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Delaville, Camille. “Edouard Manet.” L’Événement, May 31, 1881.
Delaville, Camille. “Edouard Manet.” L’Événement, May 31, 1881
Citation (Bibliographic Reference) Sequence
“Le Salon: Les Têtes du Salon de peinture.” L’Art populaire (1882), p. 262.
“Le Salon: Les Têtes du Salon de peinture.” L’Art populaire (1882)
Biez, Jacques de. "Le Salon. 1882. IV. Fleur de cymaise." Paris (May 9, 1882), p. 3.
Biez, Jacques de. "Le Salon. 1882. IV. Fleur de cymaise." Paris (May 9, 1882)
Laurent-Pichat, L. "Salon de 1882." Le Phare de la Loire [Nantes] (May 12, 1882), p. 2.
Laurent-Pichat, L. "Salon de 1882." Le Phare de la Loire [Nantes] (May 12, 1882)
Paranquet. "Le Vernissage." Paris-Journal (May 1, 1882).
Paranquet. "Le Vernissage." Paris-Journal (May 1, 1882)
Tarade, Jacques de. “Le Salon de 1882.” Journal des amateurs d’objets d’art et du curiosité (1882), p. 104.
Tarade, Jacques de. “Le Salon de 1882.” Journal des amateurs d’objets d’art et du curiosité (1882)
Silvestre, Armand. "Le Monde des arts. Le Salon de 1882." La Vie moderne (June 3, 1882), p. 342.
Silvestre, Armand. "Le monde des arts. Le Salon de 1882." La vie moderne (June 3, 1882)
"Salon de 1882. Notes alphabétiques." Courrier de l'art, no. 25 (June 22, 1882), p. 292.
"Salon de 1882: Notes alphabétiques." Courrier de l'art, no. 25 (June 22, 1882)
Demeny, Paul. "Le Salon de 1882." La Jeune France (June 1, 1882), p. 105.
Demeny, Paul. "Le Salon de 1882." La Jeune France (June 1, 1882)
Proust, Antonin. "Le Salon de 1882." Gazette des beaux-arts, 2nd ser., vol. 25, no. 6 (June 1, 1882), p. 547, ill. p. 545.
Proust, Antonin. "Le Salon de 1882." Gazette des beaux-arts, 2nd ser., vol. 25, no. 6 (June 1, 1882)
Feir, Charles de. Guide du Salon de Paris 1882, contenant, salle par salle, l'indication sommaire des oeuvres principales de peinture, sculpture, aquarelle etc. (Paris: A. Chérie, 1882), p. 22, under "Salle VII.".
Feir, Charles de. Guide du Salon de Paris 1882, contenant, salle par salle, l'indication sommaire des oeuvres principales de peinture, sculpture, aquarelle etc. (Paris: A. Chérie, 1882)
Hoschedé, Ernest. Impressions de mon voyage au Salon de 1882 (Paris: Typographie Tolmer et Cie., 1882), pp. 48-49, cover ill. (trichromatic photographic print by Charles Cros).
Hoschedé, Ernest. Impressions de mon voyage au Salon de 1882 (Paris: Typographie Tolmer et Cie., 1882)
Fourcaud, Louis de. "Le Salon." Le Gaulois (May 4, 1882), p. 2.
Fourcaud, Louis de. "Le Salon." Le Gaulois (May 4, 1882)
Du Seigneur, Maurice. "L'Art et les artistes au Salon de 1882." L'Artiste, 52nd yr., vol. 2 (July 1882), p. 21.
Du Seigneur, Maurice. "L'Art et les artistes au Salon de 1882." L'Artiste, 52nd yr., vol. 2 (July 1882)
Leroi, Paul. "Salon de 1882." L'Art 30 (1882)
Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1er mai 1882, exh. cat. (Paris: Palais des Champs-Élysées, 1882), p. 152, no. 1754 ("Jeanne").
Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1er mai 1882, exh. cat. (Paris: Palais des Champs-Élysées, 1882)
L'Exposition des Beaux-Arts (Salon de 1882), comprenant quarante planches en photogravure par Goupil et Cie., cent quatre-vingts dessins d'après les originaux des artistes, avec le concours littéraire de MM. Ph. Burty, Daniel Bernard, Victor Champier, Édouard Drumont, Jules Fleurichamp, Gustave Goetschy, Catulle Mendès, Eugène Montrosier, Gaston Schéfer (Paris: Librairie d'art, 1882), pp. 126, 127, ill. (Manet's drawing after the painting).
L'Exposition des Beaux-Arts (Salon de 1882), comprenant quarante planches en photogravure par Goupil et Cie., cent quatre-vingts dessins d'après les originaux des artistes [...] (Paris: Librairie d'art, 1882)
Wolff, Albert. "Comment est le Salon?" Le Figaro-Salon (May 1882), unpaginated, under "Salle V.".
Wolff, Albert. "Comment est le Salon?" Le Figaro-Salon (May 1882)
Dargenty, G. "Le Salon de 1882." La Justice (June 11, 1882), p. 3.
Dargenty, G. "Le Salon de 1882." La Justice (June 11, 1882)
Anon. "Le Salon de 1882. I." La Ville de Paris, no. 515 (April 30, 1882), p. 2125.
"Le Salon de 1882. I." La Ville de Paris, no. 515 (April 30, 1882)
Havard, Henry. "Le Salon de 1882." Le Siècle (May 13, 1882).
Havard, Henry. "Le Salon de 1882." Le Siècle (May 13, 1882)
Jacques, Edmond. "Le Salon. VI." L'Intransigeant (May 10, 1882).
Jacques, Edmond. "Le Salon. VI." L'Intransigeant (May 10, 1882)
Trianon, Henry. "Salon de 1882. Huitième article (1). Peinture (fin)." Le Constitutionnel (May 21, 1882).
Trianon, Henry. "Salon de 1882. Huitième article (1). Peinture (fin)." Le Constitutionnel (May 21, 1882)
Véron, Th. Dictionnaire Véron, ou organe de l'Institut universel des sciences, des lettres et des arts du XIXe siècle (Section des Beaux-Arts). Salon de 1882 (Paris: Chez M. Bazin; Poitiers: Chez l'auteur, 1882), p. 262.
Véron, Th. Dictionnaire Véron, ou organe de l'Institut universel des sciences, des lettres et des arts du XIXe siècle (Section des Beaux-Arts). Salon de 1882 (Paris: M. Bazin; Poitiers: Chez l'auteur, 1882)
Bergerat, Émile. "Salon de 1882." Le Voltaire (May 10, 1882).
Bergerat, Émile. "Salon de 1882." Le Voltaire (May 10, 1882)
"Salon de 1882." La Republique française (May 1, 1882), p. 3.
"Salon de 1882." La Republique française (May 1, 1882)
Goetschy, Gustave. "Avant le Salon." Le Soir (April 30, 1882).
Goetschy, Gustave. "Avant le Salon." Le Soir (April 30, 1882)
Verhaeren, Émile. "Le Salon de Paris." L'Art moderne (May 14, 1882), pp. 155-56; (May 21, 1882), pp. 162-64; (May 28, 1882), pp. 171-73. Repr. in Verhaeren, Écrits sur l'art. Paul Aron, ed. Vol. 1/2 (Brussels: Éditions Labor, 1997), pp. 57, 58.
Verhaeren, Émile. "Le Salon de Paris." L'Art moderne (May 14, 1882), pp. 155-56; (May 21, 1882), pp. 162-64; (May 28, 1882), pp. 171-73. Repr. in Verhaeren, Écrits sur l'art. Paul Aron, ed. Vol. 1/2 (Brussels: Éditions Labor, 1997)
Gœtschy, Gustave. "Édouard Manet." La vie moderne 5, no. 10 (May 12, 1883), p. 306.
Gœtschy, Gustave. "Édouard Manet." La vie moderne 5, no. 10 (May 12, 1883)
"Nos gravures. M. Édouard Manet." Le Monde illustré, no. 1362 (May 5, 1883), p. 278.
"Nos gravures. M. Édouard Manet." Le Monde illustré, no. 1362 (May 5, 1883)
Huysmans, Joris-Karl. L'Art moderne (Paris: G. Charpentier, 1883), p. 272.
Huysmans, Joris-Karl. L'Art moderne (Paris: G. Charpentier, 1883)
Vaughan, E. "Un livre. Manet." L'Intransigeant (Jan. 10, 1884), p. 2.
Vaughan, E. "Un livre. Manet." L'Intransigeant (January 10, 1884)
Geffroy, Gustave. "Chronique. L'Oeuvre d'Édouard Manet." La Justice (Jan. 29 & 30, 1884).
Geffroy, Gustave. "Chronique. L'Oeuvre d'Édouard Manet." La Justice (January 29 & 30, 1884)
Biez, Jacques de. Édouard Manet: Conférence faite à la salle des Capucines le mardi 22 janvier 1884 (Paris: Ludovic Baschet, 1884), p. 26.
Biez, Jacques de. Édouard Manet: Conférence faite à la salle des Capucines le mardi 22 janvier 1884 (Paris: Ludovic Baschet, 1884)
Fénéon, Félix. "À l'exposition d'Édouard Manet." La Libre revue (January 16, 1884). Repr. in Félix Fénéon, Oeuvres plus que complètes. Joan U. Halperin, ed. 2 vols. (Geneva: Librairie Droz, 1970), vol. 1, p. 20.
Fénéon, Félix. "À l'exposition d'Édouard Manet." La Libre revue (January 16, 1884). Repr. in Félix Fénéon, Oeuvres plus que complètes. Joan U. Halperin, ed. 2 vols. (Geneva: Librairie Droz, 1970)
Mantz, Paul. "Les oeuvres de Manet." Le Temps (Jan. 16, 1884).
Mantz, Paul. "Les oeuvres de Manet." Le Temps (January 16, 1884)
Exposition des oeuvres de Édouard Manet, exh. cat. (Paris: École nationale supérieure des beaux-arts, 1884), no. 105.
Exposition des oeuvres de Édouard Manet, exh. cat. (Paris: École nationale supérieure des beaux-arts, 1884)
Exposition universelle internationale de 1889 à Paris. Catalogue général officiel. Beaux-Arts. Exposition centennale de l'art français (1789-1889), exh. cat. (Lille: Impr. L. Danel, 1889), p. 15, no. 495, as "Le Printemps; - Jeanne.".
Exposition universelle internationale de 1889 à Paris. Catalogue général officiel: Beaux-Arts, Exposition centennale de l'art français (1789-1889), exh. cat. (Lille: Imprimerie L. Danel, 1889)
"La photographie des couleurs." Revue des arts graphiques. Gutenberg-Journal. 19th yr., no. 202 (Feb. 22, 1896), p. 5.
"La photographie des couleurs." Revue des arts graphiques. Gutenberg-Journal. 19th yr., no. 202 (Feb. 22, 1896)
Proust, Antonin. "Edouard Manet: souvenirs." La Revue blanche 12, no. 91 (March 15, 1897), pp. 310-11; no. 93 (April 15, 1897), p. 415.
Proust, Antonin. "Edouard Manet: Souvenirs." La Revue blanche 12, no. 91 (March 15, 1897)
Duret, Théodore. Histoire d'Édouard Manet et de son oeuvre (Paris: H. Floury, 1902), pp. 154, 265, no. 284.
Duret, Théodore. Histoire d'Édouard Manet et de son oeuvre (Paris: H. Floury, 1902)
Tschudi, Hugo von. Édouard Manet (Berlin: Bruno Cassirer, 1902), p. 38.
Tschudi, Hugo von. Édouard Manet (Berlin: Bruno Cassirer, 1902)
Huysmans, Joris-Karl. L'Art moderne. 2nd ed. (Paris: P.-V. Stock, 1902), p. 296.
Huysmans, Joris-Karl. L'Art moderne. 2nd ed. (Paris: P.-V. Stock, 1902)
Notice sur la collection J.-B. Faure suivie du catalogue des tableaux formant cette collection (Paris: Imprimerie française. J. Dangon, 1902), p. 25, no. 41.
Notice sur la collection J.-B. Faure suivie du catalogue des tableaux formant cette collection (Paris: Imprimerie française. J. Dangon, 1902)
B. [Oscar Bie]. "Hier und dort." Berliner Börsen-Courier (September 30, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), p. 242.
B. [Oscar Bie]. "Hier und dort." Berliner Börsen-Courier (September 30, 1906). Repr. in Kunstsalon Paul Cassirer, die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
XX. "Im Salon Cassirer." Berliner Lokal-Anzeiger (October 2, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), p. 247.
XX. "Im Salon Cassirer." Berliner Lokal-Anzeiger (October 2, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
Ago. [Alfred Gold]. "Berliner Kunstbrief." Frankfurter Zeitung (October 3, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), p. 248.
Ago. [Alfred Gold]. "Berliner Kunstbrief." Frankfurter Zeitung (October 3, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
Heilbut, Emil. "Bilder von Manet und Monet. Salon Cassirer." Der Tag (October 12, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), p. 252.
Heilbut, Emil. "Bilder von Manet und Monet. Salon Cassirer." Der Tag (October 12, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
L. P. [Ludwig Pietsch]. "Kunstausstellungen." Vossische Zeitung (October 17, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), p. 257.
L. P. [Ludwig Pietsch]. "Kunstausstellungen." Vossische Zeitung (October 17, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
Rosenhagen, Hans. "Aus den Berliner Kunstsalons." Die Kunst 15 (November 1, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013), pp. 260-61.
Rosenhagen, Hans. "Aus den Berliner Kunstsalons." Die Kunst 15 (November 1, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädeswil: Nimbus, 2013)
Moreau-Nélaton, Étienne. Manet, graveur et lithographe (Paris: Éditions du 'Peintre-graveur illustré,' 1906), unpaginated, under no. 47.
Moreau-Nélaton, Étienne. Manet, graveur et lithographe (Paris: Éditions du 'Peintre-graveur illustré,' 1906)
Catalogue des tableaux de Manet formant la collection Faure, exh. cat. (Paris: Galeries Durand-Ruel, 1906), p. 14, no. 23.
Catalogue des tableaux de Manet formant la collection Faure, exh. cat. (Paris: Galeries Durand-Ruel, 1906)
Exhibition of Paintings & Water-Colours by Manet (Faure Collection), exh. cat. (London: Sulley & Co., 1906), unpag., no. 21.
Exhibition of Paintings & Water-Colours by Manet (Faure Collection), exh. cat. (London: Sulley & Co., 1906)
Schmidt, Karl Eugen. “Pariser Brief.” Kunstchronik, n.s., vol. 17, no. 19 (Mar. 23, 1906), p. 292.
Schmidt, Karl Eugen. “Pariser Brief.” Kunstchronik, n.s., vol. 17, no. 19 (Mar. 23, 1906)
Rosenhagen, Hans. “Aus den Berliner Kunstsalons.” Die Kunst 15, no. 3 (Nov. 1, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), pp. 260-61.
Rosenhagen, Hans. “Aus den Berliner Kunstsalons.” Die Kunst 15, no. 3 (Nov. 1, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
Ago. [Alfred Gold]. “Berliner Kunstbrief.” Frankfurter Zeitung (Oct. 3, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 248.
Ago. [Alfred Gold]. “Berliner Kunstbrief.” Frankfurter Zeitung (Oct. 3, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
L. P. [Ludwig Pietsch]. “Kunstausstellungen.” Vossische Zeitung (Oct. 17, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 257.
L. P. [Ludwig Pietsch]. “Kunstausstellungen.” Vossische Zeitung (Oct. 17, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
B. [Oscar Bie]. “Hier und dort.” Berliner Börsen-Courier, no. 458 (Sep. 30, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 242.
B. [Oscar Bie]. “Hier und dort.” Berliner Börsen-Courier, no. 458 (Sep. 30, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
“Pictures by Manet.” The Daily Telegraph (Jun. 21, 1906), p. 14.
“Pictures by Manet.” The Daily Telegraph (Jun. 21, 1906)
Heilbut, Emil. “Bilder von Manet und Monet. Salon Cassirer.” Der Tag (Oct. 12, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 252.
Heilbut, Emil. “Bilder von Manet und Monet. Salon Cassirer.” Der Tag (Oct. 12, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
Lichtwark, Alfred. Brief an die Commission zur Verwaltung der Kunsthalle (Oct. 20, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 260.
Lichtwark, Alfred. Brief an die Commission zur Verwaltung der Kunsthalle (Oct. 20, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
XX. “Im Salon Cassirer.” Berliner Lokal-Anzeiger (Oct. 2, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013), p. 247.
XX. “Im Salon Cassirer.” Berliner Lokal-Anzeiger (Oct. 2, 1906). Repr. in Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908. Bernhard Echte and Walter Feilchenfeldt, eds. (Wädenswil: Nimbus, 2013)
Modern Francia Nagymesterek Tárlata [Exhibition of Great Modern French Artists], exh. cat. (Budapest: Nemzeti Szalon, 1907), p. 14, no. 15, cover ill.
Modern Francia Nagymesterek Tárlata [Exhibition of Great Modern French Artists], exh. cat. (Budapest: Nemzeti Szalon, 1907)
Mauclair, Camille; Konody, P. G., and Arthur J. Eddy. "Two Appreciations of Manet." Brush and Pencil 19, no. 1 (January 1907), p. 30, ill.
Mauclair, Camille; Konody, P. G., and Arthur J. Eddy. "Two Appreciations of Manet." Brush and Pencil 19, no. 1 (January 1907)
Moore, George. "Erinnerungen an die Impressionisten." Kunst und Künstler 5, no. 4 (January 3, 1907), p. 145, ill.
Moore, George. "Erinnerungen an die Impressionisten." Kunst und Künstler 5, no. 4 (January 3, 1907)
Masters in Art: A Series of Illustrated Monographs. Vol. 9, pt. 97, Manet (Boston: Bates and Guild, 1908), pp. 7, 36, pl. 3.
Masters in Art: A Series of Illustrated Monographs. Vol. 9, pt. 97, Manet (Boston: Bates and Guild, 1908)
Duret, Théodore. "Édouard Manet et les Impressionnistes." In Histoire du paysage en France. Henry Marcel et al. (Paris: Librairie Renouard, 1908), p. 312.
Duret, Théodore. "Édouard Manet et les Impressionnistes." In Histoire du paysage en France. Henry Marcel, et al. (Paris: Librairie Renouard, 1908)
Franco-British Exhibition, London, 1908. Fine Arts Catalogue, exh. cat. (London: Palace of Fine Arts, 1908), p. 178, no. 330.
Franco-British Exhibition, London, 1908. Fine Arts Catalogue, exh. cat. (London: Palace of Fine Arts, 1908)
Meyer, Rudolf Adelbert. “Manet und Monet.” Die Kunst unserer Zeit 19 (1908), pp. 55, 56, ill.
Meyer, Rudolf Adelbert. “Manet und Monet.” Die Kunst unserer Zeit 19 (1908)
Catalogue des portraits de femmes sous les trois Républiques: exposés par la Société nationale des beaux-arts dans les Palais du domaine de Bagatelle en 1909, exh. cat. (Paris: Palais de Bagatelle, 1909), p. 32, no. 135, ill. facing p. 31.
Catalogue des portraits de femmes sous les trois Républiques: exposés par la Société nationale des beaux-arts dans les Palais du domaine de Bagatelle en 1909, exh. cat. (Paris: Palais de Bagatelle, 1909)
Waldmann, Emil. "Edouard Manet in der Sammlung Pellerin." Kunst und Künstler 8, no. 8 (1910), pp. 391, 394.
Waldmann, Emil. "Edouard Manet in der Sammlung Pellerin." Kunst und Künstler 8, no. 8 (1910)
Haendcke, Berthold. "Die historischen Grundlagen der Hell- und Freilichtmalerei." Die Kunst für Alle (January 1, 1911), p. 167, ill.
Haendcke, Berthold. "Die historischen Grundlagen der Hell- und Freilichtmalerei." Die Kunst für Alle (January 1, 1911)
Hourticq, Louis, Jean Laran, and Georges Le Bas. Manet. 48 planches hors-texte, accompagnées de 48 notices [...] (Paris: Librairie centrale des beaux-arts, 1911), pp. 107-8, pl. 46.
Hourticq, Louis, Jean Laran, and Georges Le Bas. Manet. 48 planches hors-texte, accompagnées de 48 notices [...] (Paris: Librairie centrale des beaux-arts, 1911)
Meier-Graefe, Julius. Edouard Manet, mit 197 Abbildungen (Munich: R. Piper & Co., 1912), p. 307, pl. 188.
Meier-Graefe, Julius. Edouard Manet, mit 197 Abbildungen (Munich: R. Piper & Co., 1912)
Blanche, Jacques-Emile. Essais et portraits (Paris: Dorbon-Ainé, 1912), pp. 156-57, 160.
Blanche, Jacques-Emile. Essais et portraits (Paris: Dorbon-Ainé, 1912)
Hagemeister, Karl. Karl Schuch: sein Leben und seine Werke (Berlin: Bruno Cassirer, 1913), p. 152.
Hagemeister, Karl. Karl Schuch: sein Leben und seine Werke (Berlin: Bruno Cassirer, 1913)
Proust, Antonin. Édouard Manet: Souvenirs (Paris: Librairie Renouard, 1913), pp. 112-14, 118, pl. 28.
Proust, Antonin. Édouard Manet: Souvenirs (Paris: Librairie Renouard, 1913)
Proust, Antonin. “Erinnerungen an Edouard Manet.” Kunst und Künstler 11 (1913), pp. 325, 410.
Proust, Antonin. “Erinnerungen an Edouard Manet.” Kunst und Künstler 11 (1913)
Duret, Théodore. "Les Portraits peints par Manet et refusés par leurs modèles." La Renaissance de l'art français et des industries de luxe, no. 5 (July 1918), p. 153.
Duret, Théodore. "Les Portraits peints par Manet et refusés par leurs modèles." La Renaissance de l'art français et des industries de luxe, no. 5 (July 1918)
Duret, Théodore. Histoire de Edouard Manet et de son oeuvre. Rev. ed. (Paris: Bernheim-Jeune & Cie., 1919), pp. 196, 277, no. 284.
Duret, Théodore. Histoire de Edouard Manet et de son oeuvre. Rev. ed. (Paris: Bernheim-Jeune & Cie., 1919)
Waldmann, Emil. Edouard Manet (Berlin: Paul Cassirer, 1923), pp. 101, 134, ill.
Waldmann, Emil. Edouard Manet (Berlin: Paul Cassirer, 1923)
Blanche, Jacques-Émile. Manet (Paris: F. Rieder & Cie., 1924), pp. 51, 58.
Blanche, Jacques-Émile. Manet (Paris: F. Rieder & Cie., 1924)
Rosenthal, Léon. Manet aquafortiste et lithographe (Paris: Le Goupy, 1925), pp. 32, 70, ill. facing p. 30 (reproductive etching).
Rosenthal, Léon. Manet aquafortiste et lithographe (Paris: Le Goupy, 1925)
Cinquante ans de peinture française, 1875-1925, exh. cat. (Paris: Musée des arts décoratifs, 1925), p. 12, no. 43.
Cinquante ans de peinture française, 1875-1925, exh. cat. (Paris: Musée des arts décoratifs, 1925)
Moreau-Nélaton, Étienne. Manet raconté par lui-même. 2 vols. (Paris: Henri Laurens, 1926), vol. 2, pp. 86-88, 143, fig. 303.
Moreau-Nélaton, Étienne. Manet raconté par lui-même. 2 vols. (Paris: Henri Laurens, 1926), vol. 2
Blanche, Jacques-Émile. Propos de peintre: De David à Degas (Paris: Éditions Émile-Paul Frères, 1927), pp. 140, 141, 146.
Blanche, Jacques-Émile. Propos de peintre: De David à Degas (Paris: Éditions Émile-Paul Frères, 1927)
Jamot, Paul. "Études sur Manet." Gazette des beaux-arts (January 1927), p. 44.
Jamot, Paul. "Études sur Manet." Gazette des beaux-arts (January 1927)
Fierens, Paul. "Edouard Manet." L'Art et les artistes, n.s., 21, no. 110 (October 1930), p. 25.
Fierens, Paul. "Edouard Manet." L'Art et les artistes, n.s., 21, no. 110 (October 1930)
Tabarant, Adolphe. Manet: histoire catalographique (Paris: Éditions Montaigne, 1931), pp. 397-98, no. 354.
Tabarant, Adolphe. Manet: Histoire catalographique (Paris: Éditions Montaigne, 1931)
Wilenski, R. H. French Painting (London: The Medici Society, 1931), pp. 245, 253.
Wilenski, R. H. French Painting (London: The Medici Society, 1931)
Jamot, Paul, Georges Wildenstein, and Marie-Louise Bataille. Manet. 2 vols. (Paris: Les Beaux-Arts, 1932), vol. 2, p. 101, fig. 190.
Jamot, Paul, Georges Wildenstein, and Marie-Louise Bataille. Manet. 2 vols. (Paris: Les Beaux-Arts, 1932), vol. 2
Jamot, Paul, Georges Wildenstein, and Marie-Louise Bataille. Manet. 2 vols. (Paris: Les Beaux-Arts, 1932), vol. 1, pp. 65, 176, no. 470.
Jamot, Paul, Georges Wildenstein, and Marie-Louise Bataille. Manet. 2 vols. (Paris: Les Beaux-Arts, 1932), vol. 1
Colin, Paul. Manet. 67 reproductions dont 8 en couleurs (Paris: Librairie Floury, 1937), pp. 165, 171, 175, ill. p. 147.
Colin, Paul. Manet. 67 reproductions dont 8 en couleurs (Paris: Librairie Floury, 1937)
Rey, Robert. Manet. Eveline Byam Shaw, trans. (London and Toronto: William Heinemann, 1938), pp. 16, 162, pl. 67.
Rey, Robert. Manet. Eveline Byam Shaw, trans. (London and Toronto: William Heinemann, 1938)
Mondor, Henri. Vie de Mallarmé (Paris: Gallimard, 1941), p. 416.
Mondor, Henri. Vie de Mallarmé (Paris: Gallimard, 1941)
A Loan Exhibition of Fashion in Headdress, 1450-1943, exh. cat. (New York: Wildenstein, 1943), unpaginated, no. 93, ill.
A Loan Exhibition of Fashion in Headdress, 1450-1943, exh. cat. (New York: Wildenstein, 1943)
Wilenski, R. H. Modern French Painters. 2nd ed. (London: Faber & Faber, 1944), p. 46.
Wilenski, R. H. Modern French Painters. 2nd ed. (London: Faber & Faber, 1944)
Florisoone, Michel. Manet (Monaco: Les Documents d'art, 1947), p. 102, pl. 88.
Florisoone, Michel. Manet (Monaco: Les Documents d'art, 1947)
Tabarant, Adolphe. Manet et ses oeuvres (Paris: Gallimard, 1947), pp. 411, 414, 439-42, 491, 512, 543, no. 380, ill. p. 615.
Tabarant, Adolphe. Manet et ses oeuvres (Paris: Gallimard, 1947)
Bazin, Germain. L'Époque impressionniste (Paris: Éditions Pierre Tisné, 1947), p. 73.
Bazin, Germain. L'Époque impressionniste (Paris: Éditions Pierre Tisné, 1947)
Dumont, Henri. Manet (Paris: Éditons Hypérion, [1950]), p. 41, ill.
Dumont, Henri. Manet (Paris: Éditons Hypérion, [1950])
Hamilton, George Heard. Manet and His Critics (New Haven: Yale University Press, 1954), pp. 249, 255-56, 264, fig. 36.
Hamilton, George Heard. Manet and His Critics (New Haven: Yale University Press, 1954)
Richardson, John. Édouard Manet: Paintings and Drawings (London: The Phaidon Press, 1958), p. 130, pl. 76.
Richardson, John. Édouard Manet: Paintings and Drawings (London: The Phaidon Press, 1958)
Rouart, Denis. Manet. Marion Schapiro, trans. (London: Oldbourne Press, 1960), p. 73.
Rouart, Denis. Manet. Marion Schapiro, trans. (London: Oldbourne Press, 1960)
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1960), p. 6, no. 60.
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1960)
Paintings from Private Collections: Summer Loan Exhibition, 1961, The Metropolitan Museum of Art, exh. cat. (New York: The Metropolitan Museum of Art, 1961), p. 5, no. 46.
Paintings from Private Collections: Summer Loan Exhibition, 1961, The Metropolitan Museum of Art, exh. cat. (New York: The Metropolitan Museum of Art, 1961)
Bazin, Germain. Trésors de l'Impressionnisme au Louvre. 2nd ed., rev. (Paris: Éditions Aimery Somogy, 1962), p. 51.
Bazin, Germain. Trésors de l'Impressionnisme au Louvre. 2nd ed., rev. (Paris: Éditions Aimery Somogy, 1962)
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1962), p. 5, no. 37.
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1962)
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1963), p. 3, no. 33.
Paintings from Private Collections: Summer Loan Exhibition, exh. cat. (New York: The Metropolitan Museum of Art, 1963)
Charansonney, Roger. Manet (Paris: Le Musée Personnel, [1964]), p. 14, ill.
Charansonney, Roger. Manet (Paris: Le Musée Personnel, [1964])
Rousseau, Theodore. "European Paintings [...] Loans Accepted." The Metropolitan Museum of Art Bulletin, n.s., 24, no. 2 (October 1965), p. 57.
Rousseau, Theodore. "European Paintings [...] Loans Accepted." The Metropolitan Museum of Art Bulletin, n.s., 24, no. 2 (October 1965)
Adhémar, Jean. "Manet et l'estampe." Nouvelles de l'estampe, no. 7 (1965), pp. 234-35.
Adhémar, Jean. "Manet et l'estampe." Nouvelles de l'estampe, no. 7 (1965)
Hanson, Anne Coffin. Édouard Manet, 1832-1883, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1966), p. 175.
Hanson, Anne Coffin. Édouard Manet, 1832-1883, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1966)
Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections, exh. cat. (New York: The Metropolitan Museum of Art, 1966), p. 8, no. 83.
Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections, exh. cat. (New York: The Metropolitan Museum of Art, 1966)
Orienti, Sandra, and Marcello Venturi. L'opera pittorica di Edouard Manet (Milan: Rizzoli, 1967), pp. 115-16, no. 348, ill.
Orienti, Sandra, and Marcello Venturi. L'opera pittorica di Edouard Manet (Milan: Rizzoli, 1967)
Art and the Decorator, exh. cat. (New York: Wildenstein, 1967), unpaginated, ill.
Art and the Decorator, exh. cat. (New York: Wildenstein, 1967)
Richardson, John. Manet (London and New York: Phaidon, 1967), p. 87, pl. 33.
Richardson, John. Manet (London and New York: Phaidon, 1967)
New York Collects: Paintings, Watercolors and Sculpture from Private Collections, exh. cat. (New York: Metropolitan Museum of Art, 1968), p. 14, no. 91.
New York Collects: Paintings, Watercolors and Sculpture from Private Collections, exh. cat. (New York: Metropolitan Museum of Art, 1968)
Scharf, Aaron. Art and Photography (London: Allen Lane the Penguin Press, 1968), p. 40.
Scharf, Aaron. Art and Photography (London: Allen Lane the Penguin Press, 1968)
Virch, Claus. "European Paintings [...] Loans Accepted." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 2 (October 1969), p. 73.
Virch, Claus. "European Paintings [...] Loans Accepted." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 2 (October 1969)
De Leiris, Alain. The Drawings of Édouard Manet (Berkeley and Los Angeles: University of California Press, 1969), pp. xxix, 11, 14, 41, 42, 83, 138, under no. 588, fig. 424.
De Leiris, Alain. The Drawings of Édouard Manet (Berkeley and Los Angeles: University of California Press, 1969)
Chiarenza, Carl. "Manet's Use of Photography in the Creation of a Drawing." Master Drawings 7, no. 1 (Spring 1969), pp. 38-45, fig. 1.
Chiarenza, Carl. "Manet's Use of Photography in the Creation of a Drawing." Master Drawings 7, no. 1 (Spring 1969)
Orienti, Sandra, and Denis Rouart. Tout l'oeuvre peint d'Edouard Manet. Alain Veinstein, trans. (Paris: Flammarion, 1970), p. 115, no. 352, ill.
Orienti, Sandra, and Denis Rouart. Tout l'oeuvre peint d'Edouard Manet. Alain Veinstein, trans. (Paris: Flammarion, 1970)
Scharf, Aaron. Art and Photography. Rev. ed. (Harmondsworth and Baltimore: Penguin, 1974), p. 65.
Scharf, Aaron. Art and Photography. Rev. ed. (Harmondsworth and Baltimore: Penguin, 1974)
Bazin, Germain. Édouard Manet (Paris: Diffusion Princesse, 1974), pp. 9, 59, 70, fig. 2.
Bazin, Germain. Édouard Manet (Paris: Diffusion Princesse, 1974)
Courthion, Pierre. Manet (Paris: Nouvelles éditions françaises, 1974), pp. 20, 57, ill. p. 22.
Courthion, Pierre. Manet (Paris: Nouvelles éditions françaises, 1974)
Rouart, Denis, and Daniel Wildenstein, eds. Edouard Manet: Catalogue raisonné. 2 vols. (Lausanne and Paris: La Bibliothèque des arts, 1975), vol. 1, pp. 276-77, no. 372, ill.
Rouart, Denis, and Daniel Wildenstein, eds. Edouard Manet: Catalogue raisonné. 2 vols. (Lausanne and Paris: La Bibliothèque des arts, 1975), vol. 1
House, John, and MaryAnne Stevens, eds. Post-Impressionism: Cross-Currents in European Painting, exh. cat. (London: Royal Academy of Arts, 1979), p. 93, under no. 126.
House, John, and MaryAnne Stevens, eds. Post-Impressionism: Cross-Currents in European Painting, exh. cat. (London: Royal Academy of Arts, 1979)
Bowness, Alan, et al. Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906, exh. cat. (Washington, D.C.: National Gallery of Art, 1980), p. 24, no. 6, ill.
Bowness, Alan, et al. Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906, exh. cat. (Washington, D.C.: National Gallery of Art, 1980)
Gribbon, Deborah Ann. "Edouard Manet: The Development of His Art between 1868 and 1876." Ph.D. diss. (Harvard University, 1982), pp. 206n378, 222-23n410, fig. 93.
Gribbon, Deborah Ann. "Edouard Manet: The Development of His Art between 1868 and 1876." Ph.D. diss. (Harvard University, 1982)
Daix, Pierre. La vie de peintre d'Edouard Manet (Paris: Fayard, 1983), pp. 293, 295-96.
Daix, Pierre. La vie de peintre d'Edouard Manet (Paris: Fayard, 1983)
Clay, Jean. "Ointments, Makeup, Pollen." October 27 (Winter 1983), pp. 30, 32n57.
Clay, Jean. "Ointments, Makeup, Pollen." October 27 (Winter 1983)
Isler-de Jongh, Ariane. "Manet, Charles Cros et la photogravure en couleurs." Nouvelles de l'estampe, no. 68 (March-April 1983), pp. 6-13, fig.1.
Isler-de Jongh, Ariane. "Manet, Charles Cros et la photogravure en couleurs." Nouvelles de l'estampe, no. 68 (March-April 1983)
Cachin, Françoise, et al. Manet, 1832-1883, exh. cat. (New York: The Metropolitan Museum of Art, with Harry N. Abrams, 1983), pp. 486-88, under no. 214, entry by Juliet Wilson-Bareau.
Cachin, Françoise, et al. Manet, 1832-1883, exh. cat. (New York: The Metropolitan Museum of Art, with Harry N. Abrams, 1983)
Cachin, Françoise, et al, eds. Manet, 1832-1883, exh. cat. (Paris: Galeries nationales du Grand Palais; Éditions de la Réunion des musées nationaux, 1983), pp. 486-88, under no. 214, entry by Juliet Wilson-Bareau.
Cachin, Françoise, et al, eds. Manet, 1832-1883, exh. cat. (Paris: Galeries nationales du Grand Palais; Éditions de la Réunion des musées nationaux, 1983)
Fisher, Jay McKean. The Prints of Édouard Manet, exh. cat. (Washington, D.C.: International Exhibitions Foundation, 1985), p. 120, under no. 75.
Fisher, Jay McKean. The Prints of Édouard Manet, exh. cat. (Washington, D.C.: International Exhibitions Foundation, 1985)
Néret, Gilles. Les Impressionnistes: de la révolte à la consécration (Fribourg: Office du Livre, 1985), pp. 14, 15, fig. 13.
Néret, Gilles. Les Impressionnistes: de la révolte à la consécration (Fribourg: Office du Livre, 1985)
McCauley, Elizabeth Anne. A. A. E. Disdéri and the Carte de Visite Portrait Photograph (New Haven and London: Yale University Press, 1985), pp. 193-94.
McCauley, Elizabeth Anne. A. A. E. Disdéri and the Carte de Visite Portrait Photograph (New Haven and London: Yale University Press, 1985)
Wilson-Bareau, Juliet. The Hidden Face of Manet: An Investigation of the Artist's Working Processes, exh. cat. (London: Courtauld Institute Galleries, 1986), p. 89n122.
Wilson-Bareau, Juliet. The Hidden Face of Manet: An Investigation of the Artist's Working Processes, exh. cat. (London: Courtauld Institute Galleries, 1986)
Adler, Kathleen. Manet (Oxford: Phaidon, 1986), pp. 216, 220, ill. p. 217, fig. 210.
Adler, Kathleen. Manet (Oxford: Phaidon, 1986)
Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America (New York: Harry N. Abrams, 1986), pp. 160-61.
Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America (New York: Harry N. Abrams, 1986)
Stuckey, Charles F. "Berthe Morisot." In Berthe Morisot: Impressionist, exh. cat. (Washington: National Gallery of Art, with Hudson Hills Press, 1987), p. 83.
Stuckey, Charles F. "Berthe Morisot." In Berthe Morisot: Impressionist, exh. cat. (Washington: National Gallery of Art, with Hudson Hills Press, 1987)
Malterre, Nathalie. "Société et vie parisienne dans l'œuvre de Manet." PhD diss. (Université de Paris IV - Sorbonne, 1988), pp. 30, 44, 104-5, 123, 124, 149, 210.
Malterre, Nathalie. "Société et vie parisienne dans l'œuvre de Manet." PhD diss. (Université de Paris IV - Sorbonne, 1988)
Gronberg, T. A., ed. Manet: A Retrospective (New York: Hugh Lauter Levin Associates, 1988), pp. 272, 275.
Gronberg, T. A., ed. Manet: A Retrospective (New York: Hugh Lauter Levin Associates, 1988)
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society (New Haven and London: Yale University Press, 1988), pp. 184-86, fig. 187.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society (New Haven and London: Yale University Press, 1988)
Darragon, Éric. Manet (Paris: Fayard, 1989), pp. 388-91.
Darragon, Éric. Manet (Paris: Fayard, 1989)
Wivel, Mikael, et al, eds. Manet, exh. cat. (Copenhagen: Ordrupgaard, 1989), pp. 148, 150, under no. 48.
Wivel, Mikael, et al, eds. Manet, exh. cat. (Copenhagen: Ordrupgaard, 1989)
Davis, Shane Adler. "The 'Visual Perfume' of Manet's Printemps: The Allegory of the Seasons and the Metaphor of Nature in 19th Century France." M.A. thesis (San Francisco State University, 1990), passim, fig. 1.
Davis, Shane Adler. "The 'Visual Perfume' of Manet's Printemps: The Allegory of the Seasons and the Metaphor of Nature in 19th Century France." M.A. thesis (San Francisco State University, 1990)
Cachin, Françoise. Manet (Paris: Chêne, 1990), p. 141.
Cachin, Françoise. Manet (Paris: Chêne, 1990)
Darragon, Éric. Manet (Paris: Éditions Citadelles, 1991), pp. 350-51, fig. 256.
Darragon, Éric. Manet (Paris: Éditions Citadelles, 1991)
Wilson-Bareau, Juliet, ed. Manet by Himself: Correspondence & Conversation; Paintings, Pastels, Prints & Drawings (London: Macdonald Illustrated, 1991), pp. 259, 265, 267, 292, pl. 229.
Wilson-Bareau, Juliet, ed. Manet by Himself: Correspondence & Conversation; Paintings, Pastels, Prints & Drawings (London: Macdonald Illustrated, 1991)
Alvarez Lopera, José. Modern Masters: Thyssen-Bornemisza Museum (Madrid: Fundación Colección Thyssen-Bornemisza, 1992), p. 84, under no. 659.
Alvarez Lopera, José. Modern Masters: Thyssen-Bornemisza Museum (Madrid: Fundación Colección Thyssen-Bornemisza, 1992)
Perutz, Vivien. Édouard Manet (Lewisburg: Bucknell University Press; London and Toronto: Associated University Presses, 1993), pp. 199-200, 204.
Perutz, Vivien. Édouard Manet (Lewisburg: Bucknell University Press; London and Toronto: Associated University Presses, 1993)
Vaisse, Pierre. La Troisième République et les peintres (Paris: Flammarion, 1995), pp. 118, 357n8.
Vaisse, Pierre. La Troisième République et les peintres (Paris: Flammarion, 1995)
Krell, Alan. Manet and the Painters of Contemporary Life (London: Thames and Hudson, 1996), p. 198.
Krell, Alan. Manet and the Painters of Contemporary Life (London: Thames and Hudson, 1996)
Brombert, Beth Archer. Edouard Manet: Rebel in a Frock Coat (New York: Little, Brown and Company, 1996), pp. 435, 445, fig. 63.
Brombert, Beth Archer. Edouard Manet: Rebel in a Frock Coat (New York: Little, Brown and Company, 1996)
Quaghebeur, Marc. "Verhaeren, entre Manet et Ensor." In Émile Verhaeren, un musée imaginaire, exh. cat. (Paris: Musée d’Orsay, 1997), pp. 117, 119.
Quaghebeur, Marc. "Verhaeren, entre Manet et Ensor." In Émile Verhaeren, un musée imaginaire, exh. cat. (Paris: Musée d’Orsay, 1997)
Tinterow, Gary. "Les peintures de la collection Havemeyer." In La Collection Havemeyer: Quand l’Amérique decouvrait l’impressionnisme…, exh. cat. (Paris: Musée d’Orsay, 1997), p. 74.
Tinterow, Gary. "Les peintures de la collection Havemeyer." In La Collection Havemeyer: Quand l’Amérique decouvrait l’impressionnisme…, exh. cat. (Paris: Musée d’Orsay, 1997)
Bailey, Colin B., et al. Renoir's Portraits: Impressions of an Age, exh. cat. (Ottawa: National Gallery of Canada, with Yale University Press, 1997), p. 309n19.
Bailey, Colin B., et al. Renoir's Portraits: Impressions of an Age, exh. cat. (Ottawa: National Gallery of Canada, with Yale University Press, 1997)
Licht, Fred. Manet. Milena Gatti, trans. (Milan: Jaca Book, 1998), p. 74, pl. 50.
Licht, Fred. Manet. Milena Gatti, trans. (Milan: Jaca Book, 1998)
De Medeiros, Melissa. "The Document as Voice: The Manet Archive of the Pierpont Morgan Library." M.A. thesis (Hunter College, City University of New York, 2002), p. 27:4.
De Medeiros, Melissa. "The Document as Voice: The Manet Archive of the Pierpont Morgan Library." M.A. thesis (Hunter College, City University of New York, 2002)
Conzen, Ina, et al., eds. Edouard Manet und die Impressionisten, exh. cat. (Stuttgart: Staatsgalerie, with Hatje Cantz, 2002), p. 133, fig. 161.
Conzen, Ina, et al., eds. Edouard Manet und die Impressionisten, exh. cat. (Stuttgart: Staatsgalerie, with Hatje Cantz, 2002)
Armstrong, Carol. Manet Manette (New Haven and London: Yale University Press, 2002), pp. 293-94, fig. 157.
Armstrong, Carol. Manet Manette (New Haven and London: Yale University Press, 2002)
Patry, Sylvie. “Carolus-Duran, ‘frère d’art’ d’Édouard Manet?” In Carolus-Duran, 1837-1917, exh. cat. (Lille: Palais des Beaux-Arts, 2003), p. 35.
Patry, Sylvie. “Carolus-Duran, ‘frère d’art’ d’Édouard Manet?” In Carolus-Duran, 1837-1917, exh. cat. (Lille: Palais des Beaux-Arts, 2003)
Wilson-Bareau, Juliet, ed. Manet by Himself: Correspondence & Conversation; Paintings, Pastels, Prints & Drawings. New ed. (New York: Barnes & Noble Books, 2004), pp. 173, 185, 189, 191, 215, ill. p. 196.
Wilson-Bareau, Juliet, ed. Manet by Himself: Correspondence & Conversation; Paintings, Pastels, Prints & Drawings. New ed. (New York: Barnes & Noble Books, 2004)
Herbert, Robert L., et al. Seurat and the Making of La Grande Jatte, exh. cat. (Chicago: The Art Institute of Chicago, with University of California Press, 2004), pp. 163-64, 165, fig. 4.
Herbert, Robert L., et al. Seurat and the Making of La Grande Jatte, exh. cat. (Chicago: The Art Institute of Chicago, with University of California Press, 2004)
Benedetti, Maria Teresa, ed. Manet, exh. cat. (Rome: Complesso del Vittoriano, with Skira, 2005), p. 322, under nos. 128-29, entry by Habiba Taïbi.
Benedetti, Maria Teresa, ed. Manet, exh. cat. (Rome: Complesso del Vittoriano, with Skira, 2005)
Cachin, Françoise, et al. L'Impressionnisme, de France et d'Amérique: Monet, Renoir, Sisley, Degas..., exh. cat. (Montpellier: Musée Fabre, 2007), p. 124, entry on Berthe Morisot's "Hiver" by Heather MacDonald.
Cachin, Françoise, et al. L'Impressionnisme, de France et d'Amérique: Monet, Renoir, Sisley, Degas..., exh. cat. (Montpellier: Musée Fabre, 2007)
Lehmbeck, Leah. "Edouard Manet's Portraits of Women." Ph.D. diss. (New York University, 2007), pp. 55-63, pl. 40.
Lehmbeck, Leah. "Edouard Manet's Portraits of Women." Ph.D. diss. (New York University, 2007)
Burnham, Helen. "Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832-1883)." Ph.D. diss. (Institute of Fine Arts, New York University, 2007), pp. xii, 11, 67-121, 155, 161, 163n290, 183, 188, 190, pl. 2.1.
Burnham, Helen. "Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832-1883)." Ph.D. diss. (Institute of Fine Arts, New York University, 2007)
Iskin, Ruth E. Modern Women and Parisian Consumer Culture in Impressionist Painting (Cambridge: Cambridge University Press, 2007), pp. 198, 211, 214, 224, ill. p. 213, fig. 88.
Iskin, Ruth E. Modern Women and Parisian Consumer Culture in Impressionist Painting (Cambridge: Cambridge University Press, 2007)
Guégan, Stéphane, et al., eds. Manet inventeur du Moderne, exh. cat. (Paris: Musée d'Orsay, with Gallimard, 2011), p. 213.
Guégan, Stéphane, et al., eds. Manet inventeur du Moderne, exh. cat. (Paris: Musée d'Orsay, with Gallimard, 2011)
Stevens, MaryAnne, et al, eds. Manet: Portraying Life, exh. cat. (Toledo: Toledo Museum of Art, 2012), pp. 144, 199-200, under nos. 55-56.
Stevens, MaryAnne, et al, eds. Manet: Portraying Life, exh. cat. (Toledo: Toledo Museum of Art, 2012)
Lehmbeck, Leah. "L'Esprit de l'atelier: Manet's Late Portraits of Women, 1878-1883." In Manet: Portraying Life, exh. cat. MaryAnne Stevens et al. (London: Royal Academy of Arts, 2012), pp. 52-53, fig. 29.
Lehmbeck, Leah. "L'Esprit de l'atelier: Manet's Late Portraits of Women, 1878-1883." In Manet: Portraying Life, exh. cat. MaryAnne Stevens, et al. (London: Royal Academy of Arts, 2012)
Groom, Gloria, ed. Impressionism, Fashion, and Modernity, exh. cat. (Chicago: The Art Institute of Chicago, with Yale University Press, 2012), pp. 231, 256, 258, fig. 2.
Groom, Gloria, ed. Impressionism, Fashion, and Modernity, exh. cat. (Chicago: The Art Institute of Chicago, with Yale University Press, 2012)
Echte, Bernhard, and Walter Feilchenfeldt, eds. Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908 (Wädenswil: Nimbus, 2013), pp. 242, 247, 248, 252, 257, 260-61, 266, no. 21, ill. p. 247.
Echte, Bernhard, and Walter Feilchenfeldt, eds. Kunstsalon Paul Cassirer: Die Ausstellungen 1905-1908 (Wädenswil: Nimbus, 2013)
Christie's, New York. Impressionist & Modern Art Evening Sale. November 5, 2014, pp. 66-77, lot 16, ill., cover ill. (detail).
Christie's, New York. Impressionist & Modern Art Evening Sale. November 5, 2014
Édouard Manet: Le Printemps (New York: Christie's, 2014), passim, ill., cover ill.
Édouard Manet: Le Printemps (New York: Christie's, 2014)
Christie's, London. Impressionist/Modern Evening Sale. February 4, 2015, p. 120, under lot 31, ill.
Christie's, London. Impressionist/Modern Evening Sale. February 4, 2015
Thomson, Richard. "The Grandes Horizontales." In Spendours & Miseries: Images of Prostitution in France, 1850-1910, exh. cat. (Paris: Musée d'Orsay, 2015), pp. 181, 183, fig. 150.
Thomson, Richard. "The Grandes Horizontales." In Spendours & Miseries: Images of Prostitution in France, 1850-1910, exh. cat. (Paris: Musée d'Orsay, 2015)
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), p. 445.
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015)
Gaßner, Hubertus, and Viola Hildebrand-Schat, eds. Manet, Sehen: der Blick der Moderne, exh. cat. (Hamburg: Hamburger Kunsthalle, 2016), p. 43, fig. 14.
Gaßner, Hubertus, and Viola Hildebrand-Schat, eds. Manet, Sehen: der Blick der Moderne, exh. cat. (Hamburg: Hamburger Kunsthalle, 2016)
Sotheby's, London. Impressionist & Modern Art Evening Sale. March 1, 2017, p. 89, fig. 2, under lot 13.
Sotheby's, London. Impressionist & Modern Art Evening Sale. March 1, 2017
Potts, Timothy. "Recent Acquisitions (2013–16) at The J. Paul Getty Museum, Los Angeles." The Burlington Magazine 159, no. 1368, Supplement (March 2017), pp. 257, 266, fig. 18.
Potts, Timothy. "Recent Acquisitions (2013–16) at The J. Paul Getty Museum, Los Angeles." The Burlington Magazine 159, no. 1368, Supplement (March 2017)
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), pp. 16, 121, ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
Wilson-Bareau, Juliet. "Manet's One and Only Jeanne...and Guérard's Later Plate." Art in Print 8, no. 6 (March-April 2019), pp. 36-41, fig. 1.
Wilson-Bareau, Juliet. "Manet's One and Only Jeanne...and Guérard's Later Plate." Art in Print 8, no. 6 (March-April 2019)
Brettell, Richard R. On Modern Beauty: Three Paintings by Manet, Gaugin and Cézanne (Los Angeles: J. Paul Getty Museum, 2019), pp. vii, 12-37, ill.
Brettell, Richard R., On Modern Beauty: Three Paintings by Manet, Gaugin and Cézanne (Los Angeles: The J. Paul Getty Museum, 2019)
Allan, Scott, Emily A. Beeny, and Gloria Groom, eds. Manet and Modern Beauty: The Artist's Last Years, exh. cat. (Los Angeles: J. Paul Getty Museum, 2019)
Poundstone, William. "Manet's Stranger Things." Los Angeles County Museum on Fire (October 14, 2019), http://lacmaonfire.blogspot.com/2019/10/manets-stranger-things.html#more (accessed October 15, 2019).
Lewis, Mary Tompkins. "Meet the Forever-Inventing Manet." The Wall Street Journal (May 23, 2019), p. A15.
Lewis, Mary Tompkins. "Meet the Forever-Inventing Manet." The Wall Street Journal (May 23, 2019)
MacMillan, Kyle. "The 'Beauty' of Edouard Manet's later work showcased in new Art Institute exhibit." Chicago Sun Times (May 23, 2019), https://chicago.suntimes.com/2019/5/23/18633619/edouard-manet-art-institute-modern-beauty-exhibit-impressionism-painter (accessed October 15, 2019).
MacMillan, Kyle. "The 'Beauty' of Edouard Manet's later work showcased in new Art Institute exhibit." Chicago Sun Times (May 23, 2019), https://chicago.suntimes.com/2019/5/23/18633619/edouard-manet-art-institute-modern-beauty-exhibit-impressionism-painter
Smee, Sebastian. "Édouard Manet spent his final days in excruciating pain - and creating his most thrilling art." The Washington Post (June 6, 2019), https://www.washingtonpost.com/entertainment/museums/edouard-manet-spent-his-final-days-in-excruciating-pain--and-creating-his-most-thrilling-art/2019/06/05/0b1d8d2e-86f0-11e9-a870-b9c411dc4312_story.html (accessed October 15, 2019).
Smee, Sebastian. "Édouard Manet spent his final days in excruciating pain - and creating his most thrilling art." The Washington Post (June 6, 2019)
Farago, Jason. "Manet's Last Years: A Radical Embrace of Beauty." The New York Times (August 1, 2019), https://www.nytimes.com/2019/08/01/arts/design/manet-modern-beauty-review-chicago.html (accessed October 15, 2019).
Farago, Jason. "Manet's Last Years: A Radical Embrace of Beauty." The New York Times (August 1, 2019)
Cohen, Rachel. "Making the case for late Manet." Apollo (September 2019), https://www.apollo-magazine.com/manet-modern-beauty-exhibition-review/ (accessed October 15, 2019).
Cohen, Rachel. "Making the case for late Manet." Apollo (September 2019)
Allan, Scott, and Emily Beeny. "The Women Behind Édouard Manet's Seasons." The Iris: Behind the Scenes at the Getty (October 7, 2019), https://blogs.getty.edu/iris/the-women-behind-edouard-manets-seasons/ (accessed October 15, 2019).
Allan, Scott, and Emily Beeny. "The Women Behind Édouard Manet's Seasons." The Iris: Behind the Scenes at the Getty (October 7, 2019)
Allan, Scott, and Emily A. Beeny. "The Women behind Manet's Seasons." The Getty (Fall 2019), pp. 22-24, ill.
Allan, Scott, and Emily A. Beeny. "The Women behind Manet's Seasons." The Getty (Fall 2019)
Le Foll, Josephine. L'Impressionisme (Paris: Citadelles & Mazenod, 2020), pp. 378-79, ill.
Le Foll, Josephine. L'Impressionisme (Paris: Citadelles & Mazenod, 2020)
Tajan, Paris. Tableaux et dessins anciens. March 24, 2022, p. 89, under lot 186.
Tajan, Paris. Tableaux et dessins anciens. March 24, 2022
Kisiel, Marine. "L'Impressionnisme, un mouvement décoratif?" L'Object d'art, no. 588 (April 2022), cover ill.
Kisiel, Marine. "L'Impressionnisme, un mouvement décoratif?" L'Object d'art, no. 588 (April 2022)
Lobstein, Dominique. "The 1888 French Art Exhibition in Copenhagen." In Krøyer and Paris: French Connections and Nordic Colours, exh. cat. Mette Harbo Lehmann and Dominique Lobstein, eds. (Skagen: Skagens Kunstmuseer, with Aarhus University Press, 2022), pp. 103, 105, fig. 37.
Lobstein, Dominique. "The 1888 French Art Exhibition in Copenhagen." In Krøyer and Paris: French Connections and Nordic Colours, exh. cat. Mette Harbo Lehmann and Dominique Lobstein, eds. (Skagen: Skagens Kunstmuseer, with Aarhus University Press, 2022)
Robbins, Anne. "Le Décor de la Vie Moderne." In Le Décor Impressionniste: aux Sources des Nymphéas, exh. cat. Sylvie Patry and Anne Robbins, eds. (Paris: Musée de l’Orangerie, 2022), p. 83.
Robbins, Anne. “Le Décor de la Vie Moderne.” In Le Décor Impressionniste: aux Sources des Nymphéas, exh. cat. Sylvie Patry and Anne Robbins, eds. (Paris: Musée de l’Orangerie, 2022).
Patry, Sylvie, and Anne Robbins, eds. Le Décor Impressionniste: aux sources des Nymphéas, exh. cat. (Paris: Musée de l’Orangerie, 2022), p. 106, no. 62.
Patry, Sylvie, and Anne Robbins, eds. Le Décor Impressionniste: aux sources des Nymphéas, exh. cat. (Paris: Musée de l’Orangerie, 2022).
Rodary, Samuel. “Manet et la peinture décorative.” In Le Décor impressionniste: aux sources des Nymphéas, exh. cat. Sylvie Patry and Anne Robbins, eds. (Paris: Musée de l’Orangerie, 2022), pp. 122-24.
Rodary, Samuel. “Manet et la peinture décorative.” In Le Décor impressionniste: aux sources des Nymphéas, exh. cat. Sylvie Patry and Anne Robbins, eds. (Paris: Musée de l’Orangerie, 2022)
De Young, Justine. The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (London; New York: Bloomsbury Visual Arts, 2025), pp. 257-64, 271, 290, fig. 6.11.
De Young, Justine. The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (London; New York: Bloomsbury Visual Arts, 2025)
Beeny, Emily A., ed. Manet & Morisot, exh. cat. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025), pp. 53-55, 139, 229-33, 298, pl. 56.
Beeny, Emily A., ed. Manet & Morisot, exh. cat. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025)
Beeny, Emily A. “Manet & Morisot.” In Manet & Morisot, exh. cat. Emily A. Beeny, ed. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025), pp. 53-55.
Beeny, Emily A. “Manet & Morisot.” In Manet & Morisot, exh. cat. Emily A. Beeny, ed. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025)
Myers, Nicole R. “A Woman for All Seasons: Morisot and Manet in Dialogue.” In Manet & Morisot, exh. cat. Emily A. Beeny, ed. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025), pp. 229-33.
Myers, Nicole R. “A Woman for All Seasons: Morisot and Manet in Dialogue.” In Manet & Morisot, exh. cat. Emily A. Beeny, ed. (San Francisco: Fine Arts Museums of San Francisco, with Yale University Press, 2025)
A chic young woman in a day dress with floral accents holds a parasol against a background of exuberant foliage. She looks straight ahead, a picture of poise and detachment even as she seems fully aware of the viewer's admiring gaze. Representing aspiring Parisian actress Jeanne Demarsy as the embodiment of Spring, this portrait debuted at the last major public exhibition of Manet's life, the Paris Salon of 1882. For more than two decades, Manet's paintings were rejected by the Salon or met with controversy; *Spring* was the most unalloyed success of the artist's Salon career, a career that ended tragically a year later when Manet died of causes related to syphilis. Appealing to critics primarily on account of Jeanne's charm, *Spring* also showcased Manet's mastery of his medium. The painting exhibits a marvelous range of brushwork, from the thin, delicate floral touches on the dress to the smooth handling of Jeanne's face and the broad, sketch-like strokes of the backdrop. The painting's sensual handling and bright, vibrant palette evoke the pleasures of the season it celebrates. When composing *Spring*, Manet had in view both the latest fashion trends and old artistic traditions. An avid connoisseur of feminine *couture*, he pieced together Jeanne's ensemble himself by scouring dressmakers' and milliners' shops. Posing his model in the studio, however, he referred to portrait conventions of the early Italian Renaissance, presenting her half-length, in profile, and against a mass of greenery. More than just an ephemeral "fashion-plate," Manet's archetypal *Spring* was conceived as a picture for the ages, summarizing his modern epoch through the figure of a beautiful *Parisienne*.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
A chic young woman in a day dress with floral accents holds a parasol against a background of exuberant foliage. She looks straight ahead, a picture of poise and detachment even as she seems fully aware of the viewer's admiring gaze. Representing aspiring Parisian actress Jeanne Demarsy as the embodiment of Spring, this portrait debuted at the last major public exhibition of Manet's life, the Paris Salon of 1882. For more than two decades, Manet's paintings were rejected by the Salon or met with controversy; Spring was the most unalloyed success of the artist's Salon career, a career that ended tragically a year later when Manet died of causes related to syphilis. Appealing to critics primarily on account of Jeanne's charm, Spring also showcased Manet's mastery of his medium. The painting exhibits a marvelous range of brushwork, from the thin, delicate floral touches on the dress to the smooth handling of Jeanne's face and the broad, sketch-like strokes of the backdrop. The painting's sensual handling and bright, vibrant palette evoke the pleasures of the season it celebrates. When composing Spring, Manet had in view both the latest fashion trends and old artistic traditions. An avid connoisseur of feminine couture, he pieced together Jeanne's ensemble himself by scouring dressmakers' and milliners' shops. Posing his model in the studio, however, he referred to portrait conventions of the early Italian Renaissance, presenting her half-length, in profile, and against a mass of greenery. More than just an ephemeral "fashion-plate," Manet's archetypal Spring was conceived as a picture for the ages, summarizing his modern epoch through the figure of a beautiful Parisienne.
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Related Media (Audio): Jeanne (Spring), feat. Scott Allan and Emily Beeny
Jeanne (Spring), feat. Scott Allan and Emily Beeny
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Objects Exhibited in Ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1er mai 1882 at Palais des Champs-Elysées, Paris
Ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1er mai 1882 at Palais des Champs-Elysées, Paris
Ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1er mai 1882
Objects Exhibited in Exposition des oeuvres de Édouard Manet at École nationale supérieure des Beaux-Arts, Paris
Exposition des oeuvres de Édouard Manet at École nationale supérieure des Beaux-Arts, Paris
Objects Exhibited in Exposition centennale de l'art français (1789-1889) at Exposition universelle internationale de 1889, Paris
Exposition centennale de l'art français (1789-1889) at Exposition universelle internationale de 1889, Paris
Exposition centennale de l'art français (1789-1889)
Objects Exhibited in Exposition de 24 tableaux et aquarelles par Manet formant la collection Faure at Galerie Durand-Ruel, Paris
Exposition de 24 tableaux et aquarelles par Manet formant la collection Faure at Galerie Durand-Ruel, Paris
Exposition de 24 tableaux et aquarelles par Manet formant la collection Faure
Objects Exhibited in Exhibition of Paintings & Water-Colours by Manet (Faure Collection) at Arthur J. Sulley and Co., London
Exhibition of Paintings & Water-Colours by Manet (Faure Collection) at Arthur J. Sulley and Co., London
Exhibition of Paintings & Water-Colours by Manet (Faure Collection)
Objects Exhibited in Ausstellung der Sammlung Faure at Kunstsalon Paul Cassirer, Berlin
Ausstellung der Sammlung Faure at Kunstsalon Paul Cassirer, Berlin
Objects Exhibited in Modern Francia Nagymesterek Tárlata [Exhibition of Great Modern French Artists] at Nemzeti Szalon, Budapest
Modern Francia Nagymesterek Tárlata [Exhibition of Great Modern French Artists] at Nemzeti Szalon, Budapest
Modern Francia Nagymesterek Tárlata [Exhibition of Great Modern French Artists]
Objects Exhibited in Franco-British Exhibition at Fine Art Palace, Franco-British Exhibition, London
Franco-British Exhibition at Fine Art Palace, Franco-British Exhibition, London
Objects Exhibited in Exposition rétrospective de portraits de femmes sous les trois Républiques at Palais de Bagatelle, Paris
Exposition rétrospective de portraits de femmes sous les trois Républiques at Palais de Bagatelle, Paris
Exposition rétrospective de portraits de femmes sous les trois Républiques
Objects Exhibited in Cinquante ans de peinture française, 1875-1925 at Musée des Arts Décoratifs, Paris
Cinquante ans de peinture française, 1875-1925 at Musée des Arts Décoratifs, Paris
Cinquante ans de peinture française, 1875-1925
Objects Exhibited in The 1870s in France at Carroll Carstairs Gallery, New York
The 1870s in France at Carroll Carstairs Gallery, New York
Objects Exhibited in A Loan Exhibition of Fashion in Headdress, 1450-1943 at Wildenstein & Co., New York
A Loan Exhibition of Fashion in Headdress, 1450-1943 at Wildenstein & Co., New York
A Loan Exhibition of Fashion in Headdress, 1450-1943
Objects Exhibited in Paintings from Private Collections: Summer Loan Exhibition at The Metropolitan Museum of Art, New York
Paintings from Private Collections: Summer Loan Exhibition at The Metropolitan Museum of Art, New York
Paintings from Private Collections: Summer Loan Exhibition
Objects Exhibited in Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections at The Metropolitan Museum of Art, New York
Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections at The Metropolitan Museum of Art, New York
Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections
Objects Exhibited in Art and the Decorator at Wildenstein & Co., New York
Art and the Decorator at Wildenstein & Co., New York
Objects Exhibited in New York Collects: Paintings, Watercolors and Sculpture from Private Collections at The Metropolitan Museum of Art, New York
New York Collects: Paintings, Watercolors and Sculpture from Private Collections at The Metropolitan Museum of Art, New York
New York Collects: Paintings, Watercolors and Sculpture from Private Collections
Objects Exhibited in Post-Impressionism: Cross-Currents in European Painting (London title) / Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906 (Washington title) at National Gallery of Art, Washington, D.C.
Post-Impressionism: Cross-Currents in European Painting (London title) / Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906 (Washington title) at National Gallery of Art, Washington, D.C.
Post-Impressionism: Cross-Currents in European Painting (London title) / Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906 (Washington title)
Objects Exhibited in Manet, 1832-1883 at The Metropolitan Museum of Art, New York
Manet, 1832-1883 at The Metropolitan Museum of Art, New York
Objects Exhibited in Manet and Modern Beauty at The Art Institute of Chicago, Chicago
Manet and Modern Beauty at The Art Institute of Chicago, Chicago
Objects Exhibited in Manet and Modern Beauty at J. Paul Getty Museum at the Getty Center, Los Angeles
Manet and Modern Beauty at J. Paul Getty Museum at the Getty Center, Los Angeles
Objects Exhibited in Aux sources des Nymphéas de Monet: les impressionnistes et la décoration at Musée de l'Orangerie, Paris
Aux sources des Nymphéas de Monet: les impressionnistes et la décoration at Musée de l'Orangerie, Paris
Aux sources des Nymphéas de Monet: les impressionnistes et la décoration
Objects Exhibited in Manet & Morisot at Legion of Honor, San Francisco
Manet & Morisot at Legion of Honor, San Francisco
Objects Exhibited in Manet & Morisot at The Cleveland Museum of Art, Cleveland
Manet & Morisot at The Cleveland Museum of Art, Cleveland
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Verso: upper right, in black: “6 in/[?]”; upper right, in black: “11505F”
Verso: upper left, black stamp, seemingly traced over in black pencil: “ANCne Mson ANGE OTTOZ / HENRY a Sucr / Mds de Couleurs Fines / PARIS / 2 R de la [MICHODIERE]”; upper center, yellow and white rectangular label, printed in green: “OFA / OLLENDORFF FINE ARTS / FINE ART PACKERS AND SHIPPERS / NEW YORK - SAN FRANCISCO / Lot No. / [written in black:] 7205 / Piece No. / [written in black:] 3”; upper right, white rectangular label, typewritten in black: “Bingham / L.67.4[?] / .30.6”; upper right, white rectangular label with barcode, printed in black: “41636916”; lower center, white rectangular label, printed in black: “THE J. PAUL GETTY MUSEUM / 1200 Getty Center Drive, Suite 1000, Los Angeles CA 90049-1687 / ID: 2014.62 / ARTIST: Édouard Manet / TITLE: Le Printemps (Jeanne Demarsy) / DATE: 1881 / MEDIUM: Oil on canvas / DIMS: Unframed 74 x 51.5 cm (29 1/8 x 20 1/4 in.) / Framed [outer dim]: 108.3 x 85.7 x 11.4 cm (42 5/8 x 33 3/4 x 4 1/2 in.)
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Exhibition Title Attribute Assignment: Manet and Modern Beauty
Exhibition Title Attribute Assignment: Aux sources des Nymphéas de Monet: les impressionnistes et la décoration
Exhibition Title Attribute Assignment: Manet & Morisot
Homepage for Jeanne (Spring) (2014.62) (HumanMadeObject)
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Édouard Manet; subsequently sold for 3,000 francs to Antonin Proust, 1883.
Provenance Activity for Jeanne (Spring) (2014.62) associated with Édouard Manet
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sold for 3,000 francs to Antonin Proust, 1883.
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Provenance Activity TimeSpan Display Name
Provenance Activity for Jeanne (Spring) (2014.62) associated with Antonin Proust
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Antonin Proust
Provenance Activity for Jeanne (Spring) (2014.62) associated with Jean-Baptiste Faure
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Jean-Baptiste Faure; subsequently sold to Paul Durand-Ruel, 1907.
Provenance Activity for Jeanne (Spring) (2014.62) associated with Galerie Durand-Ruel (Paris)
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Galerie Durand-Ruel (Paris); subsequently transferred to Durand-Ruel Gallery, New York, 1909.
transferred to Durand-Ruel Gallery, New York, 1909.
Provenance Activity for Jeanne (Spring) (2014.62) associated with Durand-Ruel Gallery (New York)
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Durand-Ruel Gallery (New York); subsequently sold to Oliver H. Payne, 1909.
Provenance Activity for Jeanne (Spring) (2014.62) associated with Oliver H. Payne
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Oliver H. Payne; subsequently by inheritance within his family.
Provenance Acquisition for Jeanne (Spring) (2014.62) associated with Oliver H. Payne; subsequently sold, Christie's, New York, November 5, 2014, lot 16, to Otto Naumann for the J. Paul Getty Museum.
sold, Christie's, New York, November 5, 2014, lot 16, to Otto Naumann for the J. Paul Getty Museum.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).