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Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters [...]. 9 vols. (London: Smith and Son, 1829-42), vol. 6 (1835), p. 479, no. 69.
Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters [...]. 9 vols. (London: Smith and Son, 1829-42), vol. 6 (1835)
Citation (Bibliographic Reference) Sequence
Gower, Ronald. A Pocket Guide to the Public and Private Galleries of Holland and Belgium (London: S. Low, Marsten and Searle, 1875), p. 135.
Gower, Ronald. A Pocket Guide to the Public and Private Galleries of Holland and Belgium (London: S. Low, Marsten and Searle, 1875)
Davis, C. A Description of the Works of Art Forming the Collection of Alfred de Rothschild (London: Chiswick Press, 1884) vol. 1, unpaginated, no. 17, ill.
Davis, C. A Description of the Works of Art Forming the Collection of Alfred de Rothschild (London: Chiswick Press, 1884) vol. 1
Hofstede de Groot, Cornelis. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts. 10 vols. (Esslingen am Neckar: Paul Neff Verlag, 1907-28), vol. 10 (1928), p. 351, no. 62.
Hofstede de Groot, Cornelis. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts. 10 vols. (Esslingen am Neckar: Paul Neff Verlag, 1907-28), vol. 10 (1928)
Dutch Pictures 1450-1750: Winter Exhibition, 1952-53, exh. cat. 4th ed. [illustrated souvenir] (London: Royal Academy of Arts, 1952), p. 104, no. 568.
Dutch Pictures, 1450-1750: Winter Exhibition, 1952-53, exh. cat. 4th ed. (London: Royal Academy of Arts, 1952)
Grant, M. H. Jan van Huysum 1682-1749, Including a Catalogue Raisonné of the Artist's Fruit and Flower Paintings (Leigh-on-Sea: F. Lewis, Ltd., 1954), pp. 18, 28, no. 22, fig. 6.
Grant, M. H. Jan van Huysum 1682-1749, Including a Catalogue Raisonné of the Artist's Fruit and Flower Paintings (Leigh-on-Sea: F. Lewis, Ltd., 1954)
Beal, Jack. "Sight and Sense: Studying Pictorial Composition." American Artist (February 1986), pp. 54-55, ill.
Beal, Jack. "Sight and Sense: Studying Pictorial Composition." American Artist (February 1986)
Sutton, Peter C. A Guide to Dutch Art in America (Grand Rapids: Wm. B. Eerdmans, 1986), p. 143, fig. 208.
Sutton, Peter C. A Guide to Dutch Art in America (Grand Rapids: Wm. B. Eerdmans, 1986)
Reinewald, Chris. "Musea en Galeries in Amerika: Het Getty Museum; Een Romeinse villa aan de Pacific Coast." Tableau 9, no. 4 (February 1987), pp. 65, 67.
Reinewald, Chris. "Musea en Galeries in Amerika: Het Getty Museum; Een Romeinse villa aan de Pacific Coast." Tableau 9, no. 4 (February 1987)
Fredericksen, Burton B. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Malibu: J. Paul Getty Museum, 1988), unpaginated, no. 29, ill.
Fredericksen, Burton B. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Malibu: J. Paul Getty Museum, 1988)
Sutton, Peter C. "Recent Patterns of Public and Private Collecting of Dutch Art." In Great Dutch Paintings from America, exh. cat. Ben Broos et al., eds. (The Hague: Mauritshuis, with Waanders, 1990), p. 107.
Sutton, Peter C. "Recent Patterns of Public and Private Collecting of Dutch Art." In Great Dutch Paintings from America, exh. cat. Ben Broos et al., eds. (The Hague: Mauritshuis, with Waanders, 1990)
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992), p. 33, ill.
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992)
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995), unpaginated, no. 29, ill., entry by Burton B. Fredericksen.
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995)
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997), pp. 70-71, no. 38, ill., entry by Burton B. Fredericksen.
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997)
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 62, ill.
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997)
Priem, Ruud. "The 'most excellent collection' of Lucretia Johanna van Winter: the years 1809-22, with a catalogue of the works purchased." Simiolus 25, no. 2/3 (1997), pp. 118, 122, 220 (no. 81), fig. 26.
Priem, Ruud. "The 'most excellent collection' of Lucretia Johanna van Winter: The years 1809-22, with a catalogue of the works purchased." Simiolus 25, no. 2/3 (1997)
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 125, ill.
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997)
Dik, Joris, and Arie Wallert. "Two Still Life Paintings by Jan van Huysum: An Examination of Painting Technique in Relation to Documentary and Technical Evidence." Leids kunsthistorisch jaarboek 11 (1998), pp. 391-414, fig. 1.
Dik, Joris, and Arie Wallert. "Two Still Life Paintings by Jan van Huysum: An Examination of Painting Technique in Relation to Documentary and Technical Evidence." Leids kunsthistorisch jaarboek 11 (1998)
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 125, ill.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001)
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003), pp. 66-67, no. 35, ill., entry by Burton B. Fredericksen.
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003)
Kammen, Michael. A Time to Every Purpose: The Four Seasons in American Culture (Chapel Hill: University of North Carolina Press, 2004), p. 101, plate, 6.
Kammen, Michael. A Time to Every Purpose: The Four Seasons in American Culture (Chapel Hill: University of North Carolina Press, 2004)
Baca, Murtha. Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images (Chicago: American Library Association, 2006), p. 35, ill.
Baca, Murtha. Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images (Chicago: American Library Association, 2006)
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 120, ill.
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007)
Segal, Sam, Mariët Ellens, and Joris Dik, eds. The Temptations of Flora: Jan van Huysum, 1682-1749, exh. cat. (Delft: Het Prinsenhof, with Waanders, 2007), pp. 69, 71, 73, 74, 174-78, cat. F11 ill.
Segal, Sam, Mariët Ellens, and Joris Dik, eds. The Temptations of Flora: Jan van Huysum, 1682-1749, exh. cat. (Delft: Het Prinsenhof, with Waanders, 2007)
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009), pp. 57-58, fig. 31.
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009)
Woollett, Anne T. Miraculous Bouquets: Flower and Fruit Paintings by Jan van Huysum (Los Angeles: J. Paul Getty Museum, 2011), unpaginated, ill.
Woollett, Anne T. Miraculous Bouquets: Flower and Fruit Paintings by Jan van Huysum (Los Angeles: J. Paul Getty Museum, 2011)
Chansigaud, Valérie. Une histoire des fleurs: Entre nature et culture (Paris: Delachaux et Niestlé, 2014), p. 139, ill.
Chansigaud, Valérie. Une histoire des fleurs: Entre nature et culture (Paris: Delachaux et Niestlé, 2014)
Padilla, Carmella, and Barbara Anderson, eds. A Red Like No Other, exh. cat. (New York: Skira Rizzoli, 2015), pp. 227, 230-31, fig. 25.10.
Padilla, Carmella, and Barbara Anderson, eds. A Red Like No Other, exh. cat. (New York: Skira Rizzoli, 2015)
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), p. 226.
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015)
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), p. 90, ill., cover ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
The Dutch fascination with nature is described in a riotous display of beautiful and exotic flowers. Arranged in a terracotta vase displaying an antique relief, Jan van Huysum included flowers from all seasons of the year--roses, anemones, hyacinths, tulips, and more--and painted them directly from life. The flowers' nearly overripe quality attests both to nature's bounty and its transience. The bouquet is ordered in a loose pyramidal shape, with flowers and greenery almost bursting to be free of the vase. Butterflies and other insects fly or crawl amongst the arrangement, and drops of water are visible on leafs and shiny petals. Van Huysum painstakingly applied layer upon layer of thin oil glazes to capture the brilliant colors and delicate textures of the blossoms. Because each flower could only be painted while in season, it sometimes took the artist several years to complete a single painting.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
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Objects Exhibited in Dutch Pictures 1450 - 1750 at Royal Academy of Arts, London
Dutch Pictures 1450 - 1750 at Royal Academy of Arts, London
Objects Exhibited in Devices of Wonder: From the World in a Box to Images on a Screen at J. Paul Getty Museum at the Getty Center, Los Angeles
Devices of Wonder: From the World in a Box to Images on a Screen at J. Paul Getty Museum at the Getty Center, Los Angeles
Devices of Wonder: From the World in a Box to Images on a Screen
Related Media Set for Vase of Flowers (82.PB.70)
Verso: upper left, in pencil or black: “No 1”; lower left, in white chalk: “21 1/2”
Verso: upper center, yellowed rectangular label with blue border, mostly torn, written in black: “[?]er l[ot]”
Lower right: "Jan. Van. / Húÿsúm. fecit. 1722"
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Artist/Maker (Producer) Nationality & Dates
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Homepage for Vase of Flowers (82.PB.70) (HumanMadeObject)
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Jan Jansz. Gildemeester; subsequently sold, Amsterdam, 1800; bought by Pieter van Winter through his agent, Jan Yver
Provenance Activity for Vase of Flowers (82.PB.70) associated with Jan Jansz. Gildemeester
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sold, Amsterdam, 1800; bought by Pieter van Winter through his agent, Jan Yver
Provenance Statement Sequence Attribution
Provenance Citation Sequence Attribution
Provenance Biography Sequence Attribution
Provenance Activity TimeSpan Display Name
Provenance Activity for Vase of Flowers (82.PB.70) associated with Pieter van Winter
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Pieter van Winter; subsequently by inheritance to his daughter, Anna Louisa Agatha van Loon-van Winter, 1807. The painting remained in his Amsterdam house, De Saxenburg, after his death.
by inheritance to his daughter, Anna Louisa Agatha van Loon-van Winter, 1807. The painting remained in his Amsterdam house, De Saxenburg, after his death.
Filter on `Provenance Location Statement` (http://vocab.getty.edu/aat/300444175) instead.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter; subsequently upon her marriage, collection combined with that of her husband, Willem van Loon, 1815.
upon her marriage, collection combined with that of her husband, Willem van Loon, 1815.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter & Willem van Loon
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter & Willem van Loon
retained by Anna Louisa Agatha van Loon-van Winter upon his death, 1847.
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter; subsequently by inheritance to her nine children, 1877.
by inheritance to her nine children, 1877.
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Anna Louisa Agatha van Loon-van Winter; subsequently sold to a consortium of (Mayer) Alphonse de Rothschild, Gustave (Samuel James) Saloman de Rothschild, Edmond James de Rothschild, Ferdinand (James Anselm) de Rothschild, and Lionel (Nathan) de Rothschild, 1877.
sold to a consortium of (Mayer) Alphonse de Rothschild, Gustave (Samuel James) Saloman de Rothschild, Edmond James de Rothschild, Ferdinand (James Anselm) de Rothschild, and Lionel (Nathan) de Rothschild, 1877.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Baron Mayer Alphonse (Alphonse) de Rothschild & Baron Gustave Samuel James de Rothschild & Baron Edmond James de Rothschild & Baron Ferdinand (James Anselm) de Rothschild & Baron Lionel (Nathan) de Rothschild
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Baron Mayer Alphonse (Alphonse) de Rothschild & Baron Gustave Samuel James de Rothschild & Baron Edmond James de Rothschild & Baron Ferdinand (James Anselm) de Rothschild & Baron Lionel (Nathan) de Rothschild
distributed, possibly by lottery, to Lionel (Nathan) de Rothschild, 1877.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Baron Lionel (Nathan) de Rothschild
Baron Mayer Alphonse (Alphonse) de Rothschild
Baron Gustave Samuel James de Rothschild
Baron Ferdinand (James Anselm) de Rothschild
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Baron Lionel (Nathan) de Rothschild; subsequently probably by gift to his son, Alfred (Charles) de Rothschild, by 1879.
probably by gift to his son, Alfred (Charles) de Rothschild, by 1879.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Alfred (Charles) de Rothschild
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Alfred (Charles) de Rothschild; subsequently by inheritance to his nephew, Lionel (Nathan) de Rothschild, 1918.
by inheritance to his nephew, Lionel (Nathan) de Rothschild, 1918.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Lionel (Nathan) de Rothschild
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Lionel (Nathan) de Rothschild; subsequently by inheritance to his eldest son, Edmund (Leopold) de Rothschild, 1942.
by inheritance to his eldest son, Edmund (Leopold) de Rothschild, 1942.
Provenance Activity for Vase of Flowers (82.PB.70) associated with Edmund Leopold (Eddy) de Rothschild
Provenance Acquisition for Vase of Flowers (82.PB.70) associated with Edmund Leopold (Eddy) de Rothschild; subsequently sold through Patricia Wengraf Ltd., (London, England) to the J. Paul Getty Museum, 1982.
sold through Patricia Wengraf Ltd., (London, England) to the J. Paul Getty Museum, 1982.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).