id: https://data.getty.edu/museum/collection/person/6ff9f678-0f11-499e-9968-ba5ed0ad1220
type: Person
label: Lelio Orsi
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  content: urn:getty-local:idm:constituent:slug/103KNH
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  content: Lelio Orsi
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  content: Lelio Orsi studied with his painter father, but very early on he incorporated into his polished, illusionistic style the two influences that remained primary throughout his life: Giulio Romano's exaggerated movement and excitability and Correggio's poignant passion and vibrant way of seeing. By 1538 Orsi had moved to a larger nearby town, Reggio Emilia, where he painted many architectural facades with illusionistic designs. Accused of involvement in a murder, he returned to his native Novellara in 1546, where he continued to create distinguished decorative works, especially as a painter of facades for the local nobility. Though he also completed a large project for the count of Novellara, providing everything from architectural drawings to decorative partitions for a villa, only fragments of any of these works survive. The year 1554, spent in Rome, was decisive: there he absorbed Michelangelo's Mannerism, which stayed with him for life. He began to concentrate on making easel paintings of mostly mythological and religious subjects; they indicated the energy and expressiveness of his monumental works, and their jeweled technique made them beautiful in themselves. By 1576 Orsi was probably back in Reggio Emilia.
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  content: Lelio Orsi studied with his painter father, but very early on he incorporated into his polished, illusionistic style the two influences that remained primary throughout his life: Giulio Romano's exaggerated movement and excitability and Correggio's poignant passion and vibrant way of seeing. By 1538 Orsi had moved to a larger nearby town, Reggio Emilia, where he painted many architectural facades with illusionistic designs. Accused of involvement in a murder, he returned to his native Novellara in 1546, where he continued to create distinguished decorative works, especially as a painter of facades for the local nobility. Though he also completed a large project for the count of Novellara, providing everything from architectural drawings to decorative partitions for a villa, only fragments of any of these works survive. The year 1554, spent in Rome, was decisive: there he absorbed Michelangelo's Mannerism, which stayed with him for life. He began to concentrate on making easel paintings of mostly mythological and religious subjects; they indicated the energy and expressiveness of his monumental works, and their jeweled technique made them beautiful in themselves. By 1576 Orsi was probably back in Reggio Emilia.
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referred to by:
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  content: Novellara, Italy, Europe
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      since: 2020-11-10
  content: 1511 - 1587

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content: Italian

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content: Italian, 1511 - 1587

id: https://data.getty.edu/museum/collection/person/6ff9f678-0f11-499e-9968-ba5ed0ad1220/birth
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  content: 1511
timespan:
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  begin of the begin: 1511-01-01T00:00:00
  end of the end: 1511-12-31T23:59:59

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type: LinguisticObject
label: Homepage for Lelio Orsi (Person)
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