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content: Kerber, Peter Björn. Eyewitness Views: Making History in Eighteenth Century Europe, exh. cat. (Los Angeles: J. Paul Getty Museum, 2017), pp. 35-37, 163-69, 215, no. 12, fig. 183.
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content: The Grand Canal is filled with a colorful array of boats getting ready to make their way out to sea. This is Ascension Day, when Venice celebrates her authority over the sea by conducting a symbolic marriage ceremony with the Adriatic Sea. In front of the Doge's palace, the Doge boards the magnificent two-storied Boat of the State called the Bucintoro, which will head a procession of other boats out to the Porto del Lido. On arrival, the Patriarch of Venice will bless the sea with holy water and the Doge will throw out a ring from a little door in the prow, saying, "In sign of eternal domination, we, the Doge of Venice, marry you, oh sea." Luca Carlevarijs carefully delineated the piazza San Marco, framed by the library, the campanile, the basilica, and most prominently, the Doge's palace. Carlevarijs founded the tradition of vedute, or view painting, that flourished in Venice in the 1700s.
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content: The Grand Canal is filled with a colorful array of boats getting ready to make their way out to sea. This is Ascension Day, when Venice celebrates her authority over the sea by conducting a symbolic marriage ceremony with the Adriatic Sea. In front of the Doge's palace, the Doge boards the magnificent two-storied Boat of the State called the Bucintoro, which will head a procession of other boats out to the Porto del Lido. On arrival, the Patriarch of Venice will bless the sea with holy water and the Doge will throw out a ring from a little door in the prow, saying, "In sign of eternal domination, we, the Doge of Venice, marry you, oh sea." Luca Carlevarijs carefully delineated the piazza San Marco, framed by the library, the campanile, the basilica, and most prominently, the Doge's palace. Carlevarijs founded the tradition of vedute, or view painting, that flourished in Venice in the 1700s.
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content: Verso: upper right, in blue: “No 1”; upper right, in blue: “*”; lower right, in black: “Baron Lazaroni”

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content: Verso: upper left, yellowed rectangular label with blue border and beveled corners, ripped, written in black: “M [?] / 30 x 40”; upper left, yellowed rectangular label with blue border, illegible; upper left, white rectangular label with rounded corners, black text illegible; upper left, white rectangular label, printed in black: “THOS. AGNEW & SONS LTD. / [written in blue:] RK / [printed in black:] W.O. 0688/85”; upper left, white rectangular label, printed in black: “ROYAL ACDEMY OF ARTS/ PICADILLY, LONDON WIV 005 / Exhibition: THE GLORY OF VENICE: ART IN THE 16TH CENTURY 15.09-14.12.1994 / Artist Carlevarijs, Luca / Title The Bucintoro Departing from San Marco / Lender: MALIBU, THE J. PAUL GETTY MUSEUM / Key [?] Catalogue Number: 23”; upper left, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, PARIS / [written in black:] 272”; upper left, white rectangular label with rounded corners, written in blue: “1”; upper right, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, Paris / [written in black:] 272”; upper right, yellowed rectangular label, written in black: “Cassa No. 1 - [?] / Roma”; upper right, white circular label, written in black: “437”; lower left, yellowed rectangular label with serrated edges, printed in black: “[?] VENEZ[?] / 000463”; lower left, yellowed rectangular label, printed in black: “ka / MERCI / DOUANE [?]/ VISIT[?] / 2152”; lower center, yellowed oval label with black border, printed in black: “CH. POTTIER / EMBALLEUR / 14, Rue Gallion, PARIS”; lower right, yellowed circular label with scalloped edges, black stamp illegible; lower right on canvas, red circular wax seal

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content: Lower right, on boat: "LC MDCC X"

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  content: Luca Carlevarijs (Italian, 1663 - 1730)
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        replacement: Filter on `Provenance Statement` (http://vocab.getty.edu/aat/300444174) instead.
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