Statue of Hercules (Lansdowne Herakles) (70.AA.109)
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Statue of Hercules (The Lansdowne Herakles)
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Dallaway, James. Anecdotes of the Arts in England (London: Printed for T. Cadell and W. Davies, 1800), p. 341, no. 7.
Dallaway, James. Anecdotes of the Arts in England (London: Printed for T. Cadell and W. Davies, 1800)
Citation (Bibliographic Reference) Sequence
Knight, Richard Payne. Specimens of antient sculpture: Aegyptian, Etruscan, Greek and Roman: selected from different collections in Great Britain by the Society of Dilettanti, vol. 1. (London: T. Payne, 1809), pl. XL.
Knight, Richard Payne. Specimens of antient sculpture: Aegyptian, Etruscan, Greek and Roman: selected from different collections in Great Britain by the Society of Dilettanti, vol. 1. (London: T. Payne, 1809)
Tresham, Henry. A Catalogue of the Lansdowne Marbles[...] (London: William Bulmer and Co., 1810), p. 8, no. 37.
Tresham, Henry. A Catalogue of the Lansdowne Marbles[...] (London: William Bulmer and Co., 1810)
Report from the Select Committee of the House of Commons on the Earl of Elgin's collection of sculptured marbles. (London, Printed for J. Murray, by W. Bulmer and Co., 1816), pp. 91-2, 95, 99, 104.
Report from the Select Committee of the House of Commons on the Earl of Elgin's collection of sculptured marbles. (London, Printed for J. Murray, by W. Bulmer and Co., 1816)
Dallaway, James. Of Statuary and Sculpture Among the Antients, with Some Account of Specimens Preserved in England (London, 1816), pl. 40, fig. 14.6.
Dallaway, James. Of Statuary and Sculpture Among the Antients, with Some Account of Specimens Preserved in England (London, 1816)
Dallaway, J. "Charles Townley, Esq." In Illustrations of the Literary History of the Eighteenth Century: consisting of authentic memoirs and original letters of eminent persons... Nichols, John, ed. vol. 3. (London: n.p., 1818), p. 252.
Dallaway, J. "Charles Townley, Esq." In Illustrations of the Literary History of the Eighteenth Century: consisting of authentic memoirs and original letters of eminent persons... vol. 3. Nichols, John, ed. (London: n.p., 1818)
Müller, Karl Otfried. "Nachrichten über einige Antiken-Sammlungen in England: (Aus den Tagebüchern des Prof. Ottf. Müller in Göttingen)." Amalthea oder Museum der Kunstmythologie und bildlichen Alterthumskunde 3 (Leipzig, G. J. Go¨schen, 1825), pp. 241-2.
Müller, Karl Otfried. "Nachrichten über einige Antiken-Sammlungen in England: (Aus den Tagebüchern des Prof. Ottf. Müller in Göttingen)." Amalthea oder Museum der Kunstmythologie und bildlichen Alterthumskunde 3 (Leipzig, G. J. Go¨schen, 1825)
"Lansdowne House." A Monthly Magazine [Godey's Lady's Book] 9 (July, 1834), p. 24.
"Lansdowne House." A Monthly Magazine [Godey's Lady's Book] 9 (July, 1834)
Green, Thomas. "Diary of a lover of literature [Thomas Green's Diary, 28 Jun. 1804]". Gentleman's Magazine, second ser., 1, vol. 155 (January - June, 1834), p. 252.
Green, Thomas. "Diary of a lover of literature [Thomas Green's Diary, 28 Jun. 1804]". Gentleman's Magazine, second ser., 1, vol. 155 (January - June, 1834)
Clarac, Cte. Fre´de´ric de. Muse´e de sculpture antique et moderne, ou description historique et graphique du Louvre et de toutes ses parties (Paris: Imprimerie Nationale, 1841-53), V (1839-41) pl. 788, no. 1973; (1851) p. 14.
Clarac, Cte. Fre´de´ric de. Muse´e de sculpture antique et moderne, ou description historique et graphique du Louvre et de toutes ses parties (Paris: Imprimerie Nationale, 1841-53)
Jameson, Mrs. Anna. Companion to the Most Celebrated Private Galleries of Art in London (London: Saunders and Otley, 1844), pp. 334-5.
Jameson, Mrs. Anna. Companion to the Most Celebrated Private Galleries of Art in London (London: Saunders and Otley, 1844)
"Visits to private galleries." Art Union (October 1, 1847), p. 359.
"Visits to private galleries." Art Union (October 1, 1847)
Cunningham, Peter. A Handbook for London: Past and Present, vol. 2 (London: John Murray, 1849), p. 470.
Cunningham, Peter. A Handbook for London: Past and Present, vol. 2 (London: John Murray, 1849)
Waagen, Gustav Friedrich. Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss., &c., &c. 3 vols. (London: John Murray, 1854), vol. 2, p. 149.
Waagen, Gustav Friedrich. Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss., &c., &c. 3 vols. (London: John Murray, 1854), vol. 2
Timbs. John. Curiosities of London: exhibiting the most rare and remarkable objects of interest in the metropolis. (London: D. Bogue, 1855), p. 490.
Timbs. John. Curiosities of London: exhibiting the most rare and remarkable objects of interest in the metropolis. (London: D. Bogue, 1855)
Michaelis, Adolf. "Die Privatsammlungen antiker Bildwerke in England." Archaeologische Zeitung 32 (1875), p. 37, no. 35.
Michaelis, Adolf. "Die Privatsammlungen antiker Bildwerke in England." Archaeologische Zeitung 32 (1875)
Michaelis, Adolf Theodor Friedrich. Ancient Marbles in Great Britain (Cambridge: University Press, 1882), p. 451, no. 61.
Michaelis, Adolf Theodor Friedrich. Ancient Marbles in Great Britain. (Cambridge: University Press, 1882)
Smith, A. H., ed. A Catalogue of the Ancient Marbles at Lansdowne House, Based Upon the Work of Adolf Michaelis. With an Appendix Containing Original Documents Relating to the Collection. (London: n.p., 1889), pp. 9, 26-8, no. 61.
Smith, A. H., ed. A Catalogue of the Ancient Marbles at Lansdowne House, Based Upon the Work of Adolf Michaelis. With an Appendix Containing Original Documents Relating to the Collection. (London: n.p., 1889)
"Käufliche Gipsabgüsse." Jahrbuch des Deutschen Archa¨ologischen Instituts V (1890), p. 161, no. 61 [as cast by Brucciani].
"Käufliche Gipsabgüsse." Jahrbuch des Deutschen Archa¨ologischen Instituts V (1890), p. 161, no. 61 [as cast by Brucciani]
Wheatley, Henry Benjamin. London, past and present; its history, associations, and traditions, vol. 2. (London: J. Murray, 1891), p. 366.
Wheatley, Henry Benjamin. London, past and present; its history, associations, and traditions, vol. 2. (London: J. Murray, 1891)
Clinch, George. Mayfair and Belgravia: Being an Historical Account of the Parish of St. George, Hanover Square. (London: Truslove & Shirley, 1892), p. 79.
Clinch, George. Mayfair and Belgravia: Being an Historical Account of the Parish of St. George, Hanover Square. (London: Truslove & Shirley, 1892)
Furtwängler, Adolf. Meisterwerke der griechischen Plastik: Kunstgeschichtliche Untersuchungen. (Leipzig: Giesecke & Devrient, 1893), pp. 515-20, fig. 92.
Furtwängler, Adolf. Meisterwerke der griechischen Plastik: Kunstgeschichtliche Untersuchungen. (Leipzig: Giesecke & Devrient, 1893)
Kalkmann, August. Die Proportionen des Gesichts in der griechischen Kunst. ( Berlin: G. Reimer, 1893), pp. 60, 90 no. 34, 97 no. 83, 103 no. 34, 108 no. 83.
Kalkmann, August. Die Proportionen des Gesichts in der griechischen Kunst. ( Berlin: G. Reimer, 1893)
Arndt, Paul, and Walther Amelung. Photographische Einzelaufnahmen antiker Sculpturen (Munich: Verlagsanstalt für Kunst und Wissenschaft, 1893-1940), under no. 4168 (O. Brendal, 1936).
Arndt, Paul, and Walther Amelung. Photographische Einzelaufnahmen antiker Sculpturen (Munich: Verlagsanstalt für Kunst und Wissenschaft, 1893-1940)
Furtwaengler, Adolf. Masterpieces of Greek Sculpture. (London: William Heinemann, 1894), p. 296 ff.; fig. 125.
Furtwaengler, Adolf. Masterpieces of Greek Sculpture. (London: William Heinemann, 1894)
Winnefeld, Hermann. Die villa des Hadrian bei Tivoli. Jahrbuch des Kaiserlich Deutschen Archäologischen Instituts: Ergänzungsheft, vol. 3. (Berlin, G. Reimer, 1895), p. 162.
Winnefeld, Hermann. Die villa des Hadrian bei Tivoli. Jahrbuch des Kaiserlich Deutschen Archäologischen Instituts: Ergänzungsheft, vol. 3. (Berlin, G. Reimer, 1895)
Reinach, Salomon. Repertoire de la statuaire grecque et romaine. 6 vols. (Paris: E. Leroux, 1897-1930), vol. 1 (1897), p. 464, pl. 788, no. 1973.
Reinach, Salomon. Repertoire de la statuaire grecque et romaine. 6 vols. (Paris: E. Leroux, 1897-1930), vol. 1 (1897)
Gusman, Pierre. La villa impériale de Tibur (villa Hadriana). (Paris: A. Fontemoing, 1904), pp. 282-4, fig. 488.
Gusman, Pierre. La villa impériale de Tibur (villa Hadriana). (Paris: A. Fontemoing, 1904)
Chancellor, Edwin Beresford. The private palaces of London: past and present. (London: K. Paul, Trench, Tru¨bner & Co., 1908), p. 281.
Chancellor, Edwin Beresford. The private palaces of London: past and present. (London: K. Paul, Trench, Tru¨bner & Co., 1908)
Baedeker, Karl. London and its environs: handbook for travellers. (Leipzig: K. Baedeker, 1911), p. 269, no. 61.
Baedeker, Karl. London and its environs: handbook for travellers. (Leipzig: K. Baedeker, 1911)
D. Brucciani & Co. Catalogue of Casts for Schools. (London: D. Brucciani & Co., 1914), p. 5 no. 2883, cover ill. [cast].
D. Brucciani & Co. Catalogue of Casts for Schools. (London: D. Brucciani & Co., 1914)
Smith, A. H. "Lord Elgin and his Collection." Journal of Hellenic Studies 36 (1916), pp. 163-372, p. 338.
Smith, A. H. "Lord Elgin and his Collection." Journal of Hellenic Studies 36 (1916), pp. 163-372
Baedeker, Karl. London and its environs: handbook for travellers. (Leipzig: K. Baedeker, 1923), "Lansdowne", no. 61.
Baedeker, Karl. London and its environs: handbook for travellers. (Leipzig: K. Baedeker, 1923)
Curtius, Ludwig. Die Antike Kunst (Berlin-Neubabelsberg: Akademische Verlagsgesellschaft Athenaion, m.b.H., 1923-1939), Vol. II (1938), p. 407.
Curtius, Ludwig. Die Antike Kunst (Berlin-Neubabelsberg: Akademische Verlagsgesellschaft Athenaion, m.b.H., 1923-1939)
Picard, Charles. La sculpture antique de Phidias a` l'e`re byzantine. (Paris: H. Laurens, 1926), p. 84.
Picard, Charles. La sculpture antique de Phidias a` l'e`re byzantine. (Paris: H. Laurens, 1926)
Rodenwaldt, Gerhart. Die Kunst der Antike (Berlin: Propylaeen Kunstgeschichte, 1927), pp. 50, 440-41, ill.
Rodenwaldt, Gerhart. Die Kunst der Antike (Berlin: Propylaeen Kunstgeschichte, 1927)
Johnson, Franklin P. Lysippos (Durham, NC: Duke University Press, 1927), pp. 53, 208 ff.; 210, n. 79; 244, n. 6.
Johnson, Franklin P. Lysippos (Durham, NC: Duke University Press, 1927)
Christie's, London. March 5, 1930, lot 34, ill., and frontispiece.
Picard, Charles. Manuel d'archeologie grecque: La sculpture (Paris: A. et J. Picard, 1935-63), vol. 3, part 2, p. 712.
Picard, Charles. Manuel d'archeologie grecque: La sculpture (Paris: A. et J. Picard, 1935-63)
Charbonneaux, Jean. La sculpture grecque classique. (Paris: Editions de Cluny, 1944), pp. 94-95.
Charbonneaux, Jean. La sculpture grecque classique. (Paris: Editions de Cluny, 1944)
Richter, Gisela M. The Sculpture and Sculptors of the Greeks (New Haven: Yale University Press, 1950), pp. 180, 276; fig. 707.
Richter, Gisela M. The Sculpture and Sculptors of the Greeks (New Haven: Yale University Press, 1950)
Lippold, Georg. Die griechische Plastik. Handbuch der Archaeologie. (Munich: Beck, 1950), p. 251, pl. 91,1; and bibl. note 6.
Lippold, Georg. Die griechische Plastik. Handbuch der Archaeologie. (Munich: Beck, 1950)
Arias, Paolo E. Skopas (Rome: L'Erma di Bretschneider, 1952), p. 104 ff.
Arias, Paolo E. Skopas (Rome: L'Erma di Bretschneider, 1952)
Valentiner, William R., and Paul Wescher. The J. Paul Getty Museum Guidebook (Los Angeles: J. Paul Getty Museum, 1954), p. 10, no. 10, ill.
Valentiner, William R., and Paul Wescher. The J. Paul Getty Museum Guidebook (Los Angeles: J. Paul Getty Museum, 1954)
Vermeule, Cornelius C. "Notes on a New Edition of Michaelis: Ancient Marbles in Great Britain." American Journal of Archaeology 59 (1955), p. 137.
Vermeule, Cornelius C. "Notes on a New Edition of Michaelis: Ancient Marbles in Great Britain." American Journal of Archaeology 59 (1955)
Getty, J. Paul, and Ethel Le Vane. Collector's Choice: The Chronicle of an Artistic Odyssey through Europe (London: W. H. Allen, 1955), pp. 108-10, 129-34, 257-58.
Getty, J. Paul, and Ethel Le Vane. Collector's Choice: The Chronicle of an Artistic Odyssey through Europe (London: W. H. Allen, 1955)
Valentiner, William R., and Paul Wescher. The J. Paul Getty Museum Guidebook. 2nd ed. (Los Angeles: J. Paul Getty Museum, 1956), p. 12, no. 10, ill.
Valentiner, William R., and Paul Wescher. The J. Paul Getty Museum Guidebook. 2nd ed. (Los Angeles: J. Paul Getty Museum, 1956)
Vermeule, Cornelius C., and Dietrich von Bothmer. "Notes on a New Edition of Michaelis' Ancient Marbles in Britain. Part Three: 2." American Journal of Archaeology 63 (1959), pp. 329-348, p. 330; pl. 77.
Vermeule, Cornelius C., and Dietrich von Bothmer. "Notes on a New Edition of Michaelis' Ancient Marbles in Britain. Part Three: 2." American Journal of Archaeology 63 (1959), pp. 329-348
Rowland, Benjamin. The Classical Tradition in Western Art (Cambridge, Mass.: Harvard University Press, 1963), p. 166; pl. 115.
Rowland, Benjamin. The Classical Tradition in Western Art (Cambridge, Mass.: Harvard University Press, 1963)
Furtwaengler, Adolf. Masterpieces of Greek Art. New ed. (Chicago: Argonaut Publishers, 1964), pp. 296-301; fig. 125; pl. xliv.a.
Furtwaengler, Adolf. Masterpieces of Greek Art. New ed. (Chicago: Argonaut Publishers, 1964)
Getty, J. Paul. The Joys of Collecting (New York: Hawthorn Books, Inc., 1965), pp. 17-18, 68, 74.
Getty, J. Paul. The Joys of Collecting (New York: Hawthorn Books, Inc., 1965)
Stothart, Herbert. A Handbook of the Sculpture in the J. Paul Getty Museum. (Malibu: J. Paul Getty Museum, 1965), p. 24, no. I-63, pl. 12.
Stothart, Herbert. A Handbook of the Sculpture in the J. Paul Getty Museum. (Malibu: J. Paul Getty Museum, 1965)
Howard, Seymour. The Lansdowne Herakles (1966; rev. ed. Los Angeles: J. Paul Getty Museum, 1978).
Linfert, Andreas. Von Polyklet zu Lysipp. Polyklets Schule und ihr Verhaeltnis zu Skopas von Paros. Dissertation, Freiburg: 1966, p. 35 ff.
Linfert, Andreas. Von Polyklet zu Lysipp. Polyklets Schule und ihr Verhaeltnis zu Skopas von Paros. Dissertation, Freiburg: 1966
Heintze, Helga von. "Doppelherme mit Hermes und Herakles," Mitteilungen des Deutschen Archaeologischen Instituts, Roemische Abteilung 73/74 (1966/1967), pp. 251-255, pp. 252 and 254, pl. 91, 1.
Heintze, Helga von. "Doppelherme mit Hermes und Herakles," Mitteilungen des Deutschen Archaeologischen Instituts, Roemische Abteilung 73/74 (1966/1967), pp. 251-255
Hill, Dorothy Kent. Book review, American Journal of Archaeology 71 (1967), p. 206, review of Seymour Howard's publication, The Lansdowne Herakles; p. 206.
Hill, Dorothy Kent. Book review, American Journal of Archaeology 71 (1967), p. 206
Dohrn, T. "Athletenkopf aus Lucus Feroniae", Antike Plastik, vol. 6 (1967), pp. 71-74, p. 73, n. 12.
Dohrn, T. "Athletenkopf aus Lucus Feroniae", Antike Plastik, vol. 6 (1967), pp. 71-74
Suesserott, Hans Karl. Griechische Plastik des 4.Jahrhunderts vor Christus. (Rome: Bretschneider, 1968), pp. 147-48; pl. 31, 3.
Suesserott, Hans Karl. Griechische Plastik des 4.Jahrhunderts vor Christus. (Rome: Bretschneider, 1968)
Fuchs, Werner. Die Skulptur der Griechen (Munich: Hirmer Verlag, 1969), pp. 101, 562; figs. 92-93, 678.
Fuchs, Werner. Die Skulptur der Griechen (Munich: Hirmer Verlag, 1969).
Richter, Gisela M. A. The Sculpture and Sculptors of the Greeks. 4th ed. (New Haven: Yale University Press,1970), pp. 139, 213; fig. 754. 4th edition.
Richter, Gisela M. A. The Sculpture and Sculptors of the Greeks. 4th ed. (New Haven: Yale University Press,1970)
Hiller, Friedrich. Formgeschichtliche Untersuchungen zur griechischen Statue des Spaeten 5.Jahrhunderts v. Chr. (Mainz: von Zabern, 1971), pp. 17, 19; fig. 12.
Hiller, Friedrich. Formgeschichtliche Untersuchungen zur griechischen Statue des Spaeten 5.Jahrhunderts v. Chr. (Mainz: von Zabern, 1971)
Vermeule, Cornelius, and Norman Neuerberg. Catalogue of the Ancient Art in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1973), pp. 6-9, no. 9, ill.
Vermeule, Cornelius, and Norman Neuerberg. Catalogue of the Ancient Art in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1973)
Isler-Kerenyi, C. "Ein neuer Herakles des 4. Jahrhunderts v. Chr.," Archaeologischer Anzeiger, 1973, 3, p. 462 ff, p. 468.
Isler-Kerenyi, C. "Ein neuer Herakles des 4. Jahrhunderts v. Chr.," Archaeologischer Anzeiger, 1973, 3, p. 462 ff
Lattimore, Steven. "Two Statues of Herakles." The J. Paul Getty Museum Journal 2 (1975), pp. 17-26, pp. 21-26, figs. 5-10.
Lattimore, Steven. "Two Statues of Herakles." The J. Paul Getty Museum Journal 2 (1975), pp. 17-26
Fredericksen, Burton B., ed. The J. Paul Getty Museum: Greek and Roman Antiquities, Western European Paintings, French Decorative Arts of the Eighteenth Century (Malibu: J. Paul Getty Museum, 1975), pp. 19, 38.
Fredericksen, Burton B., ed. The J. Paul Getty Museum: Greek and Roman Antiquities, Western European Paintings, French Decorative Arts of the Eighteenth Century (Malibu: J. Paul Getty Museum, 1975)
Frel, Jiri, Burton B. Fredericksen, and Gillian Wilson. The J. Paul Getty Museum Guidebook. 3rd ed. (Los Angeles: J. Paul Getty Museum, 1975), p. 22.
Frel, Jirí, Burton B. Fredericksen, and Gillian Wilson. The J. Paul Getty Museum Guidebook. 3rd ed. (Los Angeles: J. Paul Getty Museum, 1975)
Frel, Jiri, Burton Fredericksen, and Gillian Wilson. The J. Paul Getty Museum Guidebook. Rev. ed. (Los Angeles: J. Paul Getty Museum, 1976), p. 67.
Frel, Jirí, Burton Fredericksen, and Gillian Wilson. The J. Paul Getty Museum Guidebook. Rev. ed. (Los Angeles: J. Paul Getty Museum, 1976)
Stewart, Andrew. Skopas of Paros (Park Ridge, NJ: Noyes Press, 1977), pp. 98-99, 104; pl. 42a-c.
Stewart, Andrew. Skopas of Paros (Park Ridge, NJ: Noyes Press, 1977)
Frel, Jirí, and Zdravko Barov. Conservation of Antiquities. Antiquities in the J. Paul Getty Museum. Pamphlet 3. May-July 1978, no. 1.
Frel, Jirí, and Zdravko Barov. Conservation of Antiquities. Antiquities in the J. Paul Getty Museum. Pamphlet 3 (May-July 1978)
Fredericksen, Burton B., Jirí Frel, and Gillian Wilson. Guidebook: The J. Paul Getty Museum. 4th ed. Sandra Morgan, ed. (Malibu: J. Paul Getty Museum, 1978), pp. 55-57, ill.
Fredericksen, Burton B., Jirí Frel, and Gillian Wilson. Guidebook: The J. Paul Getty Museum. 4th ed., Sandra Morgan, ed. (Malibu: J. Paul Getty Museum, 1978)
Fredericksen, Burton B., Jirí Frel, and Gillian Wilson. The J. Paul Getty Museum Guidebook. 5th ed. (Malibu: J. Paul Getty Museum, 1980), p. 38.
Fredericksen, Burton B., Jirí Frel, and Gillian Wilson. The J. Paul Getty Museum Guidebook. 5th ed. (Malibu: J. Paul Getty Museum, 1980)
Vermeule, Cornelius C. Greek and Roman Sculpture in America (Berkeley and London: University of California Press, 1981), no. 54.
Vermeule, Cornelius C. Greek and Roman Sculpture in America (Berkeley and London: University of California Press, 1981)
Stewart, Andrew. Skopas in Malibu: the head of Achilles from Tegea and other sculptures by Skopas in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1982), pp. 49-53, fig. 52.
Stewart, Andrew. Skopas in Malibu: the head of Achilles from Tegea and other sculptures by Skopas in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1982)
Raeder, Joachim. Die statuarische Ausstattung der Villa Hadriana bei Tivoli (Frankfurt am Main and Bern: Peter Lang, 1983), pp. 22, 53-54, 226.
Raeder, Joachim. Die statuarische Ausstattung der Villa Hadriana bei Tivoli (Frankfurt and Bern: Peter Lang, 1983)
Palagia, Olga. "The Hope Herakles Reconsidered." Oxford Journal of Archaeology 3, no.1 (1984), p. 117, fig. 9.
Palagia, Olga. "The Hope Herakles Reconsidered." Oxford Journal of Archaeology 3, no.1 (1984)
Gurdal, M., and S. Ozenir. "Der Herakles von Alanya," Antike Welt. Zeitschrift fuer Archaeologie und Kulturgeschichte 17, 3 (1986), pp. 23-26.
Gurdal, M., and S. Ozenir. "Der Herakles von Alanya," Antike Welt. Zeitschrift fuer Archaeologie und Kulturgeschichte 17, 3 (1986), pp. 23-26
The J. Paul Getty Museum Handbook of the Collections. 1st ed. (Malibu: J. Paul Getty Museum, 1986), pp. 10, 34, fig. 11.
The J. Paul Getty Museum Handbook of the Collections. 1st ed. (Malibu: J. Paul Getty Museum, 1986)
Boardman, John, O. Palagia, and S. Woodford. "Herakles." In Lexicon Iconographicum Mythologiae Classicae IV (1988), pp. 728-838, p. 762, no. 659; pl. 489.
Boardman, John, O. Palagia, and S. Woodford. "Herakles." In Lexicon Iconographicum Mythologiae Classicae IV (1988), pp. 728-838
Juri, Eugenie. "Neue Kopfreplik des Herakles Lansdowne in Thessaloniki, Museum 11 516," Antike Plastik 19, 1988. pp. 31-33;, figs. 3-11. (The head in Thessaloniki is in fact a copy of the Richelieu Hermes and not of the Lansdowne Herakles. JD).
Juri, Eugenie. "Neue Kopfreplik des Herakles Lansdowne in Thessaloniki, Museum 11 516," Antike Plastik 19, 1988. pp. 31-33;
The J. Paul Getty Museum Handbook of the Collections. 2nd ed. (Malibu: J. Paul Getty Museum, 1988), p. 10, fig. 11.
The J. Paul Getty Museum Handbook of the Collections. 2nd ed. (Malibu: J. Paul Getty Museum, 1988)
Deiss, Joseph Jay. Herculaneum: Italy's Buried Treasure (Malibu: J. Paul Getty Museum, 1989), p. 81, ill. p. 81.
Deiss, Joseph Jay. Herculaneum: Italy's Buried Treasure (Malibu: J. Paul Getty Museum, 1989)
Kranz, P. "Der sogenannte Herakles Hope." Mitteilungen des Deutschen Archaeologischen Instituts, Roemische Abteilung 96 (1989), pp. 393-405, p. 394, pl. 103, 2.
Kranz, P. "Der sogenannte Herakles Hope." Mitteilungen des Deutschen Archaeologischen Instituts, Roemische Abteilung 96 (1989), pp. 393-405
Stewart, Andrew. Greek Sculpture: An Exploration (New Haven, CT: Yale University Press, 1990), pp. 184-85, 187, passim, fig. 548.
Stewart, Andrew. Greek Sculpture: An Exploration (New Haven, CT: Yale University Press, 1990)
Kreikenbom, Detlev. Bildwerke nach Polyklet: Kopienkritische Untersuchungen zu den ma¨nnlichen statuarischen Typen nach polykletischen Vorbildern (Berlin: Gebr. Mann, 1990), pp. 34, 80 (incl. n. 296), 173-74 cat. no. III 40; pls. 169c-170.
Kreikenbom, Detlev. Bildwerke nach Polyklet: Kopienkritische Untersuchungen zu den ma¨nnlichen statuarischen Typen nach polykletischen Vorbildern (Berlin: Gebr. Mann, 1990)
The J. Paul Getty Museum Handbook of the Collections. 3rd ed. (Malibu: J. Paul Getty Museum, 1991), pp. 6, 26.
The J. Paul Getty Museum Handbook of the Collections. 3rd ed. (Malibu: J. Paul Getty Museum, 1991)
Vaughan, Gerard. "Albacini and his English patrons." Journal of the History of Collections 3, Issue 2 (January 1991), pp.183-197, pp. 194-195, fig. 11.
Vaughan, Gerard. "Albacini and his English patrons." Journal of the History of Collections 3, Issue 2 (January 1991), pp.183-197.
Podany, Jerry. "Faked, flayed or fractured? Development of loss compensation approaches for antiquities." In Loss compensation : technical and philosophical issues : proceedings of the Objects Specialty Group Session, June 10, 1994, 22nd annual meeting, Nashville, TN. Objects Specialty Group Postprints, vol. 2. Ellen Pearlstein and Michele Marincola, compilers. (Washington, D.C. : American Institute for Conservation and Artistic Works, 1994), exts. .1 and .2 published; see exts. for details.
Podany, Jerry. "Faked, flayed or fractured? Development of loss compensation approaches for antiquities." In Objects Specialty Group Postprints, vol. 2. Ellen Pearlstein et al., compilers. (Washington, D.C. : Am. Inst. for Cons. and Artistic Works, 1994)
Vikela, Evgenia. Die Weihreliefs aus dem Athener Pankrates-Heiligtum am Ilissos: Religionsgeschichtliche Bedeutung und Typologie (Berlin: Gebr. Mann, 1994), pp. 216-19, pl. 40, fig. 1.
Vikela, Evgenia. Die Weihreliefs aus dem Athener Pankrates-Heiligtum am Ilissos: Religionsgeschichtliche Bedeutung und Typologie (Berlin: Gebr. Mann, 1994)
MacDonald, William A. and Pinto, John A. Hadrian's Villa and its Legacy (New Haven: Yale University Press, 1995), pp. 300-301, fig. 391.
MacDonald, William A. and Pinto, John A. Hadrian's Villa and its Legacy (New Haven: Yale University Press, 1995)
Towne Markus, Elana. Masterpieces of the J. Paul Getty Museum: Antiquities. (Los Angeles: J. Paul Getty Museum, 1997), pp. 94, 106-7.
Towne Markus, Elana. Masterpieces of the J. Paul Getty Museum: Antiquities (Los Angeles: J. Paul Getty Museum, 1997)
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 26.
The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997)
Settis, Salvatore. I Greci: Storia, cultura, arte, societa` (Turin: G. Einaudi, 1997), p. 1289.
Settis, Salvatore. I Greci: Storia, cultura, arte, societa` (Turin: G. Einaudi, 1997)
Badinou, Panayota. Olympiaka: Anthologie des sources grecques (Bienne, Switzerland: International Olympic Committee, 2000[?]), p. 52.
Badinou, Panayota. Olympiaka: Anthologie des sources grecques (Bienne, Switzerland: International Olympic Committee, 2000[?])
Kansteiner, Sascha. Herakles: Die Darstellungen in der Grossplastik der Antike (Ph.D. diss, 1997), (Ko¨ln : Bo¨hlau, 2000).
Kansteiner, Sascha. Herakles: Die Darstellungen in der Grossplastik der Antike (Ph.D. diss, 1997), (Ko¨ln : Bo¨hlau, 2000)
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 26.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001)
Beard, Mary and John Henderson. Classical Art: From Greece to Rome. Oxford: 2001, pp. 9, fig. 7; 95-96, fig. 66, ill.
Beard, Mary, and John Henderson. Classical Art: From Greece to Rome (Oxford: Oxford University Press, 2001)
The J. Paul Getty Museum Handbook of the Antiquities Collection (Los Angeles: 2002), pp. xi-xii, 160-61, fig. 4.
The J. Paul Getty Museum Handbook of the Antiquities Collection (Los Angeles: J. Paul Getty Museum, 2002)
Newby, Zahra. "Sculptural Display in the so-called Palaestra of Hadrian's Villa." Mitteilungen des deutschen Archaologischen Instituts, Romische Abteilung 109 (2002), pp. 70-71, fig. 8.
Newby, Zahra. "Sculptural Display in the so-called Palaestra of Hadrian's Villa." Mitteilungen des deutschen Archaologischen Instituts, Romische Abteilung 109 (2002)
True, Marion. "Changing Approaches to Conservation." In History of Restoration of Ancient Stone Sculptures, Symposium at the J. Paul Getty Museum, October 25-27, 2001. Janet Burnett Grossmann, ed. (Los Angeles: J. Paul Getty Museum, 2003), pp. 8-9, figs. 7-11.
True, Marion. "Changing Approaches to Conservation." In History of Restoration of Ancient Stone Sculptures, Symposium at the J. Paul Getty Museum, October 25-27, 2001. Janet Burnett Grossmann, ed. (Los Angeles: J. Paul Getty Museum, 2003)
Grossman, Janet Burnett. Looking at Greek and Roman Sculpture in Stone (Los Angeles: J. Paul Getty Museum, 2003), pp. 57, ill.
Grossman, Janet Burnett. Looking at Greek and Roman Sculpture in Stone (Los Angeles: J. Paul Getty Museum, 2003)
Spivey, Nigel and Squire, Michael. Panorama of the Classical World (Los Angeles: Getty Publications, 2004), p. 90, fig. 144.
Spivey, Nigel and Squire, Michael. Panorama of the Classical World (Los Angeles: Getty Publications, 2004)
Newby, Zahra. Greek Athletes in the Roman World (Oxford: Oxford University Press, 2005), pp. 116-19, fig. 4.16.
Newby, Zahra. Greek Athletes in the Roman World (Oxford: Oxford University Press, 2005)
Risser, Erik, and Jens Daehner. "A Pouring Satyr from Castel Gandolfo: History and Conservation." In The Object in Context: Crossing Conservation Boundaries. David Saunders, Joyce H. Townsend, and Sally Woodcock, eds. (London: IIC, 2006), pp. 190-96, fig. 1.
Risser, Erik, and Jens Daehner. "A Pouring Satyr from Castel Gandolfo: History and Conservation." In The Object in Context: Crossing Conservation Boundaries. David Saunders, Joyce H. Townsend, and Sally Woodcock, eds. (London: IIC, 2006), pp. 190-96
Stourton, James. Great Collectors of Our Time: Art Collecting Since 1945 (London: Scala, 2007), pp. 124-25.
Stourton, James. Great Collectors of Our Time: Art Collecting Since 1945 (London: Scala, 2007)
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), pp. 8-9, ill.
The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007)
Levkoff, Mary. L. "Hearst and the Antique." Apollo (October 2008), 53-59.
Levkoff, Mary L. "Hearst and the Antique." Apollo (October 2008), pp. 53-59
Gallazzi, Claudio, Barbel Kramer, and Salvatore Settis, eds. Il Papiro di Artemidoro (Milan: Edizioni Universitaire di Lettere Economia Diritto, 2008), p. 574, fig. 5.44.
Gallazzi, Claudio, Barbel Kramer, and Salvatore Settis, eds. Il Papiro di Artemidoro (Milan: Edizioni Universitaire di Lettere Economia Diritto, 2008)
Mattusch, Carol C., et al., eds. Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, exh. cat. (Washington, D.C.: National Gallery of Art, with Thames & Hudson, 2008), p. 83, fig. 12.
Mattusch, Carol C., et al., eds. Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, exh. cat. (Washington, D.C.: National Gallery of Art, with Thames & Hudson, 2008)
Calcani, Giuliana. Skopas di Paros (Rome: G. Bretschneider, 2009), pp. 19-20, 48, 65.
Calcani, Giuliana. Skopas di Paros (Rome: G. Bretschneider, 2009)
Brand, M., "Home and Away. Works of Art as Citizens and Migrants" In Crossing Cultures: Conflict, Migration and Convergence, edited by J. Anderson (Melbourne: Miegunyah Press, 2009), 24-25, fig. 3.
Brand, M., "Home and Away. Works of Art as Citizens and Migrants" In Crossing Cultures: Conflict, Migration and Convergence, edited by J. Anderson (Melbourne: Miegunyah Press, 2009)
The J. Paul Getty Museum Handbook of the Antiquities Collection. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2010), pp. xii, fig. 4, 160.
The J. Paul Getty Museum Handbook of the Antiquities Collection. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2010)
Lapatin, Kenneth. "La Villa Getty, la reconstitution d'une icône." Monumental (2010), pp. 72-75, figs. 1, 5, (Image used is the statue in gallery).
Lapatin, Kenneth. "La Villa Getty, la reconstitution d'une icône." Monumental (2010), pp. 72-75, figs. 1, 5
Wohlmayr, Wolfgang. Die Romische Kunst: Ein Handbuch (Mainz: Zabern, 2011), pp. 149-50, fig. 75 (cast).
Wohlmayr, Wolfgang. Die Romische Kunst: Ein Handbuch (Mainz: Zabern, 2011)
Di Mauro, Alberto. Italy Art LA, educational brochure (Los Angeles: Italian Cultural Institute of Los Angeles, 2012), p. 22.
Di Mauro, Alberto. Italy Art LA, educational brochure (Los Angeles: Italian Cultural Institute of Los Angeles, 2012)
Stewart, Andrew. "Desperately Seeking Skopas." In Ho Skopas kai ho kosmos tou: Skopas of Paros and His World. Dora Katso¯nopoulou and Andrew Stewart, eds. (Athens: International Conference on the Archaeology of Paros and the Cyclades, 2013), p. 24-26, figs. 3-4, 6, ill.
Stewart, Andrew. "Desperately Seeking Skopas." In Ho Skopas kai ho kosmos tou: Skopas of Paros and His World. Dora Katso¯nopoulou and Andrew Stewart, eds. (Athens: International Conference on the Archaeology of Paros and the Cyclades, 2013)
Platz-Horster, Gertrud. "Herakles in Brabant: Die Amethyst-Gemme aus Sint-Oedenrode." BABesch 88 (2013), pp. 191, 196-98, fig. 10, ill.
Platz-Horster, Gertrud. "Herakles in Brabant: Die Amethyst-Gemme aus Sint-Oedenrode." BABesch 88 (2013)
Kansteiner, Sascha, et al., eds. Der neue Overbeck (DNO): die antiken Schriftquellen zu den bildenden Künsten der Griechen. Band III: Spätklassik: Bildhauer des 4. Jhs. v. Chr., DNO 1799-2677. (Berlin: De Gruyter, 2014), p. 441, no. 16, 2309.
Kansteiner, Sascha, et al., eds. Der neue Overbeck (DNO): die antiken Schriftquellen zu den bildenden Ku¨nsten der Griechen. Band III: Spa¨tklassik: Bildhauer des 4. Jhs. v. Chr., DNO 1799-2677. (Berlin: De Gruyter, 2014)
Mattusch, Carol C. Enduring Bronze: Ancient Art, Modern Views (Los Angeles: J. Paul Getty Museum, 2014), pp. 154-55, fig. 99.
Mattusch, Carol C. Enduring Bronze: Ancient Art, Modern Views (Los Angeles: J. Paul Getty Museum, 2014)
Thompson, Erin L. Possession: The Curious History of Private Collectors from Antiquity to the Present (New Haven, CT: Yale University Press, 2016), pp. 118-19, fig. 14 [exts. .1-.2 published.].
Thompson, Erin L. Possession: The Curious History of Private Collectors from Antiquity to the Present (New Haven, CT: Yale University Press, 2016)
Scott, David A. Art: authenticity, restoration, forgery. (Los Angeles: Cotsen Institute of Archaeology Press, 2016), pp. 198-200, 205, figs. 5.12-13.
Scott, David A. Art: authenticity, restoration, forgery. (Los Angeles: Cotsen Institute of Archaeology Press, 2016)
Angelicoussis, Elizabeth. Reconstructing the Lansdowne Collection of Classical Marbles. 2 vols. (Munich: Hirmer Verlag GmbH, 2017), vol. 1, pp. 58, 66 (illus.), 69 (illus.), 85 (illus.), 93, 109 (illus.), 110-111, 112 (illus.); vol. 2, pp. 118-125, no. 14, figs. 14.1-14.6.
Angelicoussis, Elizabeth. Reconstructing the Lansdowne Collection of Classical Marbles. 2 vols. (Munich: Hirmer Verlag GmbH, 2017).
Bryant, Max. The Museum by the Park. 14 Queen Anne's Gate from Charles Townley to Axel Johnson. London: Paul Holberton Publishing, 2017, pp. 52, 75.
Bryant, Max. The Museum by the Park. 14 Queen Anne's Gate from Charles Townley to Axel Johnson. London: Paul Holberton Publishing, 2017
Leventi, Iphigeneia. "The Great Masters of the Fourth Century." In Handbook of Greek Sculpture, edited by Olga Palagia (Berlin: De Gruyter, 2019), p. 377, n. 63.
Leventi, Iphigeneia. "The Great Masters of the Fourth Century." In Handbook of Greek Sculpture, edited by Olga Palagia (Berlin: De Gruyter, 2019)
The J. Paul Getty Museum, Villa Collection, Malibu, California
The Greek hero Herakles carries a club over his left shoulder and holds a lionskin in his right hand. These objects help identify the figure, since Herakles was often depicted with a club and the skin of the Nemean Lion, which he killed as his first labor. As is typical for depictions of Greek heroes, the young Herakles is shown nude, since the Greeks considered male nudity to be the highest form of beauty. No other god or hero is as frequently depicted in Greek and Roman art as is Herakles. The Lansdowne Herakles very likely was inspired by a lost Greek statue, probably from the school of Polykleitos from the 300s B.C. Found in 1790 near the ruins of the villa of the Roman emperor Hadrian at Tivoli outside Rome, this statue was one of numerous copies of Greek sculpture commissioned by Hadrian, who loved Greek culture. One of J. Paul Getty's most prized acquisitions, the statue gets its name from Lord Lansdowne, who once owned the Herakles and displayed it in his home in London. Areas of restoration include the statue's lower left leg and parts of both arms.
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J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
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Hadrian's Villa, northern area, near the Casino Fede, Tivoli, Italy
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Objects Exhibited in Beyond Beauty: Antiquities as Evidence at J. Paul Getty Museum at the Getty Center, Los Angeles
Beyond Beauty: Antiquities as Evidence at J. Paul Getty Museum at the Getty Center, Los Angeles
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Getty Villa, Gallery 108, Temple of Hercules
Homepage for Statue of Hercules (Lansdowne Herakles) (70.AA.109) (HumanMadeObject)
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Cardinal Mario Marefoschi Family
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Cardinal Mario Marefoschi Family
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Provenance Biography Sequence Attribution
Provenance Activity TimeSpan Display Name
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Thomas Jenkins
Provenance Actor Presentation Sequence Attribution
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Thomas Jenkins; subsequently sold to William Petty-Fitzmaurice, 1792.
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sold to William Petty-Fitzmaurice, 1792.
Provenance Statement Sequence Attribution
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with William Petty-Fitzmaurice, 2nd earl of Shelburne, 1st marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with William Petty-Fitzmaurice, 2nd earl of Shelburne, 1st marquess of Lansdowne; subsequently acquired from his estate by his son, John Henry Petty-Fitzmaurice, 1805.
acquired from his estate by his son, John Henry Petty-Fitzmaurice, 1805.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with John Henry Petty-Fitzmaurice
William Petty-Fitzmaurice, 2nd earl of Shelburne, 1st marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with John Henry Petty-Fitzmaurice; subsequently by inheritance to his wife, Mary Arabella Petty, 1809.
by inheritance to his wife, Mary Arabella Petty, 1809.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Mary Arabella Petty, marchioness of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Mary Arabella Petty, marchioness of Lansdowne; subsequently sold to her brother-in-law, Henry Petty-Fitzmaurice, 1810.
sold to her brother-in-law, Henry Petty-Fitzmaurice, 1810.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Petty-Fitzmaurice, 3rd marquess of Lansdowne
Mary Arabella Petty, marchioness of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Petty-Fitzmaurice, 3rd marquess of Lansdowne; subsequently by inheritance to his heirs, 1863.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Thomas Petty-Fitzmaurice, 4th Marquess of Lansdowne
Henry Petty-Fitzmaurice, 3rd marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Thomas Petty-Fitzmaurice, 4th Marquess of Lansdowne; subsequently by inheritance to his heirs, 1866.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Charles Petty-Fitzmaurice, 5th marquess of Lansdowne
Henry Thomas Petty-Fitzmaurice, 4th Marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry Charles Petty-Fitzmaurice, 5th marquess of Lansdowne; subsequently by inheritance to his heirs, 1927.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry William Edmund Petty-Fitzmaurice, 6th marquess of Lansdowne
Henry Charles Petty-Fitzmaurice, 5th marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Henry William Edmund Petty-Fitzmaurice, 6th marquess of Lansdowne; subsequently by inheritance to his heirs, 1936.
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offered for sale, The celebrated collection of ancient marbles: property of the most honourable the Marquess of Lansdowne, Christie's, March 5, 1930, lot 34, bought back into the Lansdowne Collection and transferred to Bowood House, Wiltshire, England.
Provenance Sales Statement Sequence Attribution
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Charles Hope Petty-Fitzmaurice, 7th Marquess of Lansdowne
Henry William Edmund Petty-Fitzmaurice, 6th marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with Charles Hope Petty-Fitzmaurice, 7th Marquess of Lansdowne; subsequently by inheritance to his heirs, 1944.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with George John Charles Mercer Nairne Petty-Fitzmaurice, 8th marquess of Lansdowne
Charles Hope Petty-Fitzmaurice, 7th Marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with George John Charles Mercer Nairne Petty-Fitzmaurice, 8th marquess of Lansdowne; subsequently sold to J. Paul Getty through Spink & Son, Ltd., 1951.
sold to J. Paul Getty through Spink & Son, Ltd., 1951.
Provenance Activity for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with J. Paul Getty
George John Charles Mercer Nairne Petty-Fitzmaurice, 8th marquess of Lansdowne
Provenance Acquisition for Statue of Hercules (Lansdowne Herakles) (70.AA.109) associated with J. Paul Getty; subsequently donated to the J. Paul Getty Museum, 1970.
donated to the J. Paul Getty Museum, 1970.
American business executive, one of the richest men in the world during his life, b. Minneapolis, Minn. He inherited his father's oil business, George F. Getty, Inc., becoming its president and general manager in 1930. When it was reorganized (1956) as the Getty Oil Company, he became the firm's director and principal owner. From the early 1950s until his death, Getty resided in Great Britain. From his 16th-century Tudor estate, known as Sutton Place, Getty controlled a vast business empire made up of almost 200 concerns. His personal worth was estimated to be approximately $3 billion.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
Acknowledgements for Collection Metadata
Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).