The Bucintoro Departing from the Bacino di San Marco (86.PA.600)
Migration to unified `data.getty.edu/local/thesaurus` URLs for custom terms.
Filter on the `https://data.getty.edu/local/thesaurus/object-title-*` terms instead.
The Bucintoro Departing from the Bacino di San Marco
Filter on `Getty DOR ID` (https://data.getty.edu/local/thesaurus/dor-id) instead.
Filter on `Gallery Systems' TMS ID` (https://data.getty.edu/local/thesaurus/tms-id) instead.
Filter on `Getty DOR UUID` (https://data.getty.edu/local/thesaurus/dor-uuid) instead.
Fiocco, Giuseppe. La Pittura Veneziana Alla Mostra Del Settecento (Verona: Rivista della Citta` di Venezia, 1929), pp. 11-13, 16, ill.
Fiocco, Giuseppe. La Pittura Veneziana Alla Mostra Del Settecento (Verona: Rivista della Citta` di Venezia, 1929)
Citation (Bibliographic Reference) Sequence
Fiocco, Giuseppe. "La pittura veneziana alla mostra del Settecento." Rivista della Città di Venezia 8 (August-September 1929), pp. 506, 510, ill.
Fiocco, Giuseppe. "La pittura veneziana alla mostra del Settecento." Rivista della Città di Venezia 8 (August-September 1929)
Fiocco, Giuseppe. Venetian Painting of the Seicento and Settecento (Florence: Pantheon, 1929), pp. 50-51.
Fiocco, Giuseppe. Venetian Painting of the Seicento and Settecento (Florence: Pantheon, 1929)
Delogu, Giuseppe. Pittori veneti minori del Settecento (Venice: Zanetti, 1930), p. 82, pl. 51.
Delogu, Giuseppe. Pittori veneti minori del Settecento (Venice: Zanetti, 1930)
Mauroner, Fabio. Luca Carlevaris (Padua: Zanetti, 1931), pp. 9, 11, 32.
Mauroner, Fabio. Luca Carlevaris (Padua: Zanetti, 1931)
Nisser, Wilhelm. "Lord Manchester's Reception at Venice." Burlington Magazine 70 (January 1937), p. 33n4.
Nisser, Wilhelm. "Lord Manchester's Reception at Venice." Burlington Magazine 70 (January 1937)
Pallucchini, Rodolfo. "Una veduta del Carlevarijs alla R. Galleria Estense." Bolletino d'Arte 5 (1937), pp. 556-57, 559, ill.
Pallucchini, Rodolfo. "Una veduta del Carlevarijs alla R. Galleria Estense." Bolletino d'Arte 5 (1937)
Mauroner, Fabio. Luca Carlevarijs. 2nd ed. (Padua: Le Tre Venezie, 1945), pp. 57, 59, fig.14.
Mauroner, Fabio. Luca Carlevarijs. 2nd ed. (Padua: Le Tre Venezie, 1945)
Constable, William G. Canaletto: Giovanni Antonio Canal 1697-1768. Vol. 1, Life and Work, Plates (Oxford: Clarendon Press, 1962), p. 69n2.
Constable, William G. Canaletto: Giovanni Antonio Canal 1697-1768. Vol. 1, Life and Work, Plates (Oxford: Clarendon Press, 1962)
Rizzi, Aldo. Disegni, incisioni e bozzetti del Carlevarijs: Catalogo della mostra (Udine: Doretti,1964), pp. 21n28, 22, pl. xvii.
Rizzi, Aldo. Disegni, incisioni e bozzetti del Carlevarijs: Catalogo della mostra (Udine: Doretti,1964)
Rizzi, Aldo. Luca Carlevaris (Venice: Alfieri, 1967), pp. 51-52, pl. 43-44.
Rizzi, Aldo. Luca Carlevaris (Venice: Alfieri, 1967)
Levey, Michael. National Gallery Catalogues: 17th and 18th Century Italian Schools (London: National Gallery, 1971), p. 35n6, under no. 4453.
Levey, Michael. National Gallery Catalogues: 17th and 18th Century Italian Schools (London: National Gallery, 1971)
Pallucchini, Rodolfo. "Schede Venete Settecentesche." Arte Veneta 25 (1971), p. 159.
Pallucchini, Rodolfo. "Schede Venete Settecentesche." Arte Veneta 25 (1971)
Visani, Maria Cionini. “Luca Carlevarijs.” In Dizionario degli Italiani. Vol. 20 (Rome: Instituto della Enciclopedia italiani, 1977), http://www.treccani.it/enciclopedia/luca-carlevariis_%28Dizionario-Biografico%29/ (accessed October 18,2017), unpaginated.
Visani, Maria Cionini. “Luca Carlevarijs.” In Dizionario degli Italiani. Vol. 20 (Rome: Instituto della Enciclopedia italiani, 1977), http://www.treccani.it/enciclopedia/luca-carlevariis_%28Dizionario-Biografico%29/ (accessed October 18,2017)
Baetjer, Katharine, and J. G. Links, eds. Canaletto, exh. cat. (New York: Metropolitan Museum of Art, 1989), pp. 166, 171.
Baetjer, Katharine, and J. G. Links, eds. Canaletto, exh. cat. (New York: Metropolitan Museum of Art, 1989)
Mijlieff, Ewoud. "Een voroge vedute van Luca Carlevarjis." Bulletin van het Rijksmuseum (January 1997), p. 201.
Mijlieff, Ewoud. "Een voroge vedute van Luca Carlevarjis." Bulletin van het Rijksmuseum (January 1997)
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 22, ill.
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997)
Beddington, Charles. Luca Carlevarijs: Views of Venice, exh. cat. (San Diego: Timken Museum of Art, 2001), pp. 6-7, fig. 3, 4.
Beddington, Charles. Luca Carlevarijs: Views of Venice, exh. cat. (San Diego: Timken Museum of Art, 2001)
Tipton, Susan. "Diplomatie und Zeremoniell in Botschafterbildern von Carlevarijs und Canaletto." RIHA Journal 8 (October 1, 2010), http://www.riha-journal.org/articles/2010/tipton-diplomatie-und-zeremoniell (accessed January 4, 2011), unpaginated, par. 100-102, fig. 36.
Tipton, Susan. "Diplomatie und Zeremoniell in Botschafterbildern von Carlevarijs und Canaletto." RIHA Journal 8 (October 1, 2010), http://www.riha-journal.org/articles/2010/tipton-diplomatie-und-zeremoniell (accessed January 4, 2011)
Beddington, Charles. Venice: Canaletto and His Rivals, exh. cat. (London: National Gallery, with Yale University Press, 2010), pp. 60, 62, 180, no. 3, pl. 3.
Beddington, Charles. Venice: Canaletto and His Rivals, exh. cat. (London: National Gallery, with Yale University Press, 2010)
Beddington, Charles. "Venetian View Painting in the Eighteenth Century." In Venice: Canaletto and His Rivals, exh. cat. Charles Beddington, ed. (London: National Gallery, with Yale University Press, 2010), pp. 16-17, 20-21, figs. 8, 13.
Beddington, Charles. "Venetian View Painting in the Eighteenth Century." In Venice: Canaletto and His Rivals, exh. cat. Charles Beddington, ed. (London: National Gallery, with Yale University Press, 2010)
Kerber, Peter Björn. Eyewitness Views: Making History in Eighteenth Century Europe, exh. cat. (Los Angeles: J. Paul Getty Museum, 2017), pp. 35-37, 163-69, 215, no. 12, fig. 183.
Kerber, Peter Björn. Eyewitness Views: Making History in Eighteenth Century Europe, exh. cat. (Los Angeles: J. Paul Getty Museum, 2017)
The Grand Canal is filled with a colorful array of boats getting ready to make their way out to sea. This is Ascension Day, when Venice celebrates her authority over the sea by conducting a symbolic marriage ceremony with the Adriatic Sea. In front of the Doge's palace, the Doge boards the magnificent two-storied Boat of the State called the Bucintoro, which will head a procession of other boats out to the Porto del Lido. On arrival, the Patriarch of Venice will bless the sea with holy water and the Doge will throw out a ring from a little door in the prow, saying, "In sign of eternal domination, we, the Doge of Venice, marry you, oh sea." Luca Carlevarijs carefully delineated the piazza San Marco, framed by the library, the campanile, the basilica, and most prominently, the Doge's palace. Carlevarijs founded the tradition of vedute, or view painting, that flourished in Venice in the 1700s.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
Migration from HTML to Markdown for Object Descriptions.
Additionally filter Object Descriptions via the `format` property to select between the 'text/html' or 'text/markdown' variants during the deprecation period.
Related Media (Audio): Bucintoro Departing from the Bacino di San Marco
Bucintoro Departing from the Bacino di San Marco
Migrated to storing related audio links in ID Manager.
Search for related audio links in ID Manager.
Related Media (Audio): The Bucintoro Departing from the Bacino di San Marco
Related Media (Image): Back (Verso) One Shot
Filter on `Rights Statement` (https://data.getty.edu/local/thesaurus/rights-statement) instead.
Due to improved rights assertion/license metadata modelling this `LinguisticObject` will be removed in a future update.
Obtain rights assertion/license metadata from the `Right` entity under this document's `subject_to` property instead.
Objects Exhibited in Mostra della pittura italiana del Seicento e del Settecento at Palazzo Pitti, Florence
Mostra della pittura italiana del Seicento e del Settecento at Palazzo Pitti, Florence
Mostra della pittura italiana del Seicento e del Settecento
Objects Exhibited in Il Settecento italiano at Unknown, Unknown
Il Settecento italiano at Unknown, Unknown
Objects Exhibited in Le Feste e le maschere veneziane at Museo del Settecento Veneziano di Ca' Rezzonico, Venice
Le Feste e le maschere veneziane at Museo del Settecento Veneziano di Ca' Rezzonico, Venice
Objects Exhibited in Mostra del Paesaggio Veneziano del Settecento at Palazzo Massimo alle Colonne, Rome
Mostra del Paesaggio Veneziano del Settecento at Palazzo Massimo alle Colonne, Rome
Mostra del Paesaggio Veneziano del Settecento
Objects Exhibited in Venetian Eighteenth-Century Painting at Thomas Agnew & Sons, Ltd., London
Venetian Eighteenth-Century Painting at Thomas Agnew & Sons, Ltd., London
Objects Exhibited in The Glory of Venice at Royal Academy of Arts, London
The Glory of Venice at Royal Academy of Arts, London
Objects Exhibited in The Glory of Venice at National Gallery of Art, Washington, D.C.
The Glory of Venice at National Gallery of Art, Washington, D.C.
Objects Exhibited in Venice: Canaletto and His Rivals at The National Gallery, London
Venice: Canaletto and His Rivals at The National Gallery, London
Objects Exhibited in Venice: Canaletto and His Rivals at National Gallery of Art, Washington, D.C.
Venice: Canaletto and His Rivals at National Gallery of Art, Washington, D.C.
Objects Exhibited in Eyewitness Views: Making History in Eighteenth-Century Europe at J. Paul Getty Museum at the Getty Center, Los Angeles
Eyewitness Views: Making History in Eighteenth-Century Europe at J. Paul Getty Museum at the Getty Center, Los Angeles
Eyewitness Views: Making History in Eighteenth-Century Europe
Objects Exhibited in Eyewitness Views: Making History in Eighteenth-Century Europe at The Cleveland Museum of Art, Cleveland
Eyewitness Views: Making History in Eighteenth-Century Europe at The Cleveland Museum of Art, Cleveland
Objects Exhibited in Eyewitness Views: Making History in Eighteenth-Century Europe at The Minneapolis Institute of Art, Minneapolis
Eyewitness Views: Making History in Eighteenth-Century Europe at The Minneapolis Institute of Art, Minneapolis
Filter on `Place Depicted` (https://data.getty.edu/local/thesaurus/place-depicted) instead.
Related Media Set for The Bucintoro Departing from the Bacino di San Marco (86.PA.600)
Verso: upper right, in blue: “No 1”; upper right, in blue: “*”; lower right, in black: “Baron Lazaroni”
Verso: upper left, yellowed rectangular label with blue border and beveled corners, ripped, written in black: “M [?] / 30 x 40”; upper left, yellowed rectangular label with blue border, illegible; upper left, white rectangular label with rounded corners, black text illegible; upper left, white rectangular label, printed in black: “THOS. AGNEW & SONS LTD. / [written in blue:] RK / [printed in black:] W.O. 0688/85”; upper left, white rectangular label, printed in black: “ROYAL ACDEMY OF ARTS/ PICADILLY, LONDON WIV 005 / Exhibition: THE GLORY OF VENICE: ART IN THE 16TH CENTURY 15.09-14.12.1994 / Artist Carlevarijs, Luca / Title The Bucintoro Departing from San Marco / Lender: MALIBU, THE J. PAUL GETTY MUSEUM / Key [?] Catalogue Number: 23”; upper left, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, PARIS / [written in black:] 272”; upper left, white rectangular label with rounded corners, written in blue: “1”; upper right, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, Paris / [written in black:] 272”; upper right, yellowed rectangular label, written in black: “Cassa No. 1 - [?] / Roma”; upper right, white circular label, written in black: “437”; lower left, yellowed rectangular label with serrated edges, printed in black: “[?] VENEZ[?] / 000463”; lower left, yellowed rectangular label, printed in black: “ka / MERCI / DOUANE [?]/ VISIT[?] / 2152”; lower center, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, PARIS”; lower right, yellowed circular label with scalloped edges, black stamp illegible; lower right on canvas, red circular wax seal
Production of Artwork by Luca Carlevarijs
Filter on `Producer Description` (https://data.getty.edu/local/thesaurus/producer-description) instead.
Artist/Maker (Producer) Nationality & Dates
Filter on `Artist/Maker Role Statement` (https://data.getty.edu/local/thesaurus/artist-maker-role-statement) instead.
Getty Center, Museum South Pavilion, Gallery S205
Exhibition Title Attribute Assignment: Venice: Canaletto and His Rivals
Molo from the Bacino di San Marco ib Ascension Day
Exhibition Title Attribute Assignment: Eyewitness Views: Making History in Eighteenth-Century Europe
Homepage for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) (HumanMadeObject)
Provenance Acquisition for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baron Michele Lazzaroni; subsequently by inheritance to Edgardo Lazzaroni, 1934.
Provenance Activity for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baron Michele Lazzaroni
Newly available AAT terms replace obsolete local thesaurus terms.
Filter on `Provenance Statement` (http://vocab.getty.edu/aat/300444174) instead.
by inheritance to Edgardo Lazzaroni, 1934.
Provenance Statement Sequence Attribution
Filter on `Provenance Location Statement` (http://vocab.getty.edu/aat/300444175) instead.
Provenance Biography Sequence Attribution
Provenance Activity TimeSpan Display Name
Provenance Activity for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baron Edgardo Lazzaroni
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baron Edgardo Lazzaroni; subsequently by inheritance to Maddalena Lazzaroni.
Provenance Activity for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baroness Maddalena Lazzaroni
Provenance Acquisition for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Baroness Maddalena Lazzaroni
Provenance Activity for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Gina Lollabrigida
Provenance Acquisition for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Gina Lollabrigida
Provenance Activity for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Thomas Agnew & Sons, Ltd.
Provenance Acquisition for The Bucintoro Departing from the Bacino di San Marco (86.PA.600) associated with Thomas Agnew & Sons, Ltd.; subsequently sold to the J. Paul Getty Museum, 1986.
Please note that in the future, the `representation` property's image, referenced by the `id` property, will be smaller than that currently offered.
Larger images, if needed, will be available via the IIIF Image API endpoints referenced within this document's `shows` property instead.
CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).