Migration to unified `data.getty.edu/local/thesaurus` URLs for custom terms.
Filter on the `https://data.getty.edu/local/thesaurus/object-title-*` terms instead.
Filter on `Getty DOR ID` (https://data.getty.edu/local/thesaurus/dor-id) instead.
Filter on `Gallery Systems' TMS ID` (https://data.getty.edu/local/thesaurus/tms-id) instead.
Filter on `Getty DOR UUID` (https://data.getty.edu/local/thesaurus/dor-uuid) instead.
Fénéon, Félix. Review of the Exposition de la Société des artistes indépendants. La Vogue (September 1889). Repr. in Félix Fénéon, Oeuvres plus que complètes. Joan U. Halperin, ed. (Geneva: Librairie Droz, 1970), p. 168.
Fénéon, Félix. Review of the Exposition de la Société des artistes indépendants. La Vogue (September 1889). Repr. in Félix Fénéon, Oeuvres plus que complètes. Joan U. Halperin, ed. (Geneva: Librairie Droz, 1970)
Citation (Bibliographic Reference) Sequence
Société des artistes indépendants [...] Catalogue des oeuvres exposées, exh. cat. (Paris: A. Lahure, 1889), p. 20, no. 273 [Repr. in Modern Art in Paris. Vol. 9, Salons of the "Indépendants," 1884-1891 (New York and London: Garland, 1981)].
Société des artistes indépendants [...] Catalogue des oeuvres exposées, exh. cat. (Paris: A. Lahure, 1889)
Exposition Vincent van Gogh, exh. cat. (Paris: Galerie Bernheim Jeune, 1901), p. 14, no. 31.
Exposition Vincent van Gogh, exh. cat. (Paris: Galerie Bernheim Jeune, 1901)
Catalogue de la 21me exposition: 1905, exh. cat. (Paris: Société des artistes indépendants, 1905), p. 15, no. 32.
Société des artistes indépendants. Catalogue de la 21me exposition: 1905, exh. cat. (Paris: Société des artistes indépendants, 1905)
Cinquante ans de peinture française, 1875-1925, exh. cat. (Paris: Musée des arts décoratifs, 1925), p. 18, no. 79.
Cinquante ans de peinture française, 1875-1925, exh. cat. (Paris: Musée des arts décoratifs, 1925)
Faille, J.-B. de la. L'Époque française de Van Gogh, exh. cat. (Paris: Bernheim-Jeune, 1927), p. 59, no cat. no.
Faille, J.-B. de la. L'Époque française de Van Gogh, exh. cat. (Paris: Bernheim-Jeune, 1927)
Faille, J.-B. de la. L'Oeuvre de Vincent van Gogh: Catalogue raisonné. 4 vols. (Paris and Brussels: Les Éditions G. van Oest, 1928), vol. 2, pl. 168, no. 608.
Faille, J.-B. de la. L'Oeuvre de Vincent van Gogh: Catalogue raisonné. 4 vols. (Paris and Brussels: Les Éditions G. van Oest, 1928), vol. 2
Faille, J.-B. de la. L'Oeuvre de Vincent van Gogh: Catalogue raisonné. 4 vols. (Paris and Brussels: Les Éditions G. van Oest, 1928), vol. 1, p. 171, no. 608.
Faille, J.-B. de la. L'Oeuvre de Vincent van Gogh: Catalogue raisonné. 4 vols. (Paris and Brussels: Les Éditions G. van Oest, 1928), vol. 1
Fels, Florent. Vincent van Gogh (Paris: Henri Floury, 1928), p. 118, ill.
Fels, Florent. Vincent van Gogh (Paris: Henri Floury, 1928)
Gogh, Vincent van. Further Letters of Vincent van Gogh to His Brother, 1886-1889 (London: Constable & Co.; Boston and New York: Houghton Mifflin Co., 1929), pp. 330, 360-61.
Gogh, Vincent van. Further Letters of Vincent van Gogh to His Brother, 1886-1889 (London: Constable & Co.; Boston and New York: Houghton Mifflin Co., 1929)
Dormoy, Marie. "Jacques Doucet." Kunst und Künstler 27 (March 1929), p. 235.
Dormoy, Marie. "Jacques Doucet." Kunst und Künstler 27 (March 1929)
Barr, Alfred Hamilton. Cézanne, Gauguin, Seurat, Van Gogh, exh. cat. (New York: The Museum of Modern Art, 1929), p. 52, no. 95, ill.
Barr, Alfred Hamilton. Cézanne, Gauguin, Seurat, Van Gogh, exh. cat. (New York: The Museum of Modern Art, 1929)
"Un Musée d'Art Moderne à New York." Beaux-Arts: Chronique des arts et de la curiosité 7, no. 10 (October 15, 1929), p. 6, ill.
"Un Musée d'Art Moderne à New York." Beaux-Arts: Chronique des arts et de la curiosité 7, no. 10 (October 15, 1929)
Joubin, André. "Jacques Doucet, 1853-1929." Gazette des beaux-arts, 6th ser., 3 (February 1930), p. 74.
Joubin, André. "Jacques Doucet, 1853-1929." Gazette des beaux-arts, 6th ser., 3 (February 1930)
Exposition d'oeuvres importantes de grands maîtres du dix-neuvième siècle, exh. cat. (Paris: Paul Rosenberg, 1931), p. 15, no. 44, ill.
Exposition d'oeuvres importantes de grands maîtres du dix-neuvième siècle, exh. cat. (Paris: Paul Rosenberg, 1931)
Gogh, Théo van. Lettres à son frère Vincent (Amsterdam: N. V. Maatschappij tot verspreiding van goede en goedkoope lectuur, 1932), pp. 64, 71, 74.
Gogh, Théo van. Lettres à son frère Vincent (Amsterdam: N. V. Maatschappij tot verspreiding van goede en goedkoope lectuur, 1932)
Scherjon, W. Catalogue des tableaux par Vincent van Gogh décrits ses lettres. Périodes: St. Rémy et Auvers sur Oise (Utrecht: Société d'Editions A. Oosthoek S. A., 1932), p. 13, no. 1, ill.
Scherjon, W. Catalogue des tableaux par Vincent van Gogh décrits ses lettres. Périodes: St. Rémy et Auvers sur Oise (Utrecht: Société d'Editions A. Oosthoek S. A., 1932)
Bernard, Charles, ed. L'Impressionnisme, exh. cat. (Brussels: Palais des Beaux-Arts, 1935), unpaginated, no. 95.
Bernard, Charles, ed. L'Impressionnisme, exh. cat. (Brussels: Palais des Beaux-Arts, 1935)
"Ce qu'on en disait." Les Beaux Arts: bulletin du Palais des Beaux-Arts de Bruxelles, special no., L'Impressionnisme (1935), p. 26, ill.
"Ce qu'on en disait." Les Beaux Arts: Bulletin du Palais des Beaux-Arts de Bruxelles, special no., L'Impressionnisme (1935)
Piérard, Louis. Vincent van Gogh (Paris: Braun, 1936), unpaginated, pl. 48.
Piérard, Louis. Vincent van Gogh (Paris: Braun, 1936)
Scherjon, W., and Jos. de Gruyter. Vincent van Gogh's Great Period: Arles, St. Rémy and Auvers sur Oise (Amsterdam: "De Spieghel," 1937), p. 203, ill.
Scherjon, W., and Jos. de Gruyter. Vincent van Gogh's Great Period: Arles, St. Rémy and Auvers sur Oise (Amsterdam: "De Spieghel," 1937)
Van Gogh: Exposition internationale de 1937, Groupe I, Classe III, exh. cat. (Paris: Denoël, 1937), p. 16, no. 41, ill.
Van Gogh: Exposition internationale de 1937, Groupe I, Classe III, exh. cat. (Paris: Denoël, 1937)
Huyghe, René. "Vincent van Gogh." L'Illustration 95, no. 4944 (December 4, 1937), unpaginated, ill.
Huyghe, René. "Vincent van Gogh." L'Illustration 95, no. 4944 (December 4, 1937)
Faille, J.-B. de la. Vincent van Gogh [...] Préface de Charles Terrasse (Paris: Éditions Hypérion, 1939), pp. 419, 588, 591, no. 606, ill.
Faille, J.-B. de la. Vincent van Gogh [...] Préface de Charles Terrasse (Paris: Éditions Hypérion, 1939)
Paintings by Van Gogh, exh. cat. (Baltimore: Baltimore Museum of Art, 1942), p. 21, no. 19, ill.
Paintings by Van Gogh, exh. cat. (Baltimore: Baltimore Museum of Art, 1942)
The Art and Life of Vincent van Gogh, exh. cat. (New York: Wildenstein, 1943), p. 85, no. 44, ill.
The Art and Life of Vincent van Gogh, exh. cat. (New York: Wildenstein, 1943)
Van Gogh: Fourteen Masterpieces, exh. cat. (New York: Knoedler Galleries, 1948), unpaginated, no. 11, ill.
Van Gogh: Fourteen Masterpieces, exh. cat. (New York: Knoedler Galleries, 1948)
Trends in European Painting, 1880-1930, exh. cat. (New York: The Century Association, 1949), unpaginated, no. 5, ill.
Trends in European Painting, 1880-1930, exh. cat. (New York: The Century Association, 1949)
Schapiro, Meyer. Vincent van Gogh (New York: Harry N. Abrams, 1950), pp. 96-97, ill.
Schapiro, Meyer. Vincent van Gogh (New York: Harry N. Abrams, 1950)
Jourdain, Francis. Né en 76 (Paris: Éditions du Pavillon, 1951), p. 253.
Jourdain, Francis. Né en 76 (Paris: Éditions du Pavillon, 1951)
Leymarie, Jean. Van Gogh (Paris: Éditions Pierre Tisné, 1951), pp. 55, 124, no. 114, ill.
Leymarie, Jean. Van Gogh (Paris: Éditions Pierre Tisné, 1951)
Gachet, Paul. Vincent van Gogh aux "Indépendants" (Paris: Les Beaux Arts, 1953), unpaginated, ill.
Gachet, Paul. Vincent van Gogh aux "Indépendants" (Paris: Les Beaux Arts, 1953)
Barr, Alfred H., Jr. "Paintings from Private Collections." The Museum of Modern Art Bulletin 22, no. 4 (Summer 1955), pp. 13, 31, no. 48, ill.
Barr, Alfred H., Jr. "Paintings from Private Collections." The Museum of Modern Art Bulletin 22, no. 4 (Summer 1955)
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin (New York: The Museum of Modern Art, 1956), pp. 333-34, 340, 348, 415, ill.
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin (New York: The Museum of Modern Art, 1956)
Gogh, Vincent van. The Complete Letters of Vincent van Gogh. 3 vols. (London: Thames and Hudson, 1958), vol. 3, pp. 169, 193.
Gogh, Vincent van. The Complete Letters of Vincent van Gogh. 3 vols. (London: Thames and Hudson, 1958), vol. 3
Elgar, Frank. Van Gogh: A Study of His Life and Work (New York and Washington, D.C.: Frederick A. Praeger, 1958), p. 186, no. 170, ill.
Elgar, Frank. Van Gogh: A Study of His Life and Work (New York and Washington, D.C.: Frederick A. Praeger, 1958)
Sterling, Charles, and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art. Vol. 3, XIX-XX Centuries (New York: The Metropolitan Museum of Art, 1967), p. 191, under no. 58.187.
Sterling, Charles, and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art. Vol. 3, XIX-XX Centuries (New York: The Metropolitan Museum of Art, 1967)
Faille, J.-B. de la. The Works of Vincent van Gogh: His Paintings and Drawings (Amsterdam: Meulenhoff International, 1970), p. 246, no. F608, ill.
Faille, J.-B. de la. The Works of Vincent van Gogh: His Paintings and Drawings (Amsterdam: Meulenhoff International, 1970)
Lecaldano, Paolo. L'opera pittorica completa di Van Gogh e i suoi nessi grafici. Vol. 2, Da Arles a Auvers (Milan: Rizzoli, 1971), pp. 218-19, no. 657, ill.
Lecaldano, Paolo. L'opera pittorica completa di Van Gogh e i suoi nessi grafici. Vol. 2, Da Arles a Auvers (Milan: Rizzoli, 1971)
Lecaldano, Paolo. Tout l'oeuvre peint de Van Gogh. II. 1888-1890. Simone Darses, trans. (Paris: Flammarion, 1971), pp. 218-19, no. 657, ill.
Lecaldano, Paolo. Tout l'oeuvre peint de Van Gogh. II. 1888-1890. Simone Darses, trans. (Paris: Flammarion, 1971)
Hulsker, Jan. Van Gogh en zijn weg: al zijn tekeningen en schilderijen in hun samenhang en ontwikkeling (Amsterdam: Meulenhoff International, 1977), pp. 390-91, no. 1691, ill.
Hulsker, Jan. Van Gogh en zijn weg: al zijn tekeningen en schilderijen in hun samenhang en ontwikkeling (Amsterdam: Meulenhoff International, 1977)
Leymarie, Jean. Van Gogh. New ed. James Emmons, trans. (New York: Rizzoli, 1977), pp. 145, 158.
Leymarie, Jean. Van Gogh. New ed. James Emmons, trans. (New York: Rizzoli, 1977)
The Joan Whitney Payson Gallery of Art (Portland: Westbrook College, 1977), unpaginated, no. 25, ill.
The Joan Whitney Payson Gallery of Art (Portland: Westbrook College, 1977)
Daulte, François. "Un nouveau musée dans le Maine." L'Oeil, no. 279 (October 1978), p. 55, fig. 12.
Daulte, François. "Un nouveau musée dans le Maine." L'Oeil, no. 279 (October 1978)
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. 3rd ed., rev. (New York: The Museum of Modern Art, 1978), pp. 310-11, 318, 323, 386, ill.
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. 3rd ed., rev. (New York: The Museum of Modern Art, 1978)
Hulsker, Jan. The Complete Van Gogh: Paintings, Drawings, Sketches (New York: Harry N. Abrams, 1980), pp. 390-91, no. 1691, ill.
Hulsker, Jan. The Complete Van Gogh: Paintings, Drawings, Sketches (New York: Harry N. Abrams, 1980)
Aletrino, Paul. Vincent van Gogh: Werkverzeichnis. Vol. 2. Henriette Beese and Wolfgang Bensch, trans. (Frankfurt: Ullstein, 1980), p. 48, no. 533, ill.
Aletrino, Paul. Vincent van Gogh: Werkverzeichnis. Vol. 2. Henriette Beese and Wolfgang Bensch, trans. (Frankfurt: Ullstein, 1980)
Daulte, François, et al., eds. From Goya to Wyeth: The Joan Whitney Payson Collection, exh. cat. (Tokyo: Yomiuri Shimbun Sha, 1980), unpaginated, no. 33, ill.
Daulte, François, et al., eds. From Goya to Wyeth: The Joan Whitney Payson Collection, exh. cat. (Tokyo: Yomiuri Shimbun Sha, 1980)
Aletrino, Paul. Tout van Gogh. Vol. 2, 1888-1890. Sylvie Desmaison, trans. (Paris: Flammarion, 1981), p. 48, no. 533, ill.
Aletrino, Paul. Tout van Gogh. Vol. 2, 1888-1890. Sylvie Desmaison, trans. (Paris: Flammarion, 1981)
Welsh-Ovcharov, Bogomila. Vincent van Gogh and the Birth of Cloisonism, exh. cat. (Toronto: Art Gallery of Ontario, 1981), p. 158, under no. 39.
Welsh-Ovcharov, Bogomila. Vincent van Gogh and the Birth of Cloisonism, exh. cat. (Toronto: Art Gallery of Ontario, 1981)
Schaefer, Scott, et al. A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1984), pp. 234-36, 367, no. 90, ill., entry by Sylvie Gache-Patin.
Schaefer, Scott, et al. A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1984)
Parinaud, André. "Les Indépendants, la critique et la presse: l'affirmation de la modernité." In Un siècle d'art moderne: l'histoire du Salon des Indépendants, 1884-1984 (Paris: Denoël, 1984), p. 94.
Parinaud, André. "Les Indépendants, la critique et la presse: L'affirmation de la modernité." In Un siècle d'art moderne: l'histoire du Salon des Indépendants, 1884-1984 (Paris: Denoël, 1984)
Laclotte, Michel, et al. L'Impressionnisme et le paysage français, exh. cat. (Paris: Galeries nationales du Grand Palais; Editions de la Réunion des musées nationaux, 1985), pp. 246-47, no. 90, ill., entry by Sylvie Gache-Patin.
Laclotte, Michel, et al. L'Impressionnisme et le paysage français, exh. cat. (Paris: Galeries nationales du Grand Palais; Editions de la Réunion des musées nationaux, 1985)
Bernard, Bruce. ed. Vincent by Himself: A Selection of Van Gogh's Paintings and Drawings together with Extracts from His Letters (Boston: Little, Brown and Company, 1985), pp. 203, 265, 325, ill.
Bernard, Bruce. ed. Vincent by Himself: A Selection of Van Gogh's Paintings and Drawings together with Extracts from His Letters (Boston: Little, Brown and Company, 1985)
Stein, Susan Alyson, ed. Van Gogh: A Retrospective (New York: Park Lane, 1986), pp. 157, 158, 181, 247, 310, 313, pl. 87.
Stein, Susan Alyson, ed. Van Gogh: A Retrospective (New York: Park Lane, 1986)
Pickvance, Ronald. Van Gogh in Saint-Rémy and Auvers, exh. cat. (New York: The Metropolitan Museum of Art, 1986), pp. 27, 30, 42, 44, 49, 80-82, no. 1, ill.; p. 87, under no. 4; p. 143, under no. 31; p. 185, under no. 52.
Pickvance, Ronald. Van Gogh in Saint-Rémy and Auvers, exh. cat. (New York: The Metropolitan Museum of Art, 1986)
Sotheby's, New York. Vincent van Gogh: Irises. The Property of John Whitney Payson. November 11, 1987, unpaginated, lot 25, ill.
Sotheby's, New York. Vincent van Gogh: Irises. The Property of John Whitney Payson. November 11, 1987
Bonafoux, Pascal. Van Gogh: le soleil en face (Paris: Gallimard, 1987), pp. 108-9, ill.
Bonafoux, Pascal. Van Gogh: Le soleil en face (Paris: Gallimard, 1987)
Sotheby's, New York. Impressionist and Modern Paintings and Sculpture, Part I. November 11, 1987, unpaginated, lot 25, ill.
Sotheby's, New York. Impressionist and Modern Paintings and Sculpture, Part I. November 11, 1987
Tancock, John L. "Vincent Van Gogh's 'Irises.'" Sotheby's Preview (October/November 1987), unpaginated, ill.
Tancock, John L. "Vincent Van Gogh's 'Irises.'" Sotheby's Preview (October/November 1987)
Tancock, John L. "Van Gogh's 'Irises.'" Sotheby's Newsletter (November 1987), p. 3, ill.
Tancock, John L. "Van Gogh's 'Irises.'" Sotheby's Newsletter (November 1987)
Pickvance, Ronald. "Van Gogh's 'Irises.'" Sotheby's Art at Auction (1987-1988) (London and New York: Sotheby's Publications, 1988), pp. 118-21, ill.
Pickvance, Ronald. "Van Gogh's 'Irises.'" Sotheby's Art at Auction (1987-1988) (London and New York: Sotheby's Publications, 1988)
Halperin, Joan Ungersma. Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris (New Haven and London: Yale University Press, 1988), p. 208.
Halperin, Joan Ungersma. Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris (New Haven and London: Yale University Press, 1988)
Bumpus, Judith. Van Gogh's Flowers (New York: Universe Books, 1989), unpaginated, no. 14, ill.
Bumpus, Judith. Van Gogh's Flowers (New York: Universe Books, 1989)
Lane, Richard. Hokusai: Life and Work (London: Barrie & Jenkins, 1989), p. 293.
Lane, Richard. Hokusai: Life and Work (London: Barrie & Jenkins, 1989)
Hardouin-Fugier, Élisabeth, and Étienne Grafe. French Flower Painters of the 19th Century: A Dictionary (London: Philip Wilson, 1989), pp. 219-20, 225, ill.
Hardouin-Fugier, Élisabeth, and Étienne Grafe. French Flower Painters of the 19th Century: A Dictionary (London: Philip Wilson, 1989)
McQuillan, Melissa. Van Gogh (London: Thames and Hudson, 1989), pp. 7, 72, 74, 184-85, 190-91, fig. 162.
McQuillan, Melissa. Van Gogh (London: Thames and Hudson, 1989)
Walther, Ingo F. Vincent van Gogh, 1853-1890: vision et réalité (Cologne: Benedikt Taschen, 1989), pp. 64-65, ill.
Walther, Ingo F. Vincent van Gogh, 1853-1890: Vision et réalité (Cologne: Benedikt Taschen, 1989)
Bussy, Diana de, et al., eds. Irises and Five Masterpieces, exh. cat. (Canberra: Australian National Gallery, 1989), unpaginated, ill., entry by Michael Lloyd.
Bussy, Diana de, et al., eds. Irises and Five Masterpieces, exh. cat. (Canberra: Australian National Gallery, 1989)
Rouquette, Jean-Maurice, et al. Van Gogh à Arles et Saint-Rémy: février 1888-mai 1890 (Levallois: Beaux-arts magazine, 1989), p. 45, ill.
Rouquette, Jean-Maurice, et al. Van Gogh à Arles et Saint-Rémy: février 1888-mai 1890 (Levallois: Beaux-arts magazine, 1989)
Uitert, Evert van, et al. Vincent van Gogh, exh. cat. 2 vols. (Amsterdam: Rijksmuseum Vincent van Gogh; Otterlo: Rijksmuseum Kröller-Müller, with Arnoldo Mondadori arte and De Luca edizioni d'arte, 1990), vol. 2, pp. 31, 254, under no. 115.
Uitert, Evert van, et al. Vincent van Gogh, exh. cat. 2 vols. (Amsterdam: Rijksmuseum Vincent van Gogh; Otterlo: Rijksmuseum Kröller-Müller, with Arnoldo Mondadori arte and De Luca edizioni d'arte, 1990), vol. 2
Monneret, Jean. Vincent van Gogh au Salon des Indépendants en 1888, 1889, 1890 et 1891; ou, la Passion selon Vincent (Paris: Société des Artistes Indépendants, 1990), pp. 49, 52, 63-64, ill.
Monneret, Jean. Vincent van Gogh au Salon des Indépendants en 1888, 1889, 1890 et 1891; Ou, la Passion selon Vincent (Paris: Société des Artistes Indépendants, 1990)
Sweetman, David. The Love of Many Things: A Life of Vincent Van Gogh (London: Hodder & Stoughton, 1990), pp. 310, 333.
Sweetman, David. The Love of Many Things: A Life of Vincent Van Gogh (London: Hodder & Stoughton, 1990)
Andersen, Wayne. My Self (Geneva: Fabriart, 1990), pp. 364-65.
Andersen, Wayne. My Self (Geneva: Fabriart, 1990)
Gogh, Vincent van. Letters from Provence, Selected and Introduced by Martin Bailey (New York: Clarkson Potter, 1990), p. 104, fig. 116.
Gogh, Vincent van. Letters from Provence, Selected and Introduced by Martin Bailey (New York: Clarkson Potter, 1990)
Andersen, Wayne. "Relics of Paul Cézanne." Drawing 12, no. 4 (November-December 1990), p. 78.
Andersen, Wayne. "Relics of Paul Cézanne." Drawing 12, no. 4 (November-December 1990)
Feaver, William. Van Gogh. 2nd ed., rev. (London: Studio Editions, 1992), pp. 38-39, ill.
Feaver, William. Van Gogh. 2nd ed., rev. (London: Studio Editions, 1992)
Bernard, Bruce. Van Gogh (London: Dorling Kindersley, 1992), pp. 50-51, ill.
Bernard, Bruce. Van Gogh (London: Dorling Kindersley, 1992)
Schiff, Richard. "'Il faut que les yeux soient émus': impressionnisme et symbolisme vers 1891." Revue de l'art, no. 96 (1992), pp. 25-26, fig. 1.
Schiff, Richard. "'Il faut que les yeux soient émus': Impressionnisme et symbolisme vers 1891." Revue de l'art, no. 96 (1992)
Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market (London: Vintage, 1992), pp. 6, 10, 253, 397-401, 457, 472-73, 481, fig. 117.
Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market (London: Vintage, 1992)
Lasher, Joan S. "My Favorite Painting: Vincent van Gogh's 'Irises'." American Artist 56, no. 597 (April 1992), pp. 20-23, ill.
Lasher, Joan S. "My Favorite Painting: Vincent van Gogh's 'Irises'." American Artist 56, no. 597 (April 1992)
Koch-Hillebrecht, Manfred. Museen in den USA: Gemälde (Munich: Hirmer Verlag, 1992), p. 279, ill.
Koch-Hillebrecht, Manfred. Museen in den USA: Gemälde (Munich: Hirmer Verlag, 1992)
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992), pp. 40-41, ill.
Carr, Dawson W., and Mark Leonard. Looking at Paintings: A Guide to Technical Terms (Malibu: J. Paul Getty Museum, with British Museum Press, 1992)
De Vries-Evans, Susanna. The Impressionists Revealed: Masterpieces from Private Collections (Auckland: David Bateman, 1992), pp. 110-11, ill.
De Vries-Evans, Susanna. The Impressionists Revealed: Masterpieces from Private Collections (Auckland: David Bateman, 1992)
Walther, Ingo F., and Rainer Metzger. Vincent van Gogh: sämtliche Gemälde. 2 vols. (Cologne: Benedikt Taschen, 1993), vol. 2, pp. 505, 563-64, 730, ill.
Walther, Ingo F., and Rainer Metzger. Vincent van Gogh: sämtliche Gemälde. 2 vols. (Cologne: Benedikt Taschen, 1993), vol. 2
Walther, Ingo F., and Rainer Metzger. Vincent van Gogh: The Complete Paintings. Michael Hulse, trans. 2 vols. (Cologne: Benedikt Taschen, 1993), vol. 2, pp. 505, 563-64, 730, ill.
Walther, Ingo F., and Rainer Metzger. Vincent van Gogh: The Complete Paintings. Michael Hulse, trans. 2 vols. (Cologne: Benedikt Taschen, 1993), vol. 2
Tomoko, Saito. "Van Goghs in Japan-The Economics behind the Art Boom." In The Mythology of Vincent van Gogh. Kodera Tsukasa, ed. (Tokyo: Asahi National Broadcasting Co.; Amsterdam and Philadelphia: John Benjamins, 1993), pp. 423-24, fig. 264.
Tomoko, Saito. "Van Goghs in Japan-The Economics behind the Art Boom." In The Mythology of Vincent van Gogh. Kodera Tsukasa, ed. (Tokyo: Asahi National Broadcasting Co.; Amsterdam and Philadelphia: John Benjamins, 1993)
Zemel, Carol. Vincent van Gogh (New York: Rizzoli, 1993), unpaginated, pl. 14.
Zemel, Carol. Vincent van Gogh (New York: Rizzoli, 1993)
Arnold, Matthias. Vincent van Gogh: Werk und Wirkung (Munich: Kindler, 1995), pp. 287-88, 471, fig. 140.
Arnold, Matthias. Vincent van Gogh: Werk und Wirkung (Munich: Kindler, 1995)
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995), unpaginated, no. 30, ill., entry by Perrin Stein.
Fredericksen, Burton B., et al. Masterpieces of Painting in the J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1995)
Klusman, Georg. Vincent van Gogh: Still Life with Peonies (Mainburg: Pinsker-Verlag, 1996), pp. 74, 76, fig. 32.
Klusman, Georg. Vincent van Gogh: Still Life with Peonies (Mainburg: Pinsker-Verlag, 1996)
Hulsker, Jan. The New Complete Van Gogh: Paintings, Drawings, Sketches (Amsterdam and Philadelphia: John Benjamins, 1996), pp. 390, 392, no. 1691, ill.
Hulsker, Jan. The New Complete Van Gogh: Paintings, Drawings, Sketches (Amsterdam and Philadelphia: John Benjamins, 1996)
Metzger, Rainer, and Ingo F. Walther. Vincent van Gogh, 1853-1890. Michael Hulse, trans. (Cologne: Taschen, 1996), p. 208, ill.
Metzger, Rainer, and Ingo F. Walther. Vincent van Gogh, 1853-1890. Michael Hulse, trans. (Cologne: Taschen, 1996)
Loeb, John Langeloth, et al. All in a Lifetime: A Personal Memoir (New York: John L. Loeb, 1996), p. 217.
Loeb, John Langeloth, et al. All in a Lifetime: A Personal Memoir (New York: John L. Loeb, 1996)
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 147, ill.
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997)
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 55, ill.
Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997)
Walsh, John, and Deborah Gribbon. The J. Paul Getty Museum and Its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997), pp. 106, 109, ill.
Walsh, John, and Deborah Gribbon. The J. Paul Getty Museum and its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997)
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997), pp. 72-73, no. 39, ill., entry by Perrin Stein.
Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997)
Zemel, Carol. Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art (Berkeley: University of California Press, 1997), pp. 171-72, fig. 101, pl. 10.
Zemel, Carol. Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art (Berkeley: University of California Press, 1997)
Lawton, Barbara Perry. Magic of Irises (Golden, CO: Fulcrum Publishing, 1998), pp. 10-11, 12, ill., cover ill.
Lawton, Barbara Perry. Magic of Irises (Golden, CO: Fulcrum Publishing, 1998)
Mühlberger, Richard. The Unseen Van Gogh (Cobb, CA: First Glance Books, 1998), pp. 110-13, ill.
Mühlberger, Richard. The Unseen Van Gogh (Cobb, CA: First Glance Books, 1998)
Schaffner, Ingrid. The Essential Vincent van Gogh (New York: Harry N. Abrams, 1998), pp. 88-89, ill.
Schaffner, Ingrid. The Essential Vincent van Gogh (New York: Harry N. Abrams, 1998)
Saltzman, Cynthia. Portrait of Dr. Gachet: The Story of a Van Gogh Masterpiece (New York: Viking, 1998), pp. xix, 27, 221, 294-96, 297, 299, 302, 310, 311, 313, ill.
Saltzman, Cynthia. Portrait of Dr. Gachet: The Story of a Van Gogh Masterpiece (New York: Viking, 1998)
Maurer, Naomi Margolis. The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent Van Gogh and Paul Gauguin (Madison and Teaneck: Fairleigh Dickinson University Press; London: Associated University Presses, 1998), p. 89, fig. 146.
Maurer, Naomi Margolis. The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin (Madison and Teaneck: Fairleigh Dickinson University Press; London: Associated University Presses, 1998)
Welsh-Ovcharov, Bogomila. Van Gogh in Provence and Auvers (New York: Hugh Lauter Levin Associates, 1999), p. 183, ill.
Welsh-Ovcharov, Bogomila. Van Gogh in Provence and Auvers (New York: Hugh Lauter Levin Associates, 1999)
Nemeczek, Alfred. Das Bild der Kunst (Hamburg: ART-Das Kunstmagazin, 1999), p. 148, fig. 7.
Nemeczek, Alfred. Das Bild der Kunst (Hamburg: ART-Das Kunstmagazin, 1999)
Helvey, Jennifer, and Jill Finsten. Vincent's Irises, exh. brochure (Los Angeles: J. Paul Getty Museum, 1999), unpaginated, ill.
Helvey, Jennifer, and Jill Finsten. Vincent's Irises, exh. brochure (Los Angeles: J. Paul Getty Museum, 1999)
Kirsh, Andrea, and Rustin S. Levenson. Seeing Through Paintings: Physical Examination in Art Historical Studies (New Haven: Yale University Press, 2000), pp. 126, 128-29, figs. 119, 120.
Kirsh, Andrea, and Rustin S. Levenson. Seeing Through Paintings: Physical Examination in Art Historical Studies (New Haven: Yale University Press, 2000)
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 146, ill.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001)
Freeland, Cynthia. But is it art? An Introduction to Art Theory (Oxford and New York: Oxford University Press, 2001), pp. 35, 106-7, 139, fig. 14.
Freeland, Cynthia. But is it Art? An Introduction to Art Theory (Oxford and New York: Oxford University Press, 2001)
Fell, Derek. Van Gogh's Gardens (New York: Simon & Schuster, 2001), pp. 7, 11, 14, 38, 56, 159, ill.
Fell, Derek. Van Gogh's Gardens (New York: Simon & Schuster, 2001)
Druick, Douglas W., Peter Kort Zegers, et al. Van Gogh and Gauguin: The Studio of the South, exh. cat. (Chicago: The Art Institute of Chicago; Amsterdam: Van Gogh Museum, with Thames & Hudson, 2001), pp. 284-85, fig. 43.
Druick, Douglas W., Peter Kort Zegers, et al. Van Gogh and Gauguin: The Studio of the South, exh. cat. (Chicago: The Art Institute of Chicago; Amsterdam: Van Gogh Museum, with Thames & Hudson, 2001)
Sund, Judy. Van Gogh (London: Phaidon, 2002), pp. 247-50, fig. 161.
Sund, Judy. Van Gogh (London: Phaidon, 2002)
Cabanne, Pierre. Van Gogh (Paris: Terrail, 2002), pp. 203, 204-5, ill.
Cabanne, Pierre. Van Gogh (Paris: Terrail, 2002)
Freeland, Cynthia. Art Theory: A Very Short Introduction (Oxford: Oxford University Press, 2003), pp. 70-71, fig. 14.
Freeland, Cynthia. Art Theory: A Very Short Introduction (Oxford: Oxford University Press, 2003)
Shiff, Richard. "Monet and the Mark." In Monet: atti del convegno, Treviso, Casa dei Carraresi, 16 e 17 gennaio 2002. Rodolphe Rapetti et al., eds. (Conegliano: Linea d'ombra Libri, 2003), p. 168, ill.
Shiff, Richard. "Monet and the Mark." In Monet: Atti del convegno, Treviso, Casa dei Carraresi, 16 e 17 gennaio 2002. Rodolphe Rapetti et al., eds. (Conegliano: Linea d'ombra Libri, 2003)
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003), pp. 68-69, no. 36, ill., entry by Perrin Stein.
Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003)
Shimada, Norio. Inshoha bijutsukan: The History of Impressionism (Tokyo: Shogakukan, 2004), p. 367, fig. B.
Shimada, Norio. Inshoha bijutsukan: The History of Impressionism (Tokyo: Shogakukan, 2004)
Fahr-Becker, Gabriele. Jugendstil (Cologne: Könemann, 2004), pp. 10, 14-15, ill.
Fahr-Becker, Gabriele. Jugendstil (Cologne: Könemann, 2004)
Buser, Thomas. Experiencing Art Around Us. 2nd ed. (n.p.: Thomson Wadsworth, 2006), p. 469, fig. 19-1.
Buser, Thomas. Experiencing Art Around Us. 2nd ed. (n.p.: Thomson Wadsworth, 2006)
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 146, ill.
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007)
Fahr-Becker, Gabriele. Art Nouveau. Paul Aston, Ruth Chitty, and Karen Williams, trans. (Konigswinter: H. F. Ulmann, 2007), pp. 10, 14-15, ill.
Fahr-Becker, Gabriele. Art Nouveau. Paul Aston, Ruth Chitty, and Karen Williams, trans. (Konigswinter: H. F. Ulmann, 2007)
Impelluso, Lucia. Gardens in Art. Stephen Sartarelli, trans. (Los Angeles: J. Paul Getty Museum, 2007), p. 172, ill.
Impelluso, Lucia. Gardens in Art. Stephen Sartarelli, trans. (Los Angeles: J. Paul Getty Museum, 2007)
Schwarz, Dieter, ed. Kunstmuseum Winterthur. Katalog der Gemälde und Skulpturen. Vol. 2 (Zurich: Kunstmuseum Winterthur; Düsseldorf: Richter Verlag, 2008), p. 77, under no. 21, ill., entry by Roland Dorn.
Schwarz, Dieter, ed. Kunstmuseum Winterthur: Katalog der Gemälde und Skulpturen. Vol. 2 (Zurich: Kunstmuseum Winterthur; Düsseldorf: Richter Verlag, 2008)
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009), passim, figs. 1, 7, 62, cover ill.
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009)
Feilchenfeldt, Walter. Vincent van Gogh: die Gemälde 1886-1890; Händler, Sammler, Austellungen; die frühen Provenienzen (Wädenswil: Nimbus, 2009), pp. 203, 351, ill.
Feilchenfeldt, Walter. Vincent van Gogh: Die Gemälde 1886-1890; Händler, Sammler, Austellungen; die frühen Provenienzen (Wädenswil: Nimbus, 2009)
Doherty, Tiarna, and Anne T. Woollett. Looking at Paintings: A Guide to Technical Terms. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2009), pp. 42-43, ill.
Doherty, Tiarna, and Anne T. Woollett. Looking at Paintings: A Guide to Technical Terms. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2009)
Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. 2nd ed. (Oxford and New York: Oxford University Press, 2009), pp. 33-36, fig. 1.17.
Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. 2nd ed. (Oxford and New York: Oxford University Press, 2009)
Gogh, Vincent van. Vincent van Gogh: The Letters. The Complete Illustrated and Annotated Edition. Leo Jansen, Hans Luijten, and Nienke Bakker, eds. 6 vols. (London: Thames & Hudson, 2009), vol. 5, pp. 12-13 (letter 772), fig. 1; pp. 24-25 (letter 776), fig. 18; p. 30 (letter 777), fig. 5; p. 59 (letter 789), fig. 10; p. 78 (letter 799), fig. 2; p. 125 (letter 813), fig. 1; p. 142 (letter 819), fig. 8.
Gogh, Vincent van. Vincent van Gogh: The Letters. The Complete Illustrated and Annotated Edition. Leo Jansen, Hans Luijten, and Nienke Bakker, eds. 6 vols. (London: Thames & Hudson, 2009), vol. 5
Naifeh, Steven, and Gregory White Smith. Van Gogh: The Life (New York: Random House, 2011), pp. 755, 783, ill. between pp. 590-91.
Naifeh, Steven, and Gregory White Smith. Van Gogh: The Life (New York: Random House, 2011)
Shutian, Liu, ed. Vincent Van Gogh: Self-Portrait in Paris, exh. cat. (Beijing: Capital Museum, 2011), pp. 2, 3, fig. 1.
Shutian, Liu, ed. Vincent Van Gogh: Self-Portrait in Paris, exh. cat. (Beijing: Capital Museum, 2011)
Strauss, Michel. Pictures, Passions and Eye: A Life at Sotheby's (London: Halban, 2011), p. 269, ill.
Strauss, Michel. Pictures, Passions and Eye: A Life at Sotheby's (London: Halban, 2011)
Kostenevich, Albert, ed. Impressionism: Sensation & Inspiration. Highlights from the Hermitage, exh. cat. (Amsterdam: Hermitage Amsterdam, 2012), p. 250, under no. 4, ill., entry by Albert Kostenevich.
Kostenevich, Albert, ed. Impressionism: Sensation & Inspiration, Highlights from the Hermitage, exh. cat. (Amsterdam: Hermitage Amsterdam, 2012)
Homburg, Cornelia. "Nature So Close." In Van Gogh Up Close, exh. cat. Cornelia Homburg, ed. (Ottawa: National Gallery of Canada, with Yale University Press, 2012), pp. 23, 26, 38n58, 39n74, 147, fig. 111.
Homburg, Cornelia. "Nature So Close." In Van Gogh Up Close, exh. cat. Cornelia Homburg, ed. (Ottawa: National Gallery of Canada, with Yale University Press, 2012)
Shiff, Richard. "Matière Très Matière." In Van Gogh Up Close, exh. cat. Cornelia Homburg, ed. (Ottawa: National Gallery of Canada, with Yale University Press, 2012), pp. 145, 147, 153n67.
Shiff, Richard. "Matière Très Matière." In Van Gogh Up Close, exh. cat. Cornelia Homburg, ed. (Ottawa: National Gallery of Canada, with Yale University Press, 2012)
Dieltjes, Esther. Vincent van Gogh: Self-Portrait from Paris (Amsterdam: Rijksmuseum, 2013), pp. 4-7, 51, fig. 1.
Dieltjes, Esther. Vincent van Gogh: Self-Portrait from Paris (Amsterdam: Rijksmuseum, 2013)
Chansigaud, Valérie. Une histoire des fleurs: Entre nature et culture (Paris: Delachaux et Niestlé, 2014), p. 144, ill.
Chansigaud, Valérie. Une histoire des fleurs: Entre nature et culture (Paris: Delachaux et Niestlé, 2014)
Christie's, London. Impressionist & Modern Art Evening Sale. June 23, 2015, p. 56, under lot 12, ill.
Christie's, London. Impressionist & Modern Art Evening Sale. June 23, 2015
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), pp. 302-4, 328.
Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015)
Hindlip, Charles. An Auctioneer's Lot: Triumphs and Disasters at Christie's (London: Third Millenium Publishing, 2016), p. 152.
Hindlip, Charles. An Auctioneer's Lot: Triumphs and Disasters at Christie's (London: Third Millenium Publishing, 2016)
Blanc, Jan. Van Gogh: Ni Dieu ni maître (Paris: Citadelles & Mazenod, 2017), pp. 272-73, ill.
Blanc, Jan. Van Gogh: Ni Dieu ni maître (Paris: Citadelles & Mazenod, 2017)
Heugten, Sjraar van. "Vincent van Gogh and the Seasons: Images of Nature and Humanity." In Van Gogh and the Seasons, exh. cat. Sjraar van Heugten, ed. (Melbourne: National Gallery of Victoria, 2017), pp. 46, 48, ill.
Heugten, Sjraar van. "Vincent van Gogh and the Seasons: Images of Nature and Humanity." In Van Gogh and the Seasons, exh. cat. Sjraar van Heugten, ed. (Melbourne: National Gallery of Victoria, 2017)
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), pp. 16, 18-19, 133, ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
Woo, Elaine. "The Link Between Creativity and Mental Illness." Getty Magazine (Spring 2023), pp. 34-37, ill.
Woo, Elaine. “The Link Between Creativity and Mental Illness.” Getty Magazine (Spring 2023)
Poundstone, William. "Getty Reverse-Engineers a Van Gogh." Los Angeles County Museum on Fire (blog). October 21, 2024, accessed November 6, 2024 , https://lacmaonfire.blogspot.com/2024/10/getty-reverse-engineers-van-gogh.html.
Poundstone, William. "Getty Reverse-Engineers a Van Gogh." Los Angeles County Museum on Fire (blog). October 21, 2024, accessed November 6, 2024 https://lacmaonfire.blogspot.com/2024/10/getty-reverse-engineers-van-gogh.html
In May 1889, after episodes of self-mutilation and hospitalization, Vincent van Gogh chose to enter an asylum in Saint-Rémy, France. There, in the last year before his death, he created almost 130 paintings. Within the first week, he began *Irises*, working from nature in the asylum's garden. The cropped composition, divided into broad areas of vivid color with monumental irises overflowing its borders, was probably influenced by the decorative patterning of Japanese woodblock prints. There are no known drawings for this painting; Van Gogh himself considered it a study. His brother Theo quickly recognized its quality and submitted it to the *Salon des Indépendants* in September 1889, writing Vincent of the exhibition: "[It] strikes the eye from afar. It is a beautiful study full of air and life." Each one of Van Gogh's irises is unique. He carefully studied their movements and shapes to create a variety of curved silhouettes bounded by wavy, twisting, and curling lines. The painting's first owner, French art critic Octave Mirbeau, one of Van Gogh's earliest supporters, wrote: "How well he has understood the exquisite nature of flowers!"
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
In May 1889, after episodes of self-mutilation and hospitalization, Vincent van Gogh chose to enter an asylum in Saint-Rémy, France. There, in the last year before his death, he created almost 130 paintings. Within the first week, he began Irises, working from nature in the asylum's garden. The cropped composition, divided into broad areas of vivid color with monumental irises overflowing its borders, was probably influenced by the decorative patterning of Japanese woodblock prints. There are no known drawings for this painting; Van Gogh himself considered it a study. His brother Theo quickly recognized its quality and submitted it to the Salon des Indépendants in September 1889, writing Vincent of the exhibition: "[It] strikes the eye from afar. It is a beautiful study full of air and life." Each one of Van Gogh's irises is unique. He carefully studied their movements and shapes to create a variety of curved silhouettes bounded by wavy, twisting, and curling lines. The painting's first owner, French art critic Octave Mirbeau, one of Van Gogh's earliest supporters, wrote: "How well he has understood the exquisite nature of flowers!"
Migration from HTML to Markdown for Object Descriptions.
Additionally filter Object Descriptions via the `format` property to select between the 'text/html' or 'text/markdown' variants during the deprecation period.
Related Media (Audio): Irises / Finsten - English (Highlights) - Level 1
Irises / Finsten - English (Highlights) - Level 1
Migrated to storing related audio links in ID Manager.
Search for related audio links in ID Manager.
Related Media (Audio): Irises (Descriptions)
Related Media (Audio): Irises / Finsten (ed.) (Highlights)
Related Media (Audio): Irises - English (Highlights)
Related Media (Audio): Irises - Spanish (Highlights)
Related Media (Audio): Irises - French (Highlights)
Related Media (Audio): Irises - German (Highlights)
Related Media (Audio): Irises - Italian (Highlights)
Related Media (Audio): Irises - Japanese (Highlights)
Related Media (Audio): Irises - Korean (Highlights)
Related Media (Audio): Irises - Mandarin (Highlights)
Related Media (Audio): Irises - Portuguese (Highlights)
Filter on `Rights Statement` (https://data.getty.edu/local/thesaurus/rights-statement) instead.
Due to improved rights assertion/license metadata modelling this `LinguisticObject` will be removed in a future update.
Obtain rights assertion/license metadata from the `Right` entity under this document's `subject_to` property instead.
Objects Exhibited in Salon des Indépendants at Salle de la Société d'Horticulture, Paris
Salon des Indépendants at Salle de la Société d'Horticulture, Paris
Objects Exhibited in Exposition Vincent van Gogh at Galerie Bernheim Jeune, Paris
Exposition Vincent van Gogh at Galerie Bernheim Jeune, Paris
Objects Exhibited in Exposition rétrospective: Vincent van Gogh (Salon des Indépendants) at Grandes Serres de la Ville de Paris, Paris
Exposition rétrospective: Vincent van Gogh (Salon des Indépendants) at Grandes Serres de la Ville de Paris, Paris
Objects Exhibited in Cinquante ans de peinture française, 1875-1925 at Musée des Arts Décoratifs, Paris
Cinquante ans de peinture française, 1875-1925 at Musée des Arts Décoratifs, Paris
Objects Exhibited in L'Époque française de Van Gogh at Galerie Bernheim Jeune, Paris
L'Époque française de Van Gogh at Galerie Bernheim Jeune, Paris
Objects Exhibited in Cézanne, Gauguin, Seurat, Van Gogh at The Museum of Modern Art, New York
Cézanne, Gauguin, Seurat, Van Gogh at The Museum of Modern Art, New York
Objects Exhibited in Exposition d'oeuvres importantes de grand maîtres du dix-neuvième siècle at Galerie Paul Rosenberg, Paris
Exposition d'oeuvres importantes de grand maîtres du dix-neuvième siècle at Galerie Paul Rosenberg, Paris
Objects Exhibited in L'Impressionnisme at Palais des Beaux-arts, Brussels
L'Impressionnisme at Palais des Beaux-arts, Brussels
Objects Exhibited in Van Gogh: Exposition internationale de 1937, Groupe I, Classe III at Palais de Tokyo, Paris
Van Gogh: Exposition internationale de 1937, Groupe I, Classe III at Palais de Tokyo, Paris
Objects Exhibited in Paintings by Van Gogh at The Baltimore Museum of Art, Baltimore
Paintings by Van Gogh at The Baltimore Museum of Art, Baltimore
Objects Exhibited in Paintings by Van Gogh at Worcester Art Museum, Worcester
Paintings by Van Gogh at Worcester Art Museum, Worcester
Objects Exhibited in The Art and Life of Vincent van Gogh at Wildenstein & Co., New York
The Art and Life of Vincent van Gogh at Wildenstein & Co., New York
Objects Exhibited in Van Gogh: Fourteen Masterpieces at M. Knoedler & Co., New York
Van Gogh: Fourteen Masterpieces at M. Knoedler & Co., New York
Objects Exhibited in Trends in European Painting, 1880 - 1930 at The Century Association, New York
Trends in European Painting, 1880 - 1930 at The Century Association, New York
Objects Exhibited in From Goya to Wyeth: The Joan Whitney Payson Collection at Kyoto Municipal Museum of Art, Kyoto
From Goya to Wyeth: The Joan Whitney Payson Collection at Kyoto Municipal Museum of Art, Kyoto
Objects Exhibited in From Goya to Wyeth: The Joan Whitney Payson Collection at Isetan Museum of Art, Tokyo
From Goya to Wyeth: The Joan Whitney Payson Collection at Isetan Museum of Art, Tokyo
Objects Exhibited in A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at Los Angeles County Museum of Art, Los Angeles
A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at Los Angeles County Museum of Art, Los Angeles
Objects Exhibited in A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at The Art Institute of Chicago, Chicago
A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at The Art Institute of Chicago, Chicago
Objects Exhibited in A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at Galeries nationales du Grand Palais, Paris
A Day in the Country: Impressionism and the French Landscape / L'impressionnisme et le paysage français at Galeries nationales du Grand Palais, Paris
Objects Exhibited in Van Gogh in Saint-Rémy and Auvers at The Metropolitan Museum of Art, New York
Van Gogh in Saint-Rémy and Auvers at The Metropolitan Museum of Art, New York
Objects Exhibited in Irises and Five Masterpieces at Art Gallery of New South Wales, Sydney
Irises and Five Masterpieces at Art Gallery of New South Wales, Sydney
Objects Exhibited in Irises and Five Masterpieces at National Gallery of Australia, Canberra
Irises and Five Masterpieces at National Gallery of Australia, Canberra
Objects Exhibited in Irises and Five Masterpieces at Queensland Art Gallery, South Brisbane
Irises and Five Masterpieces at Queensland Art Gallery, South Brisbane
Objects Exhibited in Irises and Five Masterpieces at National Gallery of Victoria, Melbourne
Irises and Five Masterpieces at National Gallery of Victoria, Melbourne
Objects Exhibited in Irises and Five Masterpieces at Art Gallery of Western Australia, Perth
Irises and Five Masterpieces at Art Gallery of Western Australia, Perth
Objects Exhibited in Vincent's Irises at J. Paul Getty Museum at the Getty Center, Los Angeles
Vincent's Irises at J. Paul Getty Museum at the Getty Center, Los Angeles
Objects Exhibited in Van Gogh's Iris: Masterpiece in Focus at National Gallery of Canada, Ottawa
Van Gogh's Iris: Masterpiece in Focus at National Gallery of Canada, Ottawa
Objects Exhibited in Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Getty Highlights: 19th-Century Paintings and Sculptures at J. Paul Getty Museum at the Getty Center, Los Angeles
Objects Exhibited in Ultra-Violet: New Light on Van Gogh's Irises at J. Paul Getty Museum at the Getty Center, Los Angeles
Ultra-Violet: New Light on Van Gogh's Irises at J. Paul Getty Museum at the Getty Center, Los Angeles
Related Media (Image): 000947F6V1 / f19545c4dce1c12af9e7be2d078adf76a772477e
Related Media (Image): 32019501 / dcafc65c23dd7ac6f77df3f6af732a0a56f8670f
Verso: upper center, white rectangular label with serrated edges, printed in black: “No. [printed in red:] 43663 / [printed in black:] PICTURE”; upper center, white rectangular label with serrated edges, printed in black: “No. [printed in red:] 64670 / [printed in black:] PICTURE”; center left, white rectangular label with serrated edges, printed in black: “Museum of Modern Art / LOAN / 55.1584 / Payson”; center left, white circular label with scalloped edges, printed: “EXP [?]”; center left, white circular label with dark blue decorative border, written: “677”; center right, white rectangular label, printed in black: “S. R. Guggenheim Museum / 475.64 Payson / VAN GOGH”; center right, white rectangular label, printed in black: “Museum of / Modern Art / LOAN / [?].33”; lower left, white rectangular label, printed in black: "THE J. PAUL GETTY MUSEUM / ID: 90.PA.20 / ARTIST: Vincent van Gogh / TITLE: Irises / DATE: 1889 / MEDIUM: Oil on canvas / DIMS: Unframed: 74.3 x 94.3 (29 1/4 x 37 1/8 in.) / Framed: 94.9 x 114.9 x 11.4 cm (37 3/8 x 45 1/4 x 4 1/2 in.)"; lower center, white circular label, written in pencil: “8696”; lower center, white rectangular label, printed in black: “168”
Production of Artwork by Vincent van Gogh
Filter on `Producer Description` (https://data.getty.edu/local/thesaurus/producer-description) instead.
Artist/Maker (Producer) Nationality & Dates
Filter on `Artist/Maker Role Statement` (https://data.getty.edu/local/thesaurus/artist-maker-role-statement) instead.
Getty Center, Museum West Pavilion, Gallery W204
Exhibition Title Attribute Assignment: Getty Highlights: 19th-Century Paintings and Sculptures
Getty Highlights: 19th-Century Paintings and Sculptures
Exhibition Title Attribute Assignment: Ultra-Violet: New Light on Van Gogh's Irises
Ultra-Violet: New Light on Van Gogh's Irises
Homepage for Irises (90.PA.20) (HumanMadeObject)
Provenance Acquisition for Irises (90.PA.20) associated with Julien Tanguy (Père); subsequently sold to Octave Mirbeau, 1892.
Provenance Activity for Irises (90.PA.20) associated with Julien Tanguy (Père)
Newly available AAT terms replace obsolete local thesaurus terms.
Filter on `Provenance Statement` (http://vocab.getty.edu/aat/300444174) instead.
Provenance Statement Sequence Attribution
Filter on `Provenance Location Statement` (http://vocab.getty.edu/aat/300444175) instead.
Provenance Biography Sequence Attribution
Provenance Activity TimeSpan Display Name
Provenance Activity for Irises (90.PA.20) associated with Octave Mirbeau
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Irises (90.PA.20) associated with Octave Mirbeau; subsequently sold to Auguste Pellerin, 1905.
Provenance Activity for Irises (90.PA.20) associated with Auguste Pellerin
Provenance Acquisition for Irises (90.PA.20) associated with Auguste Pellerin
Provenance Activity for Irises (90.PA.20) associated with Galerie Bernheim Jeune
Provenance Acquisition for Irises (90.PA.20) associated with Galerie Bernheim Jeune
Provenance Activity for Irises (90.PA.20) associated with Jacques Doucet
Provenance Acquisition for Irises (90.PA.20) associated with Jacques Doucet; subsequently by inheritance to his wife, Mme. Jacques Doucet, 1929.
by inheritance to his wife, Mme. Jacques Doucet, 1929.
Paris, France; Neuilly sur Seine, France
Provenance Activity for Irises (90.PA.20) associated with Mme Jacques Doucet
Provenance Acquisition for Irises (90.PA.20) associated with Mme Jacques Doucet; subsequently sold to Jacques Seligmann et Fils, 1938/1939.
sold to Jacques Seligmann et Fils, 1938/1939.
Provenance Activity for Irises (90.PA.20) associated with Jacques Seligmann et Fils
Provenance Acquisition for Irises (90.PA.20) associated with Jacques Seligmann et Fils; subsequently sold to M. Knoedler & Co., possibly 1945/1946.
sold to M. Knoedler & Co., possibly 1945/1946.
Provenance Activity for Irises (90.PA.20) associated with M. Knoedler & Co. (New York)
Provenance Acquisition for Irises (90.PA.20) associated with M. Knoedler & Co. (New York); subsequently sold to Joan Whitney Payson, 1947.
GRI, M. Knoedler & Co. records, commission book 4, p. 76, no. 2780; GRI, M. Knoedler & Co. records, sales book 14, p. 318, no. CA 2780.
Provenance Citation Sequence Attribution
London, England; New York, New York; Paris, France
Provenance Activity for Irises (90.PA.20) associated with Joan Whitney Payson
Provenance Acquisition for Irises (90.PA.20) associated with Joan Whitney Payson; subsequently by inheritance to her son, John Whitney Payson, 1975.
by inheritance to her son, John Whitney Payson, 1975.
Provenance Activity for Irises (90.PA.20) associated with John Whitney Payson
Provenance Acquisition for Irises (90.PA.20) associated with John Whitney Payson; subsequently sold, Sotheby's, New York, November 11, 1987, lot 25, to Alan Bond.
Filter on `Provenance Sales Statement` (http://vocab.getty.edu/aat/300444172) instead.
sold, Sotheby's, New York, November 11, 1987, lot 25, to Alan Bond.
Provenance Sales Statement Sequence Attribution
Provenance Activity for Irises (90.PA.20) associated with Alan Bond
Provenance Acquisition for Irises (90.PA.20) associated with Alan Bond; subsequently returned to Sotheby's (New York), 1990.
Provenance Activity for Irises (90.PA.20) associated with Sotheby's (New York)
Provenance Acquisition for Irises (90.PA.20) associated with Sotheby's (New York); subsequently sold to the J. Paul Getty Museum by private treaty sale, 1990.
Returning (Functional Concepts (General))
sold to the J. Paul Getty Museum by private treaty sale, 1990.
Please note that in the future, the `representation` property's image, referenced by the `id` property, will be smaller than that currently offered.
Larger images, if needed, will be available via the IIIF Image API endpoints referenced within this document's `shows` property instead.
CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).