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Hôtel Drouot, Paris. Catalogue des tableaux et aquarelles par Claude Monet, Berthe Morisot, A. Renoir, A. Sisley (March 24, 1875), p. 8, lot 8.
Hôtel Drouot, Paris. Catalogue des tableaux et aquarelles par Claude Monet, Berthe Morisot, A. Renoir, A. Sisley. (March 24, 1875)
Citation (Bibliographic Reference) Sequence
Dayot, Armand. "À travers les collections parisiennes." L'art dans les deux mondes, no. 23 (April 25, 1891), p. 272.
Dayot, Armand. "À travers les collections parisiennes." L'art dans les deux mondes, no. 23 (April 25, 1891)
Exposition des peintres impressionnistes, exh. cat. (Brussels: La Libre Esthétique, 1904), p. 39, no. 92.
Exposition des peintres impressionnistes, exh. cat. (Brussels: La Libre Esthétique, 1904)
Alexandre, Arsène. La collection Henri Rouart (Paris: Goupil & cie., with Manzi, Joyant & cie., 1912), p. 104.
Alexandre, Arsène. La collection Henri Rouart (Paris: Goupil & Cie., with Manzi, Joyant & Cie., 1912)
Dalligny, Aug. "Collection Henri Rouart." Le journal des arts 34, no. 81 (November 30, 1912), p. 1.
Dalligny, Aug. "Collection Henri Rouart." Le journal des arts 34, no. 81 (November 30, 1912)
Alexandre, Arsène. "La collection Henri Rouart." Les arts, no. 132 (December 1912), p. 28.
Alexandre, Arsène. "La collection Henri Rouart." Les arts, no. 132 (December 1912)
Galerie Manzi-Joyant, Paris. Catalogue des tableaux [...] composant la collection de feu M. Henri Rouart [...]. December 9-11, 1912, p. 133, lot 252.
Galerie Manzi-Joyant, Paris. Catalogue des tableaux [...] composant la collection de feu M. Henri Rouart [...]. December 9-11, 1912
"Revue des ventes. Collection Henri Rouart." Gazette de l'Hôtel Drouot 21, no. 132 (December 10, 1912), unpaginated, no. 252.
"Revue des ventes: Collection Henri Rouart." Gazette de l'Hôtel Drouot 21, no. 132 (December 10, 1912)
Maus, Madeleine Octave. Trente années de lutte pour l'art (Brussels: Librairie l'oiseau bleu, 1926), p. 323.
Maus, Madeleine Octave. Trente années de lutte pour l'art (Brussels: Librairie l'oiseau bleu, 1926)
Rewald, John. The History of Impressionism. 3rd ed. (New York: The Museum of Modern Art, 1961), pp. 316, 339n20, ill.
Rewald, John. The History of Impressionism. 3rd ed. (New York: The Museum of Modern Art, 1961)
Bodelsen, Merete. "Early Impressionist Sales, 1874-94, in the Light of Some Unpublished 'Procès Verbaux.'" Burlington Magazine 110, no. 783 (June 1968), pp. 335, 339.
Bodelsen, Merete. "Early Impressionist Sales, 1874-94, in the Light of Some Unpublished 'Procès Verbaux.'" Burlington Magazine 110, no. 783 (June 1968)
Niculescu, Remus. "Georges de Bellio: L'ami des Impressionnistes (II)." Paragone 21, no. 249 (November 1970), pp. 62-63, under no. 68.
Niculescu, Remus. "Georges de Bellio: L'ami des Impressionnistes (II)." Paragone 21, no. 249 (November 1970)
Rewald, John. The History of Impressionism. 4th ed. (New York: Museum of Modern Art, with New York Graphic Society, 1973), pp. 316, 318, 339n23, ill.
Rewald, John. The History of Impressionism. 4th ed. (New York: Museum of Modern Art, with New York Graphic Society, 1973)
Wildenstein, Daniel. Claude Monet: Biographie et catalogue raisonné. 5 vols. (Lausanne and Paris: La bibliothèque des arts; Wildenstein Institute, 1974-1991), vol. 1 (1974), pp. 226-27, no. 262, ill.
Wildenstein, Daniel. Claude Monet: Biographie et catalogue raisonné. 5 vols. (Lausanne and Paris: La bibliothèque des arts; Wildenstein Institute, 1974-91)
Adhémar, Hélène, et al. Centenaire de l'Impressionnisme, exh. Cat. (Paris: Grand Palais, 1974), pp. 150, 152, 154, under no. 28, entry by Anne Dayez.
Adhémar, Hélène, et al. Centenaire de l'Impressionnisme, exh. cat. (Paris: Grand Palais, 1974)
Isaacson, Joel. Claude Monet: Observation and Reflection (Oxford: Phaidon, 1978), p. 204, under no. 39.
Isaacson, Joel. Claude Monet: Observation and Reflection (Oxford: Phaidon, 1978)
Daulte, François, et al., eds. Monet, exh. cat. (Tokyo: National Museum of Western Art, 1982), unpaginated, no. 8, ill., entry by François Daulte.
Daulte, François, et al., eds. Monet, exh. cat. (Tokyo: National Museum of Western Art, 1982)
Tucker, Paul. "The First Impressionist Exhibition and Monet's 'Impression, Sunrise': A Tale of Timing, Commerce and Patriotism." Art History 7, no. 4 (December 1984), pp. 470-71, pl. 33.
Tucker, Paul. "The First Impressionist Exhibition and Monet's 'Impression, Sunrise': A Tale of Timing, Commerce and Patriotism." Art History 7, no. 4 (December 1984)
Wildenstein, Daniel. Monet, or the Triumph of Impressionism. 4 vols. Vol. 1, Monet, or the Triumph of Impressionism (Paris: Wildenstein Institute, with Taschen, 1996), p. 103.
Wildenstein, Daniel. Monet, or the Triumph of Impressionism. 4 vols. Vol. 1, Monet, or the Triumph of Impressionism (Paris: Wildenstein Institute, with Taschen, 1996)
Wildenstein, Daniel. Monet or the Triumph of Impressionism. 4 vols. Vol. 2, Catalogue raisonne, nos. 1-968 (Paris: Wildenstein Institute, with Taschen, 1996), p. 113, no. 262, ill.
Wildenstein, Daniel. Monet or the Triumph of Impressionism. 4 vols. Vol. 2, Catalogue raisonne, nos. 1-968 (Paris: Wildenstein Institute, with Taschen, 1996)
Gustafson, Eleanor H. "Museum Accessions." The Magazine Antiques 156, no. 1 (July 1999), p. 34.
Gustafson, Eleanor H. "Museum Accessions." The Magazine Antiques 156, no. 1 (July 1999)
Brettell, Richard. Impression: Painting Quickly in France, 1860-1890, exh. cat. (Williamstown: Sterling and Francine Clark Art Institute, with Yale University Press, 2000), pp. 26n6, 126.
Brettell, Richard. Impression: Painting Quickly in France, 1860-1890, exh. cat. (Williamstown: Sterling and Francine Clark Art Institute, with Yale University Press, 2000)
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), pp. 90, 139, ill.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001)
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003), pp. 96-97, no. 51, ill., cover ill., entry by Charlotte Eyerman.
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003)
House, John. "Tinted Steam: Turner and Impressionism." In Turner Whistler Monet, exh. Cat. Katharine Lochnan et al. (Toronto: Art Gallery of Ontario, with Tate Publishing, 2004), pp. 40-41, fig. 21.
House, John. "Tinted Steam: Turner and Impressionism." In Turner Whistler Monet, exh. cat. Katharine Lochnan, et al. (Toronto: Art Gallery of Ontario, with Tate Publishing, 2004)
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 144, ill.
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007)
Rubin, James H. Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh (Berkeley: University of California Press, 2008), p. 62.
Rubin, James H. Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh (Berkeley: University of California Press, 2008)
Roquebert, Anne. "Marines en Normandie." In Claude Monet, 1840-1926, exh. cat. Guy Cogeval et al., eds. (Paris: Galeries nationales du Grand Palais; Réunion des musées nationaux, 2010), p. 103n43.
Roquebert, Anne. "Marines en Normandie." In Claude Monet, 1840-1926, exh. cat. (Paris: Galeries nationales du Grand Palais; Réunion des musées nationaux, 2010)
Klein, Jacques-Sylvain. Lumières normandes: Les hauts-lieux de l’Impressionnisme (Rouen: Éditions Point de vues, 2013), pp. 121, 123, ill.
Klein, Jacques-Sylvain. Lumières normandes: Les hauts-lieux de l’Impressionnisme (Rouen: Éditions Point de vues, 2013)
Lefebvre, Géraldine. "Impression, soileil levant dans le port du Havre." In Impression, soleil levant: l'histoire vraie du chef-d'oeuvre de Claude Monet, exh. cat. (Paris: Musée Marmottan Monet, with Éditions Hazan, 2014), pp. 54, 57, 68, 69, fig. 11.
Lefebvre, Géraldine. "Impression, soileil levant dans le port du Havre." In Impression, soleil levant: L'histoire vraie du chef-d'oeuvre de Claude Monet, exh. cat. (Paris: Musée Marmottan Monet, with Éditions Hazan, 2014)
Olson, Donald W. "La datation d'Impression, soleil levant." In Impression, soleil levant: l'histoire vraie du chef-d'oeuvre de Claude Monet, exh. cat. (Paris: Musée Marmottan Monet, with Éditions Hazan, 2014), pp. 80, 83, 84, 95-96, 99, fig. 2.
Olson, Donald W. "La datation d'Impression, soleil levant." In Impression, soleil levant: L'histoire vraie du chef-d'oeuvre de Claude Monet, exh. cat. (Paris: Musée Marmottan Monet, with Éditions Hazan, 2014)
Chefs-d'oeuvre impressionnistes du Musée Marmottan Monet, exh. cat. (Tokyo: Tokyo Metropolitan Art Museum, 2015), p. 21, fig. 5.
Chefs-d'oeuvre impressionnistes du Musée Marmottan Monet, exh. cat. (Tokyo: Tokyo Metropolitan Art Museum, 2015)
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), p. 362.
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015)
Olson, Donald W., and Edwin L. Piner. “Monet au XXIe siècle. De nouveaux outils d’analyse. Datation du Port du Havre, Effet de Nuit.” In Monet: Les années décisives au Havre. Géraldine Lefebvre, ed. (Paris: Hazan, 2016), pp. 239, 240, 243, 248, fig. 218.
Olson, Donald W., and Edwin L. Piner. “Monet au XXIe siècle. De nouveaux outils d’analyse. Datation du Port du Havre, Effet de Nuit.” In Monet: Les années décisives au Havre. Géraldine Lefebvre, ed. (Paris: Hazan, 2016)
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), pp. 16, 118, ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
Filter on `Curatorial Essay` (https://data.getty.edu/local/thesaurus/curatorial-essay) instead.
In the muted palette of the emerging dawn, Claude Monet portrayed the industrial port of Le Havre on the northern coast of France. The brilliant orange of the rising sun glimmers amid the damp air and dances on the gentle rippling water, lighting up its iridescent blues and greens. Barely discernible through a cool haze, pack boats on the left billow smoke from their stacks. Painted during the spring of 1873 as the country struggled to rebuild following the Franco-Prussian war, this *Sunrise* might also metaphorically suggest a new day dawning in France. *Sunrise* exemplifies Monet's plein air, or "outdoor," approach to painting. The informal and spontaneous brushstrokes establish this picture as one of the first works, along with the famous *Impression: Sunrise* at the Marmottan Museum in Paris, in the Impressionist style that was to make him famous. The ephemeral play of light, water, and air would remain Monet's subject for the rest of his career.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
In the muted palette of the emerging dawn, Claude Monet portrayed the industrial port of Le Havre on the northern coast of France. The brilliant orange of the rising sun glimmers amid the damp air and dances on the gentle rippling water, lighting up its iridescent blues and greens. Barely discernible through a cool haze, pack boats on the left billow smoke from their stacks. Painted during the spring of 1873 as the country struggled to rebuild following the Franco-Prussian war, this Sunrise might also metaphorically suggest a new day dawning in France. Sunrise exemplifies Monet's plein air, or "outdoor," approach to painting. The informal and spontaneous brushstrokes establish this picture as one of the first works, along with the famous Impression: Sunrise at the Marmottan Museum in Paris, in the Impressionist style that was to make him famous. The ephemeral play of light, water, and air would remain Monet's subject for the rest of his career.
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Objects Exhibited in Exposition des peintres impressionnistes at La Libre Esthétique, Brussels
Exposition des peintres impressionnistes at La Libre Esthétique, Brussels
Exposition des peintres impressionnistes
Objects Exhibited in (?) Ausstellung VIII. Jahrgang at Galerie Paul Cassirer, Berlin
(?) Ausstellung VIII. Jahrgang at Galerie Paul Cassirer, Berlin
Objects Exhibited in Monet at National Museum of Western Art, Tokyo
Monet at National Museum of Western Art, Tokyo
Objects Exhibited in Monet at National Museum of Modern Art, Kyoto
Monet at National Museum of Modern Art, Kyoto
Objects Exhibited in Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Getty Highlights: 19th-Century Paintings and Sculptures
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Related Media Set for Sunrise (Marine) (98.PA.164)
Verso: upper left, white rectangular label with blue border, written in black, partly torn and illegible: “[?]nr[?]”; center right of canvas, black oval stamp, illegible; lower right, yellowed rectangular label with blue border and beveled corners, typewritten in black: “M. STERN / CL. MONET / LE PORT”
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Getty Center, Museum West Pavilion, Gallery W204
Exhibition Title Attribute Assignment: Getty Highlights: 19th-Century Paintings and Sculptures
Homepage for Sunrise (Marine) (98.PA.164) (HumanMadeObject)
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with Claude Monet; subsequently sold, Monet, Morisot, Renoir, and Sisley sale, Hôtel Drouot, Paris, March 24, 1875, lot 8, to Henri Rouart.
Provenance Activity for Sunrise (Marine) (98.PA.164) associated with Claude Monet
Provenance Acquisition-Related Identifier
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sold, Monet, Morisot, Renoir, and Sisley sale, Hôtel Drouot, Paris, March 24, 1875, lot 8, to Henri Rouart.
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Provenance Activity for Sunrise (Marine) (98.PA.164) associated with Henri Rouart
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with Henri Rouart; subsequently sold, Rouart sale, Galerie Manzi-Joyant, Paris, December 9, 1912, lot 252, through Durand-Ruel & Cie (Paris, France) to René Stern.
sold, Rouart sale, Galerie Manzi-Joyant, Paris, December 9, 1912, lot 252, through Durand-Ruel & Cie (Paris, France) to René Stern.
JPGM Paintings Department, curatorial files, letter from Caroline Durand-Ruel Godfroy, June 22, 2000.
Provenance Citation Sequence Attribution
Provenance Activity for Sunrise (Marine) (98.PA.164) associated with René Stern
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with René Stern; subsequently by inheritance within the Stern family.
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Provenance Activity for Sunrise (Marine) (98.PA.164) associated with Stern Family
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with Stern Family; subsequently by inheritance to Mme Darbois, née Stern.
by inheritance to Mme Darbois, née Stern.
JPGM Paintings Department, curatorial files, letter from Daniel Wildenstein, January 7, 1999.
Provenance Activity for Sunrise (Marine) (98.PA.164) associated with Mme Darbois
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with Mme Darbois
Provenance Activity for Sunrise (Marine) (98.PA.164) associated with Galerie Schmit
Provenance Acquisition for Sunrise (Marine) (98.PA.164) associated with Galerie Schmit; subsequently sold to the J. Paul Getty Museum, 1998.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).