolitan Museum of Art, New York
Raphael at The Metropolitan Museum of Art, New York
Related Media Set for Christ in Glory (82.GG.139)
Recto, lower right, in brown ink: "Raphaello da Urbino fe"; Recto, right edge, in graphite: an indecipherable inscription.
Recto, lower left: collection mark of Sir Thomas Lawrence (L.2445).
Production of Artwork by Raphael (Raffaello Sanzio)
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Raphael (Raffaello Sanzio) (Italian, 1483 - 1520)
Artist/Maker (Producer) Nationality & Dates
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Exhibition Title Attribute Assignment: Artists as Collectors
Exhibition Title Attribute Assignment: Late Raphael
Homepage for Christ in Glory (82.GG.139) (HumanMadeObject)
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Pierre Crozat
Provenance Activity for Christ in Glory (82.GG.139) associated with Pierre Crozat
Provenance Acquisition-Related Identifier
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in his sale catalogue, Paris, 1741, "L'Etude de la figure du Christ du tableau des cinq saints" was part of lot 105.
Provenance Citation Sequence Attribution
Provenance Activity for Christ in Glory (82.GG.139) associated with Cornelis Ploos van Amstel
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Cornelis Ploos van Amstel
according to The Lawrence Gallery, Ninth Exhibition, June 1836, p. 21, no. 56. Not identifiable in the Ploos van Amstel sale catalogue, Amsterdam, March 2, 1800.
Provenance Activity for Christ in Glory (82.GG.139) associated with M. Versteegh
Provenance Acquisition for Christ in Glory (82.GG.139) associated with M. Versteegh
according to The Lawrence Gallery, Ninth Exhibition, June 1836, p. 21, no. 56.
Provenance Activity for Christ in Glory (82.GG.139) associated with Thomas Dimsdale
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Thomas Dimsdale
according to The Lawrence Collection, Ninth Exhibition, June 1836, p. 21, no. 56.
Provenance Activity for Christ in Glory (82.GG.139) associated with Sir Thomas Lawrence
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Sir Thomas Lawrence; subsequently ceded to Samuel Woodburn, 1834.
Filter on `Provenance Statement` (http://vocab.getty.edu/aat/300444174) instead.
Provenance Statement Sequence Attribution
at bottom left corner, collection mark of Sir Thomas Lawrence (L. 2445)
Provenance Activity TimeSpan Display Name
Provenance Activity for Christ in Glory (82.GG.139) associated with Samuel Woodburn
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Samuel Woodburn
The Lawrence Gallery, Ninth Exhibition, p. 21, no. 56.
Provenance Activity for Christ in Glory (82.GG.139) associated with King William II of the Netherlands
Provenance Acquisition for Christ in Glory (82.GG.139) associated with King William II of the Netherlands; subsequently sold, Het Paleis, The Hague, August 12-20, 1850, lot 55, to his son-in-law the Grand Duke of Saxen-Weimar
Filter on `Provenance Sales Statement` (http://vocab.getty.edu/aat/300444172) instead.
sold, Het Paleis, The Hague, August 12-20, 1850, lot 55, to his son-in-law the Grand Duke of Saxen-Weimar
Provenance Sales Statement Sequence Attribution
Catalogue des Tableaux anciens et modernes [...] formant la Galerie de feu Sa Majeste Guillame II, 1850, p. 146, lot 55.
Provenance Activity for Christ in Glory (82.GG.139) associated with Grand Duke Charles Alexander of Saxe-Weimar-Eisenach, Thuringia
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Grand Duke Charles Alexander of Saxe-Weimar-Eisenach, Thuringia; subsequently by descent to his grandson, Wilhelm Ernest, 1850.
by descent to his grandson, Wilhelm Ernest, 1850.
handwritten notes on a copy of the Catalogue des Tableaux Anciens et Modernes [...] formant la Galerie de Feu Sa Majeste Guillaume II, Amsterdam, 1850, kept at the Getty Research Institute Library (classmark: 1850.Aug.12.HaDeW, p. 146)
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Provenance Biography Sequence Attribution
Provenance Activity for Christ in Glory (82.GG.139) associated with Grand Duke Wilhelm Ernest of Saxe-Weimar-Eisenach
Grand Duke Charles Alexander of Saxe-Weimar-Eisenach, Thuringia
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Grand Duke Wilhelm Ernest of Saxe-Weimar-Eisenach
listed as such in sale catalogue, Christie's, December 9, 1982, lot 17, but not documented.
Provenance Activity for Christ in Glory (82.GG.139) associated with Schloßmuseum
Grand Duke Wilhelm Ernest of Saxe-Weimar-Eisenach
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Schloßmuseum
Provenance Activity for Christ in Glory (82.GG.139) associated with Dr. Anton Schrafl
Provenance Acquisition for Christ in Glory (82.GG.139) associated with Dr. Anton Schrafl; subsequently sold, Christie's, London, December 9, 1982, lot 17, to the J. Paul Getty Museum.
sold, Christie's, London, December 9, 1982, lot 17, to the J. Paul Getty Museum.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).