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Hôtel Drouot, Paris. Catalogue de tableaux modernes [...] composant la collection de M. G. G. [Gustave Goupy]. March 30, 1898, p. 23, lot 33.
Hôtel Drouot, Paris. Catalogue de tableaux modernes [...] composant la collection de M. G. G. [Gustave Goupy]. March 30, 1898
Citation (Bibliographic Reference) Sequence
A Catalogue of the Pictures, Drawings, Prints and Sculpture at the Third Exhibition of the International Society of Sculptors, Painters & Gravers, Held in the Galleries, 191 Piccadilly [...], exh. cat. (London: The Printing Arts Co., 1901), p. 17, no. 93, ill.
A Catalogue of the Pictures, Drawings, Prints and Sculpture at the Third Exhibition of the International Society of Sculptors, Painters & Gravers, Held in the Galleries, 191 Piccadilly [...], exh. cat. (London: The Printing Arts Co., 1901)
Rosenhagen, Hans. "Auguste Renoir." Der Tag (April 18, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011), p. 669.
Rosenhagen, Hans. "Auguste Renoir." Der Tag (April 18, 1905). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1901-1905; "Man staht da un staunt." Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011)
Pietsch, Ludwig. "Ausstellung in den Künstsälen von Paul Cassirer." Vossische Zeitung (April 21, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011), p. 673.
Pietsch, Ludwig. "Ausstellung in den Künstsälen von Paul Cassirer." Vossische Zeitung (April 21, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905 (Wädenswil: Nimbus, 2011)
Osborn, Max. "Kunstsalon Cassirer." National-Zeitung (April 28, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011), p. 674.
Osborn, Max. "Kunstsalon Cassirer." National-Zeitung (April 28, 1905). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1901-1905; "Man staht da un staunt." Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011)
Endell, August. "A. Renoir." Freistatt 7, no. 17 (April 29, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011), p. 681.
Endell, August. "A. Renoir." Freistatt 7, no. 17 (April 29, 1905). Repr. in "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2011)
Meier-Graefe, Julius. Auguste Renoir (Munich: R. Piper & Co., 1911), p. 41, ill.
Meier-Graefe, Julius. Auguste Renoir (Munich: R. Piper & Co., 1911)
Die klassische Malerei Frankreichs im 19. Jahrhundert, exh. cat. (Frankfurt am Main: Frankfurter Kunstverein, 1912), pp. 16, 26, no. 104, introduction by Carl Gebhardt.
Die klassische Malerei Frankreichs im 19. Jahrhundert, exh. cat. (Frankfurt am Main: Frankfurter Kunstverein, 1912)
Meier-Graefe, Julius. Auguste Renoir. A. S. Maillet, trans. (Paris: H. Floury, 1912), p. 37, ill.
Meier-Graefe, Julius. Auguste Renoir. A. S. Maillet, trans. (Paris: H. Floury, 1912)
Jamot, Paul. "Renoir (1841-1919) (premier article)." Gazette des beaux-arts, 5th ser., 8, no. 741 (November 1923), p. 270n1.
Jamot, Paul. "Renoir (1841-1919) (premier article)." Gazette des beaux-arts, 5th ser., 8, no. 741 (November 1923)
Vollard, Ambroise. Renoir: An Intimate Record. Harold L. van Doren and Randolph T. Weaver, trans. (New York: Alfred A. Knopf, 1925), p. 236, app. 2.
Vollard, Ambroise. Renoir: An Intimate Record. Harold L. van Doren and Randolph T. Weaver, trans. (New York: Alfred A. Knopf, 1925)
Meier-Graefe, Julius. Renoir (Leipzig: Klinkhardt & Biermann, 1929), p. 46, fig. 24.
Meier-Graefe, Julius. Renoir (Leipzig: Klinkhardt & Biermann, 1929)
"Deutsche und französische Malerei des 19. Jahrhunderts, Ausstellungen in Düsseldorf." Die Kunstauktion 4, no. 3 (January 19, 1930), p. 10, ill.
"Deutsche und französische Malerei des 19. Jahrhunderts, Ausstellungen in Düsseldorf." Die Kunstauktion 4, no. 3 (January 19, 1930)
Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts, exh. cat. (Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1930), pp. 19, 28, no. 74, ill.
Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts, exh. cat. (Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1930)
Renoir and His Tradition, exh. cat. (New York: Museum of French Art, 1931), unpaginated, no. 12.
Renoir and His Tradition, exh. cat. (New York: Museum of French Art, 1931)
Le Décor de la vie sous la IIIe République de 1870 à 1900, exh. cat. (Paris: Pavillon de Marsan, Palais du Louvre, 1933), p. 35, no. 279.
Le Décor de la vie sous la IIIe République de 1870 à 1900, exh. cat. (Paris: Pavillon de Marsan, Palais du Louvre, 1933)
Exposition Renoir, 1841-1919; préface de Paul Jamot de l'Institut, exh. cat. 2 vols. (Paris: Musée de l'Orangerie, 1933), vol. 1, p. 9, no. 18; vol. 2, pl. 12.
Exposition Renoir, 1841-1919; préface de Paul Jamot de l'Institut, exh. cat. 2 vols. (Paris: Musée de l'Orangerie, 1933)
Guenne, Jacques. "La Religion de Renoir." L'Art vivant 9, no. 174 (July 1933), p. 278, ill.
Guenne, Jacques. "La Religion de Renoir." L'Art vivant 9, no. 174 (July 1933)
Barnes, Albert C., and Violette de Mazia. The Art of Renoir (Merion: Barnes Foundation Press, 1935), pp. 388, 445, no. 35.
Barnes, Albert C., and Violette de Mazia. The Art of Renoir (Merion: Barnes Foundation Press, 1935)
Roger-Marx, Claude. Renoir (Paris: Librairie Floury, 1937), p. 20.
Roger-Marx, Claude. Renoir (Paris: Librairie Floury, 1937)
Honderd Jaar Fransche Kunst, exh. cat. (Amsterdam: Stedelijk Museum, 1938), p. 112, no. 199, ill.
Honderd Jaar Fransche Kunst, exh. cat. (Amsterdam: Stedelijk Museum, 1938)
Wilenski, R. H. Modern French Painters (New York: Reynal & Hitchcock, 1940), p. 34.
Wilenski, R. H. Modern French Painters (New York: Reynal & Hitchcock, 1940)
Renoir: Centennial Loan Exhibition, 1841-1941, for the Benefit of the Free French Relief Committee, exh. cat. (New York: Duveen Galleries, 1941), pp. 30, 119-20, no. 8, ill.
Renoir: Centennial Loan Exhibition, 1841-1941, for the Benefit of the Free French Relief Committee, exh. cat. (New York: Duveen Galleries, 1941)
French Art of the Nineteenth Century: Paintings, Prints, Drawings, exh. cat. (Cambridge: Fogg Museum of Art, 1942), pp. 4, 11, ill., introduction by Agnes Mongan.
French Art of the Nineteenth Century: Paintings, Prints, Drawings, exh. cat. (Cambridge: Fogg Museum of Art, 1942)
"Masterpieces Recalled": A Loan Exhibition of 19th and 20th Century French Paintings, for the Benefit of the League for Emotionally Disturbed Children, Inc., exh. cat. (New York: Paul Rosenberg & Co., 1957), p. 28, no. 22, ill.
"Masterpieces Recalled": A Loan Exhibition of 19th and 20th Century French Paintings, for the Benefit of the League for Emotionally Disturbed Children, Inc., exh. cat. (New York: Paul Rosenberg & Co., 1957)
Renoir: Loan Exhibition for the Benefit of the Citizens' Committee for Children of New York City, Inc., exh. cat. (New York: Wildenstein, 1958), p. 24, no. 10, ill.
Renoir: Loan Exhibition for the Benefit of the Citizens' Committee for Children of New York City, Inc., exh. cat. (New York: Wildenstein, 1958)
The Nate and Frances Spingold Collection, exh. cat. (New York: Metropolitan Museum of Art, 1960), p. 5, cover ill.
The Nate and Frances Spingold Collection, exh. cat. (New York: Metropolitan Museum of Art, 1960)
Renoir: A Loan Exhibition for the Benefit of the American Association of Museums, in Commemoration of the Fiftieth Anniversary of Renoir's Death, exh. cat. (New York: Wildenstein, 1969), unpaginated, no. 2, ill.
Renoir: A Loan Exhibition for the Benefit of the American Association of Museums, in Commemoration of the Fiftieth Anniversary of Renoir's Death, exh. cat. (New York: Wildenstein, 1969)
"One Hundred Years of Impressionism": A Tribute to Durand-Ruel. A Loan Exhibition for the Benefit of the New York University Art Collection, exh. cat. (New York: Wildenstein, 1970), unpaginated, no. 8, ill.
"One Hundred Years of Impressionism": A Tribute to Durand-Ruel; A Loan Exhibition for the Benefit of the New York University Art Collection, exh. cat. (New York: Wildenstein, 1970)
Daulte, François. Auguste Renoir: Catalogue raisonné de l'oeuvre peint. Vol. 1, Figures, 1860-1890 (Lausanne: Éditions Durand-Ruel, 1971), unpaginated, no. 55, ill.
Daulte, François. Auguste Renoir: Catalogue raisonné de l'oeuvre peint. Vol. 1, Figures, 1860-1890 (Lausanne: Éditions Durand-Ruel, 1971)
Fezzi, Elda. L'Opera completa di Renoir nel periodo impressionista, 1869-1883 (Milan: Rizzoli, 1972), p. 92, no. 51, ill.
Fezzi, Elda. L'Opera completa di Renoir nel periodo impressionista, 1869-1883 (Milan: Rizzoli, 1972)
Daulte, François. Auguste Renoir. Marina Brizi, trans. (Milan: Fratelli Fabbri Editori, 1972), p. 76, ill.
Daulte, François. Auguste Renoir. Marina Brizi, trans. (Milan: Fratelli Fabbri Editori, 1972)
Renoir, the Gentle Rebel: A Loan Exhibition for the Benefit of the Association for Mentally Ill Children, exh. cat. (New York: Wildenstein, 1974), unpaginated, no. 4, pl. 2.
Renoir, the Gentle Rebel: A Loan Exhibition for the Benefit of the Association for Mentally Ill Children, exh. cat. (New York: Wildenstein, 1974)
Wheldon, Keith. Renoir and His Art (New York: Galahad Books, 1975), pp. 48, 50-51, pl. 35.
Wheldon, Keith. Renoir and His Art (New York: Galahad Books, 1975)
Sotheby Parke Bernet, London. Important Impressionist and Modern Paintings from the Collection of the Late Nate B. and Frances Spingold, of New York. November 29, 1976, unpaginated, lot 22, ill.
Sotheby Parke Bernet, London. Important Impressionist and Modern Paintings from the Collection of the Late Nate B. and Frances Spingold, of New York. November 29, 1976
Monneret, Sophie. L'Impressionisme et son époque: dictionnaire international illustré. Vol. 2, M à T (Paris: Denoël, 1979), p. 166.
Monneret, Sophie. L'Impressionisme et son époque: Dictionnaire international illustré. Vol. 2, M à T (Paris: Denoël, 1979)
Gaunt, William. Renoir. Rev. ed. (Oxford: Phaidon, 1982), unpaginated, under no. 5, fig. 12.
Gaunt, William. Renoir. Rev. ed. (Oxford: Phaidon, 1982)
White, Barbara Ehrlich. Renoir: His Life, Art, and Letters (New York: Harry N. Abrams, 1984), pp. 34-35, 37, 64, ill.
White, Barbara Ehrlich. Renoir: His Life, Art, and Letters (New York: Harry N. Abrams, 1984)
Thirty-Five Paintings from the Collection of the British Rail Pension Fund, exh. cat. (London: Thomas Agnew & Sons, 1984), p. 34, no. 26, cover ill.
Thirty-Five Paintings from the Collection of the British Rail Pension Fund, exh. cat. (London: Thomas Agnew & Sons, 1984)
Renoir, exh. cat. (London: Arts Council of Great Britain, 1985), pp. 57, 194-95, no. 16, ill., entry by Anne Distel.
Renoir, exh. cat. (London: Arts Council of Great Britain, 1985)
Renoir, exh. cat. (Paris: Réunion des musées nationaux, 1985), pp. 96-97, no. 15, ill., entry by Anne Distel.
Renoir, exh. cat. (Paris: Réunion des musées nationaux, 1985)
Schneider, Cynthia P. "Renoir: Le Peintre de Figures comme Paysagiste." Apollo, n.s., 122, no. 281 (July 1985), p. 51.
Schneider, Cynthia P. "Renoir: Le Peintre de Figures comme Paysagiste." Apollo, n.s., 122, no. 281 (July 1985)
Adams, Brooks, et al. "A Renoir Symposium." Art in America 74, no. 3 (March 1986), pp. 118-19, commentary by Thomas Crow.
Adams, Brooks, et al. "A Renoir Symposium." Art in America 74, no. 3 (March 1986)
Clarke, Michael. Lighting up the Landscape: French Impressionism and Its Origins, exh. cat. (Edinburgh: National Galleries of Scotland, 1986), p. 74, no. 89.
Clarke, Michael. Lighting up the Landscape: French Impressionism and Its Origins, exh. cat. (Edinburgh: National Galleries of Scotland, 1986)
Keller, Horst. Auguste Renoir (Munich: Bruckmann, 1987), pp. 29, 164, fig. 21.
Keller, Horst. Auguste Renoir (Munich: Bruckmann, 1987)
Feist, Peter H. Pierre-Auguste Renoir, 1841-1919: A Dream of Harmony (Cologne: Taschen, 1987), p. 20, ill.
Feist, Peter H. Pierre-Auguste Renoir, 1841-1919: A Dream of Harmony (Cologne: Taschen, 1987)
Wadley, Nicholas, ed. Renoir: A Retrospective (New York: Hugh Lauter Levin Associates, 1987), p. 65, pl. 17.
Wadley, Nicholas, ed. Renoir: A Retrospective (New York: Hugh Lauter Levin Associates, 1987)
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society (New Haven and London: Yale University Press, 1988), pp. 190, 192, pl. 192.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society (New Haven and London: Yale University Press, 1988)
Schmidt, Silvia. "Bernhard Koehler-ein Mäzen und Sammler August Mackes und der Künstler des 'Blauen Reiter.'" Zeitschrift des Deutschen Vereins für Kunstwissenschaft 42, no. 3 (1988), p. 91.
Schmidt, Silvia. "Bernhard Koehler-ein Mäzen und Sammler August Mackes und der Künstler des 'Blauen Reiter.'" Zeitschrift des Deutschen Vereins für Kunstwissenschaft 42, no. 3 (1988)
Sotheby's, London. Impressionist and Modern Paintings, Drawings and Sculpture from the Collection of the British Rail Pension Fund. April 4, 1989, unpaginated, lot 6, ill.
Sotheby's, London. Impressionist and Modern Paintings, Drawings and Sculpture from the Collection of the British Rail Pension Fund. April 4, 1989
Monneret, Sophie. Renoir (Paris: Chêne, 1989), pp. 9, 42-43, fig. 3.
Monneret, Sophie. Renoir (Paris: Chêne, 1989)
"Acquisitions/1990." The J. Paul Getty Museum Journal 19 (1991), pp. 176-77, no. 14, ill.
"Acquisitions/1990." The J. Paul Getty Museum Journal 19 (1991)
De Vries-Evans, Susanna. The Impressionists Revealed: Masterpieces from Private Collections (Auckland: David Bateman, 1992), pp. 76-77, ill.
De Vries-Evans, Susanna. The Impressionists Revealed: Masterpieces from Private Collections (Auckland: David Bateman, 1992)
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992), pp. 12-13, ill.
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992)
Wattenmaker, Richard J., et al. Great French Paintings from the Barnes Foundation: Impressionist, Post-impressionist, and Early Modern (New York: Alfred A. Knopf, with Lincoln University Press, 1993), p. 84, fig. 2, entry by Christopher Riopelle.
Wattenmaker, Richard J., et al. Great French Paintings from the Barnes Foundation: Impressionist, Post-impressionist, and Early Modern (New York: Alfred A. Knopf, with Lincoln University Press, 1993)
Richardson, Wendy and Jack. Journeys and Expeditions: Through the Eyes of Artists (Oxford: Heinemann, 1993), pp. 10-11, ill.
Richardson, Wendy, and Jack Richardson. Journeys and Expeditions: Through the Eyes of Artists (Oxford: Heinemann, 1993)
Gruitrooy, Gerhard. Renoir (Nashville: Nelson Regency, 1993), pp. 24-25, ill.
Gruitrooy, Gerhard. Renoir (Nashville: Nelson Regency, 1993)
Loyrette, Henri, and Gary Tinterow, eds. Impressionisme: Les origines, 1859-1869, exh. cat. (Paris: Galeries nationales du Grand Palais, with Réunion des musées nationaux, 1994), pp. 141-42, 456, no. 181, fig. 178, entry by Henri Loyrette.
Loyrette, Henri, and Gary Tinterow eds. Impressionisme: Les origines, 1859-1869, exh. cat. (Paris: Galeries nationales du Grand Palais, with Réunion des musées nationaux, 1994)
Tinterow, Gary, and Henri Loyrette, eds. Origins of Impressionism, exh. cat. (New York: Metropolitan Museum of Art, with Harry N. Abrams, 1994), pp. 141, 457, no. 181, fig. 178, entry by Henri Loyrette.
Tinterow, Gary, and Henri Loyrette, eds. Origins of Impressionism, exh. cat. (New York: Metropolitan Museum of Art, with Harry N. Abrams, 1994)
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995), unpaginated, no. 39, ill., entry by Perrin Stein.
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995)
Brettell, Richard R. Impressionist Paintings, Drawings, and Sculpture from the Wendy and Emery Reves Collection (Dallas: Dallas Museum of Art, 1995), p. 37, ill.
Brettell, Richard R. Impressionist Paintings, Drawings, and Sculpture from the Wendy and Emery Reves Collection (Dallas: Dallas Museum of Art, 1995)
White, Barbara Ehrlich. Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges (New York: Alfred A. Knopf, 1996), pp. 84-85, ill.
White, Barbara Ehrlich. Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges (New York: Alfred A. Knopf, 1996)
Brettell, Richard R. "The River Seine: Subject and Symbol in Nineteenth-Century French Art and Literature." In Impressionists on the Seine, exh. cat. Elizabeth E. Rathbone et al., eds. (Washington, D.C.: The Phillips Collection, with Counterpoint, 1996), pp. 124-25, fig. 66.
Brettell, Richard R. "The River Seine: Subject and Symbol in Nineteenth-Century French Art and Literature." In Impressionists on the Seine, exh. cat. Elizabeth E. Rathbone et al., eds. (Washington, D.C.: The Phillips Collection, with Counterpoint, 1996)
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 105, ill.
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997)
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 136, ill.
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997)
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997), pp. 98-101, no. 54, ill., entry by Perrin Stein.
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997)
House, John. Pierre-Auguste Renoir: La Promenade (Los Angeles: J. Paul Getty Museum, 1997), passim, fig. 1, cover ill.
House, John. Pierre-Auguste Renoir: La Promenade (Los Angeles: J. Paul Getty Museum, 1997)
Walsh, John, and Deborah Gribbon. The J. Paul Getty Museum and Its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997), p. 130, ill.
Walsh, John, and Deborah Gribbon. The J. Paul Getty Museum and its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997)
Brettell, Richard R. Modern Art, 1851-1929: Capitalism and Representation (Oxford: Oxford University Press, 1999), pp. 140-41, fig. 87.
Brettell, Richard R. Modern Art, 1851-1929: Capitalism and Representation (Oxford: Oxford University Press, 1999)
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 136, ill.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001)
Néret, Gilles. Renoir: Painter of Happiness, 1841-1919 (Cologne: Taschen, 2001), pp. 46-47, ill.
Néret, Gilles. Renoir: Painter of Happiness, 1841-1919 (Cologne: Taschen, 2001)
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003), pp. 92-95, no. 50, ill., entry by Perrin Stein.
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003)
Brettell, Richard. "Impressionnisme et cinéma." In Impressionnisme et naissance du cinématographe, exh. cat. Sylvie Raymond, ed. (Lyon: Musée des beaux-arts, with Éditions Fage, 2005), pp. 195-97, fig. 2.
Brettell, Richard. "Impressionnisme et cinéma." In Impressionnisme et naissance du cinématographe, exh. cat. Sylvie Raymond, ed. (Lyon: Musée des beaux-arts, with Éditions Fage, 2005)
Hansen, Dorothee, and Wulf Herzogenrath, eds. Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Bremen: Kunsthalle, with Hirmer, 2005), pp. 140-43, 194, no. 29, ill.
Hansen, Dorothee, and Wulf Herzogenrath, eds. Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Bremen: Kunsthalle, with Hirmer, 2005)
Bartolena, Simona. Omaggio agli Impressionisti (Milan: Mondadori, 2005), pp. 117, 124-25, ill.
Bartolena, Simona. Omaggio agli Impressionisti (Milan: Mondadori, 2005)
Hansen, Dorothee, et al., eds. Monet and Camille: Portraits of Women in Impressionism, exh. cat. (Bremen: Kunsthalle, 2005), pp. 53-54, no. 29, ill., entry by Dorothee Hansen.
Hansen, Dorothee, et al., eds. Monet and Camille: Portraits of Women in Impressionism, exh. cat. (Bremen: Kunsthalle, 2005)
Hansen, Dorothee, and Henrike Holsing. Monet and Camille: Portraits of Women in Impressionism. A Short Guide to the Exhibition, Kunsthalle Bremen, October 15, 2005-February 26, 2006 (Bremen: Kunsthalle, 2005), pp. 34-35, ill., entry by Dorothee Hansen.
Hansen, Dorothee, and Henrike Holsing. Monet and Camille: Portraits of Women in Impressionism. A Short Guide to the Exhibition, Kunsthalle Bremen, October 15, 2005-February 26, 2006 (Bremen: Kunsthalle, 2005)
Kyoko, Kagawa. Pierre-Auguste Renoir (Tokyo: Shogakukan, 2006), p. 6, ill.
Kyoko, Kagawa. Pierre-Auguste Renoir (Tokyo: Shogakukan, 2006)
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 140, ill.
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007)
Bailey, Colin B., et al., eds. Renoir Landscapes, 1865-1883, exh. cat. (London: National Gallery, 2007), pp. 100-102, no. 7, ill., entry by Colin B. Bailey.
Bailey, Colin B., et al., eds. Renoir Landscapes, 1865-1883, exh. cat. (London: National Gallery, 2007)
Dauberville, Guy-Patrice, and Michel Dauberville. Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles. Vol. 1, 1858-1881 (Paris: Éditions Bernheim-Jeune, 2007), pp. 304-5, no. 257, ill.
Dauberville, Guy-Patrice, and Michel Dauberville. Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles. Vol. 1, 1858-1881 (Paris: Éditions Bernheim-Jeune, 2007)
Unruh, Allison. "Aspiring to la vie galante: Reincarnations of Rococo in Second Empire Paris." Ph.D. diss. (Institute of Fine Arts, New York University, 2008), pp. 216-17, pl. 119.
Unruh, Allison. "Aspiring to la vie galante: Reincarnations of Rococo in Second Empire Paris." Ph.D. diss. (Institute of Fine Arts, New York University, 2008)
Kear, Jon. The Treasures of the Impressionists (London: Andre Deutsch, 2008), p. 23, ill.
Kear, Jon. The Treasures of the Impressionists (London: Andre Deutsch, 2008)
Zuffi, Stefano. Amore ed erotismo (Milan: Electa, 2008), p. 51, ill.
Zuffi, Stefano. Amore ed erotismo (Milan: Electa, 2008)
Goetz, Adrien. Comment regarder Renoir (Paris: Hazan, 2009), pp. 124-25, ill.
Goetz, Adrien. Comment regarder Renoir (Paris: Hazan, 2009)
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009), pp. 139, 141-42, fig. 74.
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009)
Zuffi, Stefano. Love and the Erotic in Art. Stephen Sartarelli, trans. (Los Angeles: J. Paul Getty Museum, 2010), p. 51, ill.
Zuffi, Stefano. Love and the Erotic in Art. Stephen Sartarelli, trans. (Los Angeles: J. Paul Getty Museum, 2010)
Arayashiki, Toru, et al., eds. Renoir: Tradition and Innovation, exh. cat. (Tokyo: The National Art Center, 2010), p. 177, fig. 2, entry by Yoko Iwasaki.
Arayashiki, Toru, et al., eds. Renoir: Tradition and Innovation, exh. cat. (Tokyo: The National Art Center, 2010)
Echte, Bernhard, and Walter Feilchenfeldt, eds. "Man steht da und staunt": Kunstsalon Paul Cassirer. Die Ausstellungen 1901-1905 (Wädenswil: Nimbus, 2011), pp. 668-69, 673-74, 681, 683, ill.
Echte, Bernhard, and Walter Feilchenfeldt, eds. Kunstsalon Paul Cassirer: Die Ausstellungen 1901-1905; "Man steht da un staunt." (Wädenswil: Nimbus, 2011)
Strauss, Michel. Pictures, Passions and Eye: A Life at Sotheby's (London: Halban, 2011), pp. 8-9, ill.
Strauss, Michel. Pictures, Passions and Eye: A Life at Sotheby's (London: Halban, 2011)
Pullins, David. "Renoir and the Arts of Eighteenth-Century France: Points of Origin." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012), pp. 260, 261, 263.
Pullins, David. "Renoir and the Arts of Eighteenth-Century France: Points of Origin." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012)
Zimmermann, Michael F. "From Bohemia to Arcadia: Renoir between Nervous Modernity and Primitive Eternity." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012), p. 36.
Zimmermann, Michael F. "From Bohemia to Arcadia: Renoir between Nervous Modernity and Primitive Eternity." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012
Bürgi, Bernhard Mendes, et al., eds. Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. (Basel: Kunstmuseum, with Hatje Cantz, 2012), pp. 103-4, no. 16, ill., entry by Stefanie Manthey and Nina Zimmer.
Bürgi, Bernhard Mendes, et al., eds. Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. (Basel: Kunstmuseum, with Hatje Cantz, 2012)
Manthey, Stefanie. "Chronology." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012), p. 282.
Manthey, Stefanie. "Chronology." In Renoir between Bohemia and Bourgeoisie: The Early Years, exh. cat. Bernhard Mendes Bürgi et al., eds. (Basel: Kunstmuseum, with Hatje Cantz, 2012)
Söntgen, Beate. "Forms of Contact: Auguste Renoir's 'After the Luncheon'." In Monet and the Birth of Impressionism, exh. cat. Felix Krämer et al., eds. (Frankfurt am Main: Städel Museum, with Prestel, 2015), pp. 184-85, fig. 3.
Söntgen, Beate. "Forms of Contact: Auguste Renoir's After the Luncheon." In Monet and the Birth of Impressionism, exh. cat. Felix Krämer et al. (Frankfurt am Main: Städel Museum, with Prestel, 2015)
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), pp. 298-99.
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015)
Solana, Guillermo. "Renoir: Intimacy." In Renoir: Intimacy, exh. cat. Guillermo Solana et al., eds. (Madrid: Museo Thyssen-Bornemisza, 2016), pp. 26, 28-29, ill. p. 21.
Solana, Guillermo. "Renoir: Intimacy." In Renoir: Intimacy, exh. cat. Guillermo Solana et al., eds. (Madrid: Museo Thyssen-Bornemisza, 2016)
Solana, Guillermo, et al., eds. Renoir: Intimacy, exh. cat. (Madrid: Museo Thyssen-Bornemisza, 2016), pp. 90-91, 184, no. 9, ill. p. 91.
Solana, Guillermo, et al., eds. Renoir: Intimacy, exh. cat. (Madrid: Museo Thyssen-Bornemisza, 2016)
Morton, Mary. “Renoir/Caillebotte: Realist Relations.” In Renoir and Friends: Luncheon of the Boating Party, exh. cat. Eliza E. Rathbone, ed. (Washington, D. C.: Phillips Collection, with D. Giles Limited, 2017), p. 69.
Morton, Mary. “Renoir/Caillebotte: Realist Relations.” In Renoir and Friends: Luncheon of the Boating Party, exh. cat. Eliza E. Rathbone, ed. (Washington, D. C.: Phillips Collection, with D. Giles Limited, 2017)
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), pp. 16, 119, ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
Mérigeau, Pascal. "Pierre-Auguste et Jean Renoir." In Renoir pére et fils: peinture et cinéma, exh. cat. Sylvie Patry, ed. (Paris: Musée d'Orsay and Barnes Foundation, with Flammarion, 2018), p. 26.
Mérigeau, Pascal. "Pierre-Auguste et Jean Renoir." In Renoir pére et fils: peinture et cinéma, exh. cat. Sylvie Patry, ed. (Paris: Musée d'Orsay and Barnes Foundation, with Flammarion, 2018)
Patry, Sylvie, ed. Renoir pére et fils: peinture et cinéma, exh. cat. (Paris: Musée d'Orsay and Barnes Foundation, with Flammarion, 2018), pp. 26, 162, 163, 296, fig. 90.
Patry, Sylvie, ed. Renoir pére et fils: peinture et cinéma, exh. cat. (Paris: Musée d'Orsay and Barnes Foundation, with Flammarion, 2018)
Eiling, Alexander. "Renoir & the Rococo Revival: An Introduction." In Renoir: Rococo Revival, exh. cat. Alexander Eiling, ed. (Frankfurt: Städel Museum, with Hatje Cantz, 2022), pp. 15, 25, ill.
Eiling, Alexander. "Renoir & the Rococo Revival: An Introduction." In Renoir: Rococo Revival, exh. cat. Alexander Eiling, ed. (Frankfurt: Städel Museum, with Hatje Cantz, 2022)
Eiling, Alexander, ed. Renoir: Rococo Revival, exh. cat. (Frankfurt: Städel Museum, with Hatje Cantz, 2022), pp. 154, 159, no. 1, ill., text by Juliane Betz.
Eiling, Alexander, ed. Renoir: Rococo Revival, exh. cat. (Frankfurt: Städel Museum, with Hatje Cantz, 2022).
Sawer, Agnes. Bilder des Textilen: Mode und Stoffe in der Malerei Pierre-Auguste Renoirs (Berlin: Deutscher Kuntverlag, 2024), pp. 23, 30, 135-136, ill.
Bilder des Textilen: Mode und Stoffe in der Malerei Pierre-Auguste Renoirs.
What Pierre-Auguste Renoir himself titled this painting is unknown, but *La Promenade* is in part an homage to earlier artists whom he greatly admired. Renoir had spent the previous summer painting outdoors with Claude Monet, who encouraged him to move toward a lighter, more luminous palette and to indulge his penchant for luscious, feathery brushwork. Here Renoir retained something of Gustave Courbet's green-and-brown palette while choosing his subject from the sensual, lighthearted garden jaunts of eighteenth-century painters such as Jean-Antoine Watteau and Jean-Honoré Fragonard, whose works he had studied in the Louvre. Unlike the images of seduction created by his predecessors, Renoir's is a fleeting moment caught by chance--middle-class Parisians immersed in nature, possibly a local park, not set before a studio backdrop. The dappled light filtering through the foliage would become a trademark of Renoir's finest Impressionist works of the 1870s and 1880s. He used a thin, oily paint mix, his glazes here floating into each other to create depth.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
What Pierre-Auguste Renoir himself titled this painting is unknown, but La Promenade is in part an homage to earlier artists whom he greatly admired. Renoir had spent the previous summer painting outdoors with Claude Monet, who encouraged him to move toward a lighter, more luminous palette and to indulge his penchant for luscious, feathery brushwork. Here Renoir retained something of Gustave Courbet's green-and-brown palette while choosing his subject from the sensual, lighthearted garden jaunts of eighteenth-century painters such as Jean-Antoine Watteau and Jean-Honoré Fragonard, whose works he had studied in the Louvre. Unlike the images of seduction created by his predecessors, Renoir's is a fleeting moment caught by chance--middle-class Parisians immersed in nature, possibly a local park, not set before a studio backdrop. The dappled light filtering through the foliage would become a trademark of Renoir's finest Impressionist works of the 1870s and 1880s. He used a thin, oily paint mix, his glazes here floating into each other to create depth.
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Objects Exhibited in Third Exhibition of the International Society of Sculptors, Painters & Gravers at The Galleries, 191 Piccadilly, London
Third Exhibition of the International Society of Sculptors, Painters & Gravers at The Galleries, 191 Piccadilly, London
Third Exhibition of the International Society of Sculptors, Painters & Gravers
Objects Exhibited in A. Renoir: 37 Werke at Galerie Paul Cassirer, Berlin
A. Renoir: 37 Werke at Galerie Paul Cassirer, Berlin
Objects Exhibited in Die klassische Malerei Frankreichs im 19. Jahrhundert at Kunstverein, Frankfurt
Die klassische Malerei Frankreichs im 19. Jahrhundert at Kunstverein, Frankfurt
Die klassische Malerei Frankreichs im 19. Jahrhundert
Objects Exhibited in Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts at Kunstverein, Düsseldorf
Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts at Kunstverein, Düsseldorf
Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts
Objects Exhibited in Renoir and His Tradition at Museum of French Art, New York
Renoir and His Tradition at Museum of French Art, New York
Objects Exhibited in Exposition Renoir, 1841-1919 at Musée de l'Orangerie, Paris
Exposition Renoir, 1841-1919 at Musée de l'Orangerie, Paris
Objects Exhibited in Le Décor de la vie sous le IIIe République de 1870 à 1900 at Pavillon de Marsan, Palais du Louvre, Paris
Le Décor de la vie sous le IIIe République de 1870 à 1900 at Pavillon de Marsan, Palais du Louvre, Paris
Le Décor de la vie sous le IIIe République de 1870 à 1900
Objects Exhibited in Honderd Jaar Fransche Kunst at Stedelijk Museum, Amsterdam
Honderd Jaar Fransche Kunst at Stedelijk Museum, Amsterdam
Objects Exhibited in Renoir: Centennial Loan Exhibition, 1841-1941, for the Benefit of the Free French Relief Committee at Duveen Galleries, New York
Renoir: Centennial Loan Exhibition, 1841-1941, for the Benefit of the Free French Relief Committee at Duveen Galleries, New York
Renoir: Centennial Loan Exhibition, 1841-1941, for the Benefit of the Free French Relief Committee
Objects Exhibited in French Art of the Nineteenth Century: Paintings, Prints, Drawings at Fogg Art Museum, Harvard University, Cambridge
French Art of the Nineteenth Century: Paintings, Prints, Drawings at Fogg Art Museum, Harvard University, Cambridge
French Art of the Nineteenth Century: Paintings, Prints, Drawings
Objects Exhibited in "Masterpieces Recalled": A Loan Exhibition of 19th and 20th Century French Paintings, for the Benefit of the League for Emotionally Disturbed Children, Inc. at Paul Rosenberg Gallery, New York
"Masterpieces Recalled": A Loan Exhibition of 19th and 20th Century French Paintings, for the Benefit of the League for Emotionally Disturbed Children, Inc. at Paul Rosenberg Gallery, New York
"Masterpieces Recalled": A Loan Exhibition of 19th and 20th Century French Paintings, for the Benefit of the League for Emotionally Disturbed Children, Inc.
Objects Exhibited in Renoir: Loan Exhibition for the Benefit of the Citizens' Committee for Chidren of New York City, Inc. at Wildenstein & Co., New York
Renoir: Loan Exhibition for the Benefit of the Citizens' Committee for Chidren of New York City, Inc. at Wildenstein & Co., New York
Renoir: Loan Exhibition for the Benefit of the Citizens' Committee for Chidren of New York City, Inc.
Objects Exhibited in The Nate and Frances Spingold Collection at The Metropolitan Museum of Art, New York
The Nate and Frances Spingold Collection at The Metropolitan Museum of Art, New York
The Nate and Frances Spingold Collection
Objects Exhibited in Renoir: A Loan Exhibition for the Benefit of the American Association of Museums, in Commemoration of the Fiftieth Anniversary of Renoir's Death at Wildenstein & Co., New York
Renoir: A Loan Exhibition for the Benefit of the American Association of Museums, in Commemoration of the Fiftieth Anniversary of Renoir's Death at Wildenstein & Co., New York
Renoir: A Loan Exhibition for the Benefit of the American Association of Museums, in Commemoration of the Fiftieth Anniversary of Renoir's Death
Objects Exhibited in "One Hundred Years of Impressionism": A Tribute to Durand-Ruel. A Loan Exhibition for the Benefit of the New York University Art Collection at Wildenstein & Co., New York
"One Hundred Years of Impressionism": A Tribute to Durand-Ruel. A Loan Exhibition for the Benefit of the New York University Art Collection at Wildenstein & Co., New York
"One Hundred Years of Impressionism": A Tribute to Durand-Ruel. A Loan Exhibition for the Benefit of the New York University Art Collection
Objects Exhibited in Renoir, the Gentle Rebel: A Loan Exhibition for the Benefit of the Association for Mentally Ill Children at Wildenstein & Co., New York
Renoir, the Gentle Rebel: A Loan Exhibition for the Benefit of the Association for Mentally Ill Children at Wildenstein & Co., New York
Renoir, the Gentle Rebel: A Loan Exhibition for the Benefit of the Association for Mentally Ill Children
Objects Exhibited in Thirty-Five Paintings from the Collection of the British Rail Pension Fund at Thomas Agnew & Sons, Ltd., London
Thirty-Five Paintings from the Collection of the British Rail Pension Fund at Thomas Agnew & Sons, Ltd., London
Thirty-Five Paintings from the Collection of the British Rail Pension Fund
Objects Exhibited in Renoir at The Hayward Gallery, London
Objects Exhibited in Renoir at Galeries nationales du Grand Palais, Paris
Renoir at Galeries nationales du Grand Palais, Paris
Objects Exhibited in Renoir at Museum of Fine Arts, Boston
Objects Exhibited in Lighting up the Landscape: French Impressionism and Its Origins at National Galleries of Scotland, Edinburgh
Lighting up the Landscape: French Impressionism and Its Origins at National Galleries of Scotland, Edinburgh
Lighting up the Landscape: French Impressionism and Its Origins
Objects Exhibited in Impressionnisme: Les origines, 1859-1869 / Origins of Impressionism at Galeries nationales du Grand Palais, Paris
Impressionnisme: Les origines, 1859-1869 / Origins of Impressionism at Galeries nationales du Grand Palais, Paris
Impressionnisme: Les origines, 1859-1869 / Origins of Impressionism
Objects Exhibited in Impressionnisme: Les origines, 1859-1869 / Origins of Impressionism at The Metropolitan Museum of Art, New York
Impressionnisme: Les origines, 1859-1869 / Origins of Impressionism at The Metropolitan Museum of Art, New York
Objects Exhibited in Monet und Camille: Frauenportraits im Impressionismus at Kunsthalle Bremen, Bremen
Monet und Camille: Frauenportraits im Impressionismus at Kunsthalle Bremen, Bremen
Monet und Camille: Frauenportraits im Impressionismus
Objects Exhibited in Renoir Landscapes, 1865-1883 at The National Gallery, London
Renoir Landscapes, 1865-1883 at The National Gallery, London
Objects Exhibited in Renoir Landscapes, 1865-1883 at National Gallery of Canada, Ottawa
Renoir Landscapes, 1865-1883 at National Gallery of Canada, Ottawa
Objects Exhibited in Renoir Landscapes, 1865-1883 at Philadelphia Museum of Art, Philadelphia
Renoir Landscapes, 1865-1883 at Philadelphia Museum of Art, Philadelphia
Objects Exhibited in Renoir: The Early Years at Kunstmuseum, Basel
Renoir: The Early Years at Kunstmuseum, Basel
Objects Exhibited in Renoir: Intimacy at Museo Thyssen-Bornemisza, Madrid
Renoir: Intimacy at Museo Thyssen-Bornemisza, Madrid
Objects Exhibited in Renoir père et fils: Peinture et cinéma at Musée d'Orsay, Paris
Renoir père et fils: Peinture et cinéma at Musée d'Orsay, Paris
Objects Exhibited in Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Getty Highlights: 19th-Century Paintings and Sculptures
Objects Exhibited in Renoir: Rococo Revival at Städel Museum, Frankfurt am Main
Renoir: Rococo Revival at Städel Museum, Frankfurt am Main
Objects Exhibited in Reciprocal loan at Fondazione Magnani-Rocca, Mamiano di Traversetolo, Parma
Reciprocal loan at Fondazione Magnani-Rocca, Mamiano di Traversetolo, Parma
Objects Exhibited in Renoir and love at Musée d'Orsay, Paris
Objects Exhibited in Renoir and love at The National Gallery, London
Renoir and love at The National Gallery, London
Objects Exhibited in Renoir and love at Museum of Fine Arts, Boston
Renoir and love at Museum of Fine Arts, Boston
Related Media (Image): 00094401 / bff00555bf8da6ba490f09fcf5a1a253af962b52
Related Media Set for The Promenade (89.PA.41)
Verso: center left, in blue: “BH 3002"; center, in blue: “[?]46”
Verso: upper left, white rectangular label with red border and beveled corners, written in black: “EA”; upper right, white rectangular label, torn, printed in black: “[RE]NOI[R] / Subject / No. 367.19[?] / Lent- Paul Rose[nberg]”; center left, yellowed rectangular label, written in black: “27-1-32 / Paris [?]”; center, yellowed circular label, written in black: “3002 / Renoir / B.H.H.H.”; center, white oval label with blue border, printed in blue: “J. CHENUE / FRENCH PACKER / [written in black:] Renoir La Promenade / [printed in blue:] 25 MONMOUTH STREET / Shaftesbury Avenue / London, WC2”; center right, yellowed rectangular label, written in black: “Renoir 5500[?]”
Lower left (with date): "A. Renoir. 70."
Production of Artwork by Pierre-Auguste Renoir
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Pierre-Auguste Renoir (French, 1841 - 1919)
Artist/Maker (Producer) Nationality & Dates
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Exhibition Title Attribute Assignment: Getty Highlights: 19th-Century Paintings and Sculptures
Exhibition Title Attribute Assignment: Renoir: The Early Years
Homepage for The Promenade (89.PA.41) (HumanMadeObject)
Provenance Acquisition for The Promenade (89.PA.41) associated with Gustave Goupy; subsequently sold, "G.G." sale, Hôtel Drouot, Paris, March 30, 1898, lot 33, to Durand-Ruel.
Provenance Activity for The Promenade (89.PA.41) associated with Gustave Goupy
Newly available AAT terms replace obsolete local thesaurus terms.
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sold, "G.G." sale, Hôtel Drouot, Paris, March 30, 1898, lot 33, to Durand-Ruel.
Provenance Sales Statement Sequence Attribution
GRI annotated copy of sale catalogue, Hotel Drouot, March 30, 1898, p. 23, lot 33.
Provenance Citation Sequence Attribution
Filter on `Provenance Location Statement` (http://vocab.getty.edu/aat/300444175) instead.
Provenance Biography Sequence Attribution
Provenance Activity TimeSpan Display Name
Provenance Activity Proofed Classification
Provenance Activity for The Promenade (89.PA.41) associated with Galerie Durand-Ruel (Paris)
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for The Promenade (89.PA.41) associated with Galerie Durand-Ruel (Paris); subsequently sold to Galerie Paul Cassirer, September 11, 1908.
Provenance Acquisition-Related Identifier
Filter on `Provenance Statement` (http://vocab.getty.edu/aat/300444174) instead.
sold to Galerie Paul Cassirer, September 11, 1908.
Provenance Statement Sequence Attribution
Provenance Activity for The Promenade (89.PA.41) associated with Galerie Paul Cassirer
Provenance Acquisition for The Promenade (89.PA.41) associated with Galerie Paul Cassirer
Provenance Activity for The Promenade (89.PA.41) associated with Bernhard Köhler
Provenance Acquisition for The Promenade (89.PA.41) associated with Bernhard Köhler; subsequently by inheritance to his son, Bernhard Köhler, the Younger, 1927.
by inheritance to his son, Bernhard Köhler, the Younger, 1927.
Provenance Activity for The Promenade (89.PA.41) associated with Bernhard Köhler, the Younger
Provenance Acquisition for The Promenade (89.PA.41) associated with Bernhard Köhler, the Younger; subsequently sold to Paul Rosenberg & Co., 1932
Museum of Modern Art, New York, The Paul Rosenberg Archives, stockbook IV.A.2, p. 14, no. 225 / 5185 (recording 1932 purchase from "Koehler")
Provenance Activity for The Promenade (89.PA.41) associated with Paul Rosenberg & Co.
Provenance Acquisition for The Promenade (89.PA.41) associated with Paul Rosenberg & Co.; subsequently sold to Nate B. Spingold, 1955.
Museum of Modern Art, New York, The Paul Rosenberg Archives, folder II.1.33, statements dated February 28 and March 31, 1955, and receipt dated April 19, 1955
London, England; New York, New York; Paris, France
Provenance Activity for The Promenade (89.PA.41) associated with Nate B. Spingold
Provenance Acquisition for The Promenade (89.PA.41) associated with Nate B. Spingold; subsequently by inheritance to his wife, Frances Spingold.
by inheritance to his wife, Frances Spingold.
Provenance Activity for The Promenade (89.PA.41) associated with Frances Spingold
Provenance Acquisition for The Promenade (89.PA.41) associated with Frances Spingold; subsequently sold, Spingold sale, Sotheby's, London, November 29, 1976, lot 22, to Seito.
sold, Spingold sale, Sotheby's, London, November 29, 1976, lot 22, to Seito.
Provenance Activity for The Promenade (89.PA.41) associated with Seito
Provenance Acquisition for The Promenade (89.PA.41) associated with Seito
Provenance Activity for The Promenade (89.PA.41) associated with British Rail Pension Trustee Company, Ltd.
Provenance Acquisition for The Promenade (89.PA.41) associated with British Rail Pension Trustee Company, Ltd.; subsequently sold, British Rail Pension Fund sale, Sotheby's, London, April 4, 1989, lot 6, to the J. Paul Getty Museum.
sold, British Rail Pension Fund sale, Sotheby's, London, April 4, 1989, lot 6, to the J. Paul Getty Museum.
British Rail Pension Trustee Company, Ltd.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).