Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13)
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Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau
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Burty, Philippe. Notice des études peintes par M. Théodore Rousseau, exposées au Cercle des arts, exh. cat. (Paris: Académie des Bibliophiles, 1867). Repr. in Theodore Reff, ed. Modern Art in Paris. Vol. 37, Exhibitions of Barbizon and Landscape Art (New York and London: Garland, 1981), p. 32, no. 58.
Burty, Philippe. Notice des études peintes par M. Théodore Rousseau, exposées au Cercle des arts, exh. cat. (1867). Repr. in Theodore Reff, ed. Modern Art in Paris. Vol. 37, Exhibitions of Barbizon and Landscape Art (New York and London: Garland, 1981)
Citation (Bibliographic Reference) Sequence
Hôtel Drouot, Paris. Catalogue des tableaux modernes [...] composant la collection Alfred Feydeau [...]. May 22, 1902, pp. 6, 24-25, lot 11, ill., preface by Léon Roger-Milès.
Hôtel Drouot, Paris. Catalogue des tableaux modernes [...] composant la collection Alfred Feydeau [...]. May 22, 1902
La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, 1939), p. 105, no. 121.
La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, 1939)
Prométhée: L'amour de l'art, special issue, Cent ans de peinture française: Exposition de Buenos-Aires (May 1939), p. 26, ill.
Prométhée: L'amour de l'art, special issue, Cent ans de peinture française: Exposition de Buenos-Aires (May 1939)
Huisman, Georges. La peinture française au XIXe siècle, exh. cat. (Belgrade: Musée du Prince Paul, 1939), p. 44, no. 102, ill.
Huisman, Georges. La peinture française au XIXe siècle, exh. cat. (Belgrade: Musée du Prince Paul, 1939)
La pintura francesa, de David a nuestros días, exh. cat. (Montevideo: Salón Nacional de Bellas Artes, 1939), p. 44, no. 22.
La pintura francesa, de David a nuestros días, exh. cat. (Montevideo: Salón Nacional de Bellas Artes, 1939)
La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, [Jul.-Aug.] 1939), p. 113, no. 121.
La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, [Jul.-Aug.] 1939)
Prométhée, new ser., 20, no. 4 (May 1939) (special no., Cent ans de peinture française. Exposition de Buenos-Aires), p. 26, ill.
Prométhée, new ser., 20, no. 4 (May 1939) (special no., Cent ans de peinture française. Exposition de Buenos-Aires)
Exposição de pintura francesa, seculos XIX e XX, exh. cat. (Rio de Janeiro: Museu Nacional de Belas Artes, 1940), p. 46, no. 93.
Exposição de pintura francesa, seculos XIX e XX, exh. cat. (Rio de Janeiro: Museu Nacional de Belas Artes, 1940)
La pintura francesa, de David a nuestros días, exh. cat. (Montevideo: Salón Nacional de Bellas Artes, 1940), p. 74, no. 94, ill.
La pintura francesa, de David a nuestros días, exh. cat. (Montevideo: Salón Nacional de Bellas Artes, 1940)
The Painting of France Since the French Revolution, exh. cat. (San Francisco: M. H. De Young Memorial Museum, 1940), pp. 31, 64, no. 97, ill.
The Painting of France Since the French Revolution, exh. cat. (San Francisco: M. H. De Young Memorial Museum, 1940)
French Painting from David to Toulouse-Lautrec: Loans from French and American Museums and Collections, exh. cat. (New York: Metropolitan Museum of Art, 1941), p. 34, no. 106.
French Painting from David to Toulouse-Lautrec. Loans from French and American Museums and Collections, exh. cat. (New York: Metropolitan Museum of Art, 1941)
Masterpieces of French Painting, from the French Revolution to the Present Day, exh. cat. (Portland: Portland Art Museum, 1941), unpaginated, no. 99.
Masterpieces of French Painting from the French Revolution to the Present Day, exh. cat. (Portland: Portland Art Museum, 1941)
The Painting of France Since the French Revolution, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1941), p. 35, no. 121.
The Painting of France Since the French Revolution, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1940)
Masterpieces of French Art, exh. cat. (Chicago: Art Institute of Chicago, 1941), p. 38, no. 142, pl. 18.
Masterpieces of French Art, exh. cat. (Chicago: Art Institute of Chicago, 1941)
Schulman, Michel. Théodore Rousseau, 1812-1867. Vol. 2, Catalogue raisonné de l'oeuvre peint (Paris: Les Éditions de l'Amateur, 1999), p. 227, no. 384, ill.
Schulman, Michel. Théodore Rousseau, 1812-1867. Vol. 2, Catalogue raisonné de l'oeuvre peint (Paris: Les Éditions de l'Amateur, 1999)
Morton, Mary. "New Discoveries: Théodore Rousseau's 'Forest of Fountainebleau.'" Nineteenth-Century Art Worldwide 7, no. 1 (Spring 2008), http://www.19thc-artworldwide.org/index.php/spring08/107-new-discoveries-theodore-rousseaus-forest-of-fontainebleau (accessed April 27, 2011).
Morton, Mary. "New Discoveries: Théodore Rousseau's 'Forest of Fountainebleau.'" Nineteenth-Century Art Worldwide 7, no. 1 (Spring 2008), http://www.19thc-artworldwide.org/index.php/spring08/107-new-discoveries-theodore-rousseaus-forest-of-fontainebleau (
Doherty, Tiarna, and Anne T. Woollett. Looking at Paintings: A Guide to Technical Terms. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2009), p. 37, ill.
Doherty, Tiarna, and Anne T. Woollett. Looking at Paintings: A Guide to Technical Terms. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2009)
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009), pp. 139-40, fig. 73.
Helvey, Jennifer. Irises: Vincent van Gogh in the Garden (Los Angeles: J. Paul Getty Museum, 2009)
Callen, Anthea. The Work of Art: Plein-air Painting and Artistic Identity in Nineteenth-century France (London: Reaktion Books, 2015), pp. 51-52, fig. 29.
Callen, Anthea. The Work of Art: Plein-air Painting and Artistic Identity in Nineteenth-century France (London: Reaktion Books, 2015)
Hellman, Karen, ed. Real/Ideal: Photography in Mid-Nineteenth-Century France, exh. cat. (Los Angeles: J. Paul Getty Museum, 2016), fig. 30.
Hellman, Karen, ed. Real/Ideal: Photography in Mid-Nineteenth-Century France, exh. cat. (Los Angeles: J. Paul Getty Museum, 2016)
Allan, Scott, and Édouard Kopp, eds. Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. (Los Angeles: J. Paul Getty Museum, 2016), pp. ix, 22, 36, 73, 125, 173-74, no. 37, ill.
Allan, Scott, and Édouard Kopp, eds. Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. (Los Angeles: The J. Paul Getty Museum, 2016)
Allan, Scott. "'A Method Matters Little': Rousseau's Working Procedures as a Painter." In Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. Scott Allan and Édouard Kopp, eds. (Los Angeles: J. Paul Getty Museum, 2016), p. 36.
Allan, Scott. "'A Method Matters Little': Rousseau's Working Procedures as a Painter." In Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. Scott Allan and Édouard Kopp, eds. (Los Angeles: J. Paul Getty Museum, 2016)
Allan, Scott. "Rousseau's Market, 1830-1914." In Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. Scott Allan and Édouard Kopp, eds. (Los Angeles: J. Paul Getty Museum, 2016), p. 73.
Allan, Scott. "Rousseau's Market, 1830-1914." In Unruly Nature: The Landscapes of Théodore Rousseau, exh. cat. Scott Allan and Édouard Kopp, eds. (Los Angeles: J. Paul Getty Museum, 2016)
Clark, Alexis. Review of Unruly Nature: The Landscapes of Théodore Rousseau. Los Angeles, Copenhagen. Nineteenth-Century Art Worldwide 16, no. 1 (Spring 2017), http://www.19thc-artworldwide.org/index.php/spring17/clark-reviews-unruly-nature-the-landscapes-of-theodore-rousseau (accessed April 10, 2017), fig. 12.
Clark, Alexis. Review of Unruly Nature: The Landscapes of Théodore Rousseau. Los Angeles, Copenhagen. Nineteenth-Century Art Worldwide 16, no. 1 (Spring 2017), http://www.19thc-artworldwide.org/index.php/spring17/clark-reviews-unruly-nature-the-landscapes
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), p. 116, ill.
Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2019)
Curatorial Essay: Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau
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A live oak dominates this late afternoon landscape. Diffuse light from the overcast sky reflects off the pond and up into the branches. The boulders, grass and broken branches in the foreground are barely suggested and the single figure making his way around the pond followed by a herd of cows is thinly sketched. Landscape painter Théodore Rousseau lived in the nearby village of Barbizon, returning often to the forest of Fontainebleau to paint. When commercial exploitation threatened the forest, Rousseau wrote to the Duke of Morny, an influential politician close to Napoleon III, to urge the preservation of the forest. During the summer Rousseau made use of a special easel and lean-to to facilitate painting outdoors. This painting belongs to a category known as *dessin-peinture* in which the artist notes the composition on site in chalk and thin layers of paint, and then returns to the studio to enhance particular elements and unite the composition.
Attribution 4.0 International (CC BY 4.0)
J. Paul Getty Museum, Los Angeles, California
The J. Paul Getty Trust, Los Angeles, California
Text provided by the J. Paul Getty Museum. Licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/).
A live oak dominates this late afternoon landscape. Diffuse light from the overcast sky reflects off the pond and up into the branches. The boulders, grass and broken branches in the foreground are barely suggested and the single figure making his way around the pond followed by a herd of cows is thinly sketched. Landscape painter Théodore Rousseau lived in the nearby village of Barbizon, returning often to the forest of Fontainebleau to paint. When commercial exploitation threatened the forest, Rousseau wrote to the Duke of Morny, an influential politician close to Napoleon III, to urge the preservation of the forest. During the summer Rousseau made use of a special easel and lean-to to facilitate painting outdoors. This painting belongs to a category known as dessin-peinture in which the artist notes the composition on site in chalk and thin layers of paint, and then returns to the studio to enhance particular elements and unite the composition.
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Related Media (Audio): Forest of Fountainebleau, feat. Scott Allan
Forest of Fountainebleau, feat. Scott Allan
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Objects Exhibited in Études peintes par M. Théodore Rousseau at Cercle des Arts, Paris
Études peintes par M. Théodore Rousseau at Cercle des Arts, Paris
Objects Exhibited in La peinture française au XIXe siècle at Musee du Prince Paul, Belgrade
La peinture française au XIXe siècle at Musee du Prince Paul, Belgrade
Objects Exhibited in La pintura francesa, de David a nuestros días at Salón Nacional de Bellas Artes, Montevideo
La pintura francesa, de David a nuestros días at Salón Nacional de Bellas Artes, Montevideo
La pintura francesa, de David a nuestros días
Objects Exhibited in La pintura francesa, de David a nuestros días at Museo Nacional de Bellas Artes, Buenos Aires
La pintura francesa, de David a nuestros días at Museo Nacional de Bellas Artes, Buenos Aires
Objects Exhibited in Exposição de pintura francesa, seculos XIX e XX at Museu Nacional de Belas Artes, Rio de Janeiro
Exposição de pintura francesa, seculos XIX e XX at Museu Nacional de Belas Artes, Rio de Janeiro
Exposição de pintura francesa, seculos XIX e XX
Objects Exhibited in The Painting of France since the French Revolution at de Young Museum, San Francisco
The Painting of France since the French Revolution at de Young Museum, San Francisco
The Painting of France since the French Revolution
Objects Exhibited in French Painting from David to Toulouse-Lautrec: Loans from French and American Museums and Collections at The Metropolitan Museum of Art, New York
French Painting from David to Toulouse-Lautrec: Loans from French and American Museums and Collections at The Metropolitan Museum of Art, New York
French Painting from David to Toulouse-Lautrec: Loans from French and American Museums and Collections
Objects Exhibited in Masterpieces of French Art at The Art Institute of Chicago, Chicago
Masterpieces of French Art at The Art Institute of Chicago, Chicago
Objects Exhibited in The Painting of France since the French Revolution at Los Angeles County Museum of Art, Los Angeles
The Painting of France since the French Revolution at Los Angeles County Museum of Art, Los Angeles
Objects Exhibited in Masterpieces of French Painting from the French Revolution to the Present Day at Portland Art Museum, Portland
Masterpieces of French Painting from the French Revolution to the Present Day at Portland Art Museum, Portland
Masterpieces of French Painting from the French Revolution to the Present Day
Objects Exhibited in Unruly Nature: The Landscapes of Théodore Rousseau at J. Paul Getty Museum at the Getty Center, Los Angeles
Unruly Nature: The Landscapes of Théodore Rousseau at J. Paul Getty Museum at the Getty Center, Los Angeles
Unruly Nature: The Landscapes of Théodore Rousseau
Objects Exhibited in Unruly Nature: The Landscapes of Théodore Rousseau at Ny Carlsberg Glyptotek, Copenhagen
Unruly Nature: The Landscapes of Théodore Rousseau at Ny Carlsberg Glyptotek, Copenhagen
Related Media Set for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13)
Verso: upper left, in blue: “41 / 183”; upper center, in red: “No. 12 / 2”; upper center, in black, circled: “2”; upper right of frame, in blue: “V / IX”; upper right, in white chalk: “X / 2”; center left of frame, in white chalk: “C4”; center left, in blue: “12[?]37 / 2”; lower center, in blue: CH12 C no 46”; lower right of frame, in blue: “43 [circled] / 2P”; lower right of frame, in blue: “Rouss[eau?]”; lower right of frame, in blue: “B-4”
Verso: upper left of frame, white rectangular label, printed in black: “RICHARD L. FEIGEN & CO. / INCORPORATED / 34 EAST 69TH STREET NEW YORK, N.Y. 10021 / ARTIST Théodore Rousseau / NO 20599-C / TITLE Tall trees overlooking the plain of Clair-Bois at the Edge of Bas-Bréau / DATE / MEDIUM oil and chalk on canvas / SIZE 35.4 x 45.7 in.”; upper left, darkened rectangular label with blue border, written in black: “4078 / M. nnn”; upper left, black stamp: “No 10496”; upper center, darkened rectangular label, written in red: “2040”; upper right, yellowed rectangular label, printed in black: “S.L. No. 3368.65 / THE METROPOLITAN MUSEUM OF ART / SPECIAL LOAN EXHIBITION / OF / French Painting from David to Toulouse-L[autrec?] / Title The Old Oak / Artist Rousseau / Owner [written in black:] Cat. No. 97 / Address”; center left, black stamp: “50”; center, yellowed rectangular label, printed in black: “MINISTERIO DE INSTRUCCION PUBLICA / COMISION NACIONAL DE BELLAS ARTES / Exposición de Pintura Francesca / ABRIL - MAYO DE 1940 / No. del Catálago [written in blue:] No. 12 / MONTEVIDEO - URUGUAY”; lower left of frame, yellowed rectangular label, printed in black: “Envoyé par Le LOUVRE / Appartient à / M. [H]ector BRAM[E] / PARIS”; lower left of frame, yellowed rectangular label with blue border, printed in white: “PUSEY BEAUMONT-CRASSIER / EMBALLAGE / D'OBJETS D'ART / GARDE MEUBLE / TRANSPORTS / Rue des Petites Ecuries 25 PARIS”; lower left, on canvas, black oval stamp: “A LA PALETTE D'OR / Ancienne Maison / / REY ET BRULLON / DEBOURGE / [?] / MD. DE COULEURS / 46, Rue de l'Arbre-Sec Paris”; lower center, black circular stamp: “[?] CAPITALE / [?] DE M. GADA”; lower center of frame, white rectangular label, printed in black: “MICHAUX & GUÉRIN / TRANSPORTS DE TABLEAUX & STATUES / 2. Rue de Rocroy, 2 - PARIS X / Titre ou désignation: [written in black:] Paysage. / Nom de l'auteur: [written in black:] Th. Rousseau / Nom et adresse: [written in black:] W. Bromne / 68 Bould. Malesherbes / Paris / [printed in black:] No. [written in black:] 10 / Buenos Ayres 1939 / [printed in black:] FE. 62071”; lower right of frame, yellowed rectangular label, printed in black: “THE ART INSTITUTE OF CHICAGO / SHIPPING ROOM / CONDITION OF CONTENTS / DATE MARCH 31 1941 / R.O. NUMBER / BOX NO. [written in blue:] 43[circled] 2P / REG. NO. / SIGNED BY [signed in black:] J.D. Benkert / [written in black and circled:] 40 / THE ITEMS CHECKED BELOW WERE DAMAGED AS NOTED / CANVAS [written in blue:] touch up spot in top center; frame chipped, pieces missing, corner open;”; lower right of frame, yellowed rectangular label, printed in black: “MINISTERIO DE INSTRUCCION PUBLICA / COMISÍON NACIONAL DE BELLAS ARTES / Exposición de Arte Francés / No. DE CATALOGO [written in pencil:] 22 / MONTEVIDEO - Ur[uguay] / [?]39”
Production of Artwork by Théodore Rousseau
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Getty Center, Museum West Pavilion, Gallery W203
Exhibition Title Attribute Assignment: Unruly Nature: The Landscapes of Théodore Rousseau
Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain Clair-Bois at the Edge of Bas-Bréau
Homepage for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) (HumanMadeObject)
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Paul Durand-Ruel; subsequently sold to M. Goldschmidt, May 1869.
Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Paul Durand-Ruel
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Paul Durand-Ruel and Hector Brame, Paris, bought as part of bulk purchase ("l'affaire des 100,000") from the artist, 1867 (Durand-Ruel stock no. 10496, "Lisière de Bas-Bréau"; dealer purchase price: Fr 2,000; est. sale price: Fr 6,000); by whom sold for Fr 4,800 to Goldschmidt, 1869; Alfred Feydeau, until d.1891; his estate sale (L.60229), Hôtel Drouot, Paris, May 22, 1902, lot 11 (“Les Grands Chênes,” ill.), sold for Fr. 24,000 to Bernheim Jeune & Fils, Paris; by whom sold for Fr 80,000 to Henri Gallice, Epernay, 1902 - until d.1930; by inheritance to his daughter Rosy Gallice (Mme. André de Chastellus), 1930; by inheritance within the de Chastellus family; by whom sold, through Richard Feigen & Co., New York, to the J. Paul Getty Museum, 2007.
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Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with M. Goldschmidt
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Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with M. Goldschmidt
Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Alfred Feydeau
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Alfred Feydeau; subsequently by inheritance to his heirs, 1891.
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Alfred Feydeau; subsequently sold, Feydeau sale, Hôtel Drouot, Paris, May 22, 1902, lot 11, to Bernheim-Jeune & Fils.
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sold, Feydeau sale, Hôtel Drouot, Paris, May 22, 1902, lot 11, to Bernheim-Jeune & Fils.
Provenance Sales Statement Sequence Attribution
Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Bernheim-Jeune & Fils
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Bernheim-Jeune & Fils; subsequently sold to M. Henri Gallice, 1902.
Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Henri Gallice d'Épernay
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Henri Gallice d'Épernay; subsequently by inheritance to his daughter, Rosy Gallice, and her husband, Andre de Chastellus.
by inheritance to his daughter, Rosy Gallice, and her husband, Andre de Chastellus.
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Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Rosy Gallice & Andre de Chastellus
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Rosy Gallice & Andre de Chastellus
by inheritance within the de Chastellus family.
Provenance Activity for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Andre de Chastellus
Provenance Acquisition for Forest of Fontainebleau, Cluster of Tall Trees Overlooking the Plain of Clair-Bois at the Edge of Bas-Bréau (2007.13) associated with Andre de Chastellus; subsequently sold through Richard Feigen & Co. (New York, NY) to the J. Paul Getty Museum, 2007.
sold through Richard Feigen & Co. (New York, NY) to the J. Paul Getty Museum, 2007.
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CC0 1.0 Universal (CC0 1.0) Public Domain Dedication
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Collection metadata provided by the J. Paul Getty Museum. Licensed under CC0 1.0 (http://creativecommons.org/publicdomain/zero/1.0/).